ABSTRAK
Tesis ini membahas konstruksi identitas Islam dalam sosok perempuan berjilbabdalam tiga film islami pasca-Orba. Penelitian ini menggunakan metode analisisteks dalam adegan dan dialog tiga film dengan berlandaskan pada konsep identitasCastells, ideologi patriarki, dan hermeneutik al-Qur’an Asma Barlas. Identitaskeislaman tiga sosok perempuan berjilbab terikat oleh relasi kekuasaan patriarkidalam tafsiran teks agama, sehingga perempuan mengalami ketidaksetaraangender. Hasil penelitian membuktikan bahwa tiga sosok perempuan berjilbabmenunjukkan keislamannya lewat pilihan mereka sendiri dalam memperjuangkankebebasan, keadilan, dan kesetaraan gender dihadapan laki-laki.

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ABSTRACT
This thesis discusses the construction of Islamic identities through imaged ofveiled women in three post-New Order islamic films. The research uses textualanalysis in analyzing the film scenes and dialogues based on the theoriesproposed by Castells on identity formation, Asma Barlas’s feminist hermeneuticsof al-Qur’an, gender, and patriarchy. Islamic identities as represented by veiledwomen are related to men’s power and monopoly of interpretation of the sacredtexts, and as the result, women have always been discriminated. The results of thisresearch proves that women’s religious piety is showed by their choice instruggling for a freedom, justice, and equality with men.