[Skripsi ini menjabarkan pertimbangan desain, fungsi, serta tujuan pemakaian
furnitur dalam film karya Wes Anderson, dengan bantuan cabang ilmu ergonomi
dan estetika yang dipakai di dalam dunia nyata. Melalui film The Grand Budapest
Hotel (Wes Anderson, 2014), skripsi ini menganalisis posisi dan orientasi furnitur
di dalam ruang, proporsi dan skala furnitur, serta pengalaman tekstur dan warna
yang diberikan furnitur kepada manusia. Dari analisis tersebut, terlihat bahwa
furnitur digunakan Wes sebagai tokoh untuk menyampaikan narasi film. Cara
skripsi ini menilai kualitas furnitur hanya melalui visualisasi (film) dapat dipakai
dalam pembelajaran furnitur di dunia nyata., This undergraduate thesis defines design considerations, function, and purpose of
furniture in film by Wes Anderson. Using the real-life perspective of ergonomy,
and a study of furnitures’ position and orientation, proportion and scale, and also
texture and color experiences that furniture gives to human were conducted to the
film The Grand Budapest Hotel (Wes Anderson, 2014). Based on the observation,
an argument on how Anderson utilized furnitures as characters through which a
storyline was conveyed was made. This method of evaluating furniture’s quality
strictly from visualization (film) can be used for studies of furniture in real-life.]