Penelitian ini bertujuan untuk mengungkapkan representasi hibriditas dan negosiasi identitas dalam film The Mists of Avalon. Pembahasan pada tataran naratif film dan tataran teknis sinematik dilakukan dengan menggunakan pendekatan tekstual dengan teori strukturalismesemiotik sebagai kerangka kerja dan teori-teori cultural studies untuk mengungkapkan ideologi yang disampaikan film. Dari tataran naratif, hibriditas dan negosiasi identitas direpresentasikan melalui tema, struktur dan pencitraan tokoh-tokohnya. Negosiasi identitas direpresentasikan oleh penggunaan pola kilas balik, voice-over narration, dan unsur-unsur non-diagesis film. Dari tataran teknis, komposisi mise en-sc÷ne, framing, serta pilihan dalam aspek-aspek fotografis, editing dan suara mendukung representasi hibriditas dan negosiasi identitas yang disampaikan oleh naratif film.

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This research was aimed at revealing hybridity and identity negotiation represented in The Mists of Avalon. Analyses at the plane of narrative and cinematic techniques were conducted using textual approach applying strcuturalism-semiotic theories as framework and theories from cultural studies to reveal the ideology of the film. At the plane of narrative, hybridity and identity negotiation were represented through the movie's theme, narrative structure, and the characterization of its characters. At the technical plane, the movie's composition of mise-en-scene, framing, fotographic aspects, editing and sound were proved to support the representation of hybridity and identity negotiation presented by its narrative.