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"This study is focused on the working process of power in television program with special emphasis on Infotainment program, subjectively is marked by knowledge and action of involved actors. This study is qualitatively aimed at explaining production and reproduction of actors? social practices who involve in knowledge production processes for delivering television program. More over, this study will be able to describe the actors? power contestation based on positions and relationship among subjects in developing interaction based on their interest on mentioned television program presentation. It uses qualitative approach emphasis on the process rather than result, and tends to involve trust between researchers and informant. This analytic descriptive study is carried out since the beginning of January to August 2007. The work of power is basically moves to a series of relation, so that poser is understood as a description of plural network, not homogeny, and incomplete. It is a complicated network in a series of interactions and events in social practices of actors in a disperse position. Power can not be reduced in the form of central decision. It means that the works of power is not only determined by domination or authority of an actor to the other. In account to that, among actors are marked by regulation technology that work productively in controlling, depending, competing, and fighting one and other. Such process also marked by construction, deconstruction and reconstruction of actors? knowledge and is expressed in a series of actions that produce discourse. Based on data analysis supported by an existing concept, so that the work ad contestation of power in television program especially infotainment can be described as follows: Firstly, the process of delivering infotainment program in television creates a series of social practices of subject that has strategic relationship. The power works through social practices with dispersed positions through relations, or in other words the relationship construct power. Secondly, the process of delivering television program is marked by the works of control technology in the form of control system among actors. The control system extends over actors? relationship continually and drive to develop interdependency among them. Thirdly, the social interactions of actors who involved in infotainment program broadcast are basically a construction, deconstruction, as well as reconstruction of knowledge in which the power works. These become strategy of actors in interaction with others. Consequently there is a never ending contestation. Fourthly, besides power is a process of formulating knowledge, it also produces a discourse. Continually deconstructed discourse becomes a form of news media politics that create competition among actors that colored by the existence of power contestation. Based on the above notions there are two critical aspects that should be noted in this study: Firstly, infotainment broadcasting program is a television (private) program in Indonesia has contribute of knowledge formation marked by the work of power through social practices of contestation actors. Power contestation in this television program is a description of the existence of power relation that support, strive, compete and destruct in the process of build knowledge and discourse. Secondly, the issue of power basically has valuable contribution to anthropology, especially when experts that the anthropology has lost its job in lines with new social supremacy in this contemporary modern world. Issue of power also gives solution for anthropology to response related issue with recent development. Besides, issue of power gives a valuable contribution for anthropology has social network concept and empirical reality strength that can be carried out through field study."

"This study is focused on the working process of power in television program with special emphasis on Infotainment program, subjectively is marked by knowledge and action of involved actors. This study is qualitatively aimed at explaining production and reproduction of actors? social practices who involve in knowledge production processes for delivering television program. More over, this study will be able to describe the actors? power contestation based on positions and relationship among subjects in developing interaction based on their interest on mentioned television program presentation. It uses qualitative approach emphasis on the process rather than result, and tends to involve trust between researchers and informant.This analytic descriptive study is carried out since the beginning of January to August 2007. The work of power is basically moves to a series of relation, so that poser is understood as a description of plural network, not homogeny, and incomplete. It is a complicated network in a series of interactions and events in social practices of actors in a disperse position. Power can not be reduced in the form of central decision. It means that the works of power is not only determined by domination or authority of an actor to the other. In account to that, among actors are marked by regulation technology that work productively in controlling, depending, competing, and fighting one and other. Such process also marked by construction, deconstruction and reconstruction of actors? knowledge and is expressed in a series of actions that produce discourse.Based on data analysis supported by an existing concept, so that the work ad contestation of power in television program especially infotainment can be described as follows: Firstly, the process of delivering infotainment program in television creates a series of social practices of subject that has strategic relationship. The power works through social practices with dispersed positions through relations, or in other words the relationship construct power.Secondly, the process of delivering television program is marked by the works of control technology in the form of control system among actors. The control system extends over actors? relationship continually and drive to develop interdependency among them.Thirdly, the social interactions of actors who involved in infotainment program broadcast are basically a construction, deconstruction, as well as reconstruction of knowledge in which the power works. These become strategy of actors in interaction with others. Consequently there is a never ending contestation.Fourthly, besides power is a process of formulating knowledge, it also produces a discourse. Continually deconstructed discourse becomes a form of news media politics that create competition among actors that colored by the existence of power contestation. Based on the above notions there are two critical aspects that should be noted in this study:Firstly, infotainment broadcasting program is a television (private) program in Indonesia has contribute of knowledge formation marked by the work of power through social practices of contestation actors. Power contestation in this television program is a description of the existence of power relation that support, strive, compete and destruct in the process of build knowledge and discourse.Secondly, the issue of power basically has valuable contribution to anthropology, especially when experts that the anthropology has lost its job in lines with new social supremacy in this contemporary modern world. Issue of power also gives solution for anthropology to response related issue with recent development. Besides, issue of power gives a valuable contribution for anthropology has social network concept and empirical reality strength that can be carried out through field study."

"Rating dan share masih menjadi tujuan utama stasiun televisi di Indonesia saat ini. Hal tersebut membuat persaingan antar stasiun televisi semakin ketat. Oleh karena itu, stasiun televisi menggunakan berbagai strategi yang tepat untuk menaikkan rating dan share. Net merupakan televisi baru yang mengedepankan kualitas konten, dengan segmentasi penonton yang sempit, namun dengan rating dan share yang rendah. Dengan menggunakan konsep strategi, segmentasi penonton, dan rating share, tulisan ini akan membahas tentang strategi apa saja yang harus dilakukan Net untuk meningkatkan rating dan share dari segi segmentasi penonton Net berdasarkan demografi dan konten tayangan program televisi.

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Rating and share still the main purpose of television station in Indonesia today. This makes the competition among television stations increasingly stringent. Therefore, the television station using a variety of strategies to raise the rating and share. Netmedia is a new television with a good quality of the content, with a narrow audience segmentation, but with a rating lower share. By using the concept of strategy, audience segmentation, and rating share, this paper will discuss about Net strategy to increase the rating and share in terms of audience segmentation based on demographics and content of television programs."

"Buku ini merupakan hasil kajian yang mendalamtentang televisi Indonesia. Hampir semua aspek dibahas mulai dari sinetron, warna pemberitaan masing-masing stasiun hingga masalah intervensi dan monopoli pemerintah dalam industri televisi."

"The requirements of the community for information presently have become the major requirements in the daily living.

The existing information media, both newspapers and radio broadcast like the television broadcast must be able to meet the requirements on information in accordance with the era. With the sophisticated technology, satellites for broadcast relays, both radio and television broadcast have been developed. Furthermore, telecommunication technology and computer (digital technology) have set up an internet information media.

The competition has occurred between the television broadcasting industries, since the establishment of the television station RCTI in 1989, and later followed by SCTV, Indosiar and so forth. Until 2004, there are already 15 national private television stations.

The development of business industries on television broadcasting conducted competitively among these television broadcasts, had brought forth the issuance of Constitution No. 32 year 2002 on Broadcasting.

With the validity of the constitution, there has occurred a number of responses both pro and contra, due to the impact on the private television industries.

From the results of research, this had motivated the writer to further know the impact of Constitution No. 32 year 2002 on Broadcasting towards the business industries on television broadcast. The writer had carried out a Field Research through the distribution of questionnaires on 30 respondents in the program and technical divisions, and HRD of PT, RCTI.

In order to know the impact on the Constitution on Broadcasting No. 32 year 2002, some articles were considered very crucial, and the questionnaire data showed an independent variable, i.e. the crucial articles that influence the dependent variables (Broadcasting Program) having 15 articles. These articles will influence the development of the broadcasting stations and working outlines (DPK) of RCTI as the National Television.

With the issuance of the Constitution on Broadcasting No. 32 year 2002, this will influence the performance of RCTI, particularly in obtaining the competition of the market segments on advertisements already available. Conversely, Constitution on Broadcasting No. 32 year 2002, will protect the local programs and become a information and entertainment media adjusting with the Indonesian culture in supporting the Regional Autonomy Constitution."

"This book offers a comprehensive linguistic analysis of contemporary US television series. Adopting an interdisciplinary and multimethodological approach, Monika Bednarek brings together linguistic analysis of the Sydney Corpus of Television Dialogue with analysis of scriptwriting manuals, interviews with Hollywood scriptwriters, and a survey undertaken with university students about their consumption of TV series. In so doing, she presents five new and original empirical studies. The focus on language use in a professional context (the television industry), on scriptwriting pedagogy, and on learning and teaching provides an applied linguistic lens on TV series. This is complemented by perspectives taken from media linguistics, corpus linguistics and sociocultural linguistics/sociolinguistics. Throughout the book, multiple dialogue extracts are presented from a wide variety of well-known fictional television series, including The Big Bang Theory, Grey's Anatomy and Bones. Researchers in applied linguistics, discourse analysis, critical discourse analysis, corpus linguistics, sociolinguistics and media linguistics will find the book both stimulating and unique in its approach."

"Media televisi saat ini sedang berkembang pesat di Indonesia. Perkembangan ini juga mengakibatkan industri pertelevisian yang memproduksi program acara televisi menjamur dimana-mana. Program acara televisi merupakan suatu hasil karya intelektual yang dilindungi oleh hak cipta. Suatu hak cipta memiliki dua unsure hak yaitu hak moral dan hak ekonomi. Hak moral adalah hak mutlak yang dimiliki oleh pencipta dan tidak dapat dialihkan kepada orang lain, sementara hak ekonomi adalah hak untuk memanfaatkan karya cipta tersebut sehingga mendapatkan keuntungan. Hak ekonomi inidapat dialihkan kepada pihak lain. Hak ekonomi dalam program acara televisi adalah berupa Hak Siar. Hal ini diatur dalam SK MENPEN No. 111/1990, pasal 18 ayat (1) yang menyatakan bahwa setiap mata acara televisi sebelum disiarkan harus memiliki hak siar. Untuk memperoleh hak siar tersebut pada umumnya antara Lembaga Penyiaran dengan PH menggunakan perjanjian jual putus. Dengan adanya perjanjian jual putus maka hak siar yang dibeli oleh Lembaga Penyiaran dari PH dapat dimiliki secara penuh dan tanpa batas waktu. Namun rupanya jual putus ini belum mendapatkan pengaturan lebih lanjut oleh undang-undang hak cipta. Untuk itu dalam melakukan perjanjian jual putus perlu memperhatikan ketentuan-ketentuan mengenai hukum perjanjian jual beli dalam hukum perdata Indonesia. Di dalam praktek, jual putus hak siaran ini menimbulkan beberapa masalah hukum yang berhubungan dengan segi Hak Cipta berarti dalam hal pemutaran ulang program acara televisi tersebut, dan kaitannya terhadap pemegang hak terkait."