Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poetand reader but prompted new conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the noveland the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and thepublishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron,Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a new reading ofRomanticism and its contribution to modern conceptions of politics and publicity.