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Gejala-gejala neurosis pada tokoh Adjeng dalam film mereka bilang saya Monyet sebuah kajian psikoanalisis = Neurosis symptoms of the character Adjeng in the motion picture mereka bilang saya Monyet a psychoanalysis study

Sugeng Riyadi; Nurni Wahyu Wuryandari, supervisor; Manneke Budiman, supervisor ([Publisher not identified] , 2014)

 Abstrak

[ABSTRAK
Perilaku-perilaku tak wajar seorang tokoh tertentu di dalam sebuah karya sastra atau
film terkadang menimbulkan pertanyaan apakah perilaku-perilaku tersebut dapat
dipercaya atau tidak. Terkadang memang tidak mudah untuk memahami alasan yang
membuat tokoh tersebut berperilaku sebagaimana digambarkan dalam cerita di karya
sastra atau film tersebut. Di sinilah pendekatan psikoanalisis bisa menjadi alat yang
sesuai untuk memahami hal tersebut.
Kajian ini bertujuan untuk menunjukkan bagaimana prinsip-prinsip psikoanalisis
dapat digunakan untuk lebih memahami sebuah film yang berjudul Mereka Bilang,
Saya Monyet!, terutama tokoh utamanya, yaitu Adjeng. Secara lebih spesifik, tujuan
dari penelitian kualitatif ini adalah untuk menemukan bagaimana (1) unsur-unsur
naratif dan sinematografis film ini mencerminkan prinsip-prinsip psikoanalisis Freud,
dan (2) bagaimana gejala-gejalan neurosis tokoh utama di dalam film ini ditunjukkan
di dalam film, dan bagaimana gejala-gejala tersebut terkait dengan masa lalunya.
Dari hasil analisis unsur-unsur naratif film (tema, alur, penokohan, simbol, metafor,
ironi, dan alegori) ditemukan bahwa semua unsur naratif tersebut sangat terkait
dengan prinsip-prinsip psikoanalisis Freud. Keterkaitan yang sama juga ditemukan
pada unsur-unsur sinematografisnya (gambar, gerakan, dan suara). Keterkaitan unsurunsur
sinematografis ini mungkin tidak sejelas keterkaitan dengan unsur-unsur
naratif. Meski begitu, unsur-unsur sinematografis tetap mempertegas keterkaitan
antara struktur film ini dengan prinsip-prinsip psikoanalisis.
Sementara itu, analisis gejala-gejala neurosis pada tokoh utama film ini, Adjeng,
menemukan adanya dua macam gejala neurosis yang diderita Adjeng, yaitu ketakutan
akan keintiman dan ketakutan akan ditinggalkan (ditelantarkan). Gejala-gejala
tersebut ditunjukkan oleh sekuen-sekuen yang menunjukkan hubungannya dengan
orang-orang terdekatnya, seperti ibunya, kekasih-kekasihnya, dan teman-teman
dekatnya. Gejala-gejala neurosis tersebut terkait erat dengan kejadian-kejadian
traumatis yang dialami Adjeng ketika masih kecil dulu, khususnya saat ia mengalami
kompleks Oedipus.

ABSTRACT
Uncommon behaviors of a certain character in a literary work or movie sometimes
raise a question if such behaviors are really believable or not. In fact, it is sometimes
difficult to understand why such character does the things s/he does in the story told
by the literary work or movie. In this case, a psychoanalysis approach can be a very
effective tool to understand such thing.
This study aims at showing how psychoanalysis principles can be used to get a better
understanding of a movie entitled Mereka Bilang, Saya Monyet! (They Say, I am a
Monkey!), in general, and its character(s), in particular. To be more specific, the
objective of this qualitative research is to find out (1) how the narrative and
cinematographic elements of this movie reflect Freud?s Psychoanalysis principles and
(2) how the neurosis symptoms of the main character in this movie, Adjeng, which
are related to her childhood memories, are shown in the movie.
The analysis of its narrative elements (theme, plot, characterization, symbolism,
metaphor, irony, and allegory) shows that all the elements are closely related to
Freud?s Psychoanalysis principles. The same finding also goes to the analysis of its
cinematographic elements (picture, motion, dan sounds). Such relation might not be
as vivid as the one found in its narrative elements, but cinematographic elements
certainly give strong emphasis on such principles.
As for the neurotic symptoms of the main character, Adjeng, it is found that there are
basically 2 kinds of neurotic symptoms that she suffers from; fear of intimacy and
fear of abandonment. Such symptoms are shown by the sequences that show her
relationship with the people she is close to, including her mother, her lovers, and her
close friends. These neurotic symptoms are deeply rooted to her traumatic
experiences in her childhood when Oedipus Complex took place., Uncommon behaviors of a certain character in a literary work or movie sometimes
raise a question if such behaviors are really believable or not. In fact, it is sometimes
difficult to understand why such character does the things s/he does in the story told
by the literary work or movie. In this case, a psychoanalysis approach can be a very
effective tool to understand such thing.
This study aims at showing how psychoanalysis principles can be used to get a better
understanding of a movie entitled Mereka Bilang, Saya Monyet! (They Say, I am a
Monkey!), in general, and its character(s), in particular. To be more specific, the
objective of this qualitative research is to find out (1) how the narrative and
cinematographic elements of this movie reflect Freud’s Psychoanalysis principles and
(2) how the neurosis symptoms of the main character in this movie, Adjeng, which
are related to her childhood memories, are shown in the movie.
The analysis of its narrative elements (theme, plot, characterization, symbolism,
metaphor, irony, and allegory) shows that all the elements are closely related to
Freud’s Psychoanalysis principles. The same finding also goes to the analysis of its
cinematographic elements (picture, motion, dan sounds). Such relation might not be
as vivid as the one found in its narrative elements, but cinematographic elements
certainly give strong emphasis on such principles.
As for the neurotic symptoms of the main character, Adjeng, it is found that there are
basically 2 kinds of neurotic symptoms that she suffers from; fear of intimacy and
fear of abandonment. Such symptoms are shown by the sequences that show her
relationship with the people she is close to, including her mother, her lovers, and her
close friends. These neurotic symptoms are deeply rooted to her traumatic
experiences in her childhood when Oedipus Complex took place.]

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Jenis Koleksi: UI - Tesis (Membership)
No. Panggil : T41375
Entri utama-Nama orang :
Entri tambahan-Nama orang :
Entri tambahan-Nama badan :
Subjek :
Penerbitan : [Place of publication not identified]: [Publisher not identified], 2014
Program Studi :
Sumber Pengatalogan : LibUI ind rda
Tipe Konten : text
Tipe Media : unmediated ; computer
Tipe Carrier : volume ; online resource
Deskripsi Fisik : xii, 123pages : illustration ; 30 cm + appendix
Catatan Bibliografi : pages 122-123
Lembaga Pemilik : Universitas Indonesia
Lokasi : Perpustakaan UI, Lantai 3
  • Ketersediaan
  • Ulasan
No. Panggil No. Barkod Ketersediaan
T41375 15-17-496562580 TERSEDIA
Ulasan:
Tidak ada ulasan pada koleksi ini: 20389299