Hasil Pencarian  ::  Simpan CSV :: Kembali

"Pip is about to head to college, but she is still haunted by the way her last investigation ended. She's used to online death threats in the wake of her viral true-crime podcast, but she can't help noticing an anonymous person who keeps asking her: Who will look for you when you're the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself-or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . . and if she doesn't find the answers, this time she will be the one who disappears"

"Suasana Desa Doran yang biasanya tenang, sekarang MENCEKAM!Dari luar, Desa Doran, rumah sakit perawatan lansia demensia itu, tampak tenang . Suatu hari, terdengar teriakan dari tempat pembuangan sampah. Seorang bayi yang sudah meninggal ditemukan terbungkus plastik tanpa diketahui siapa pelaku pembunuhannya. Kasus itu sempat diselidiki, tapi berlalu begitu saja.Sebagai pemilik tanah tempat dibangunnya Desa Doran, Nenek Limun hendak melacak insiden tersebut. Untung saja demensia yang dia derita belum cukup parah. Bersama partnernya, si Bocah Asisten, Nenek Limun tidak hanya berhasil menemukan pelaku pembunuhan, tetapi juga praktik korupsi lain yang tersembunyi di Desa Doran."

"The urban space offers more challenges to the female self. Two motion pictures,Lost in translation (2003) and The good girl (2002), depict the issue of gender andspace by conveying the city as prison for the female characters. This articleanalyses the urban space and argues that in the two movies, the female charactersstruggle and eventually create meaning in the urban room. Applying feminismand urban geography in analysing the position of female characters within thecity, the paper finds that the two films offer their perception on, and solutions to,the imprisonment of women by the urban environment which is stereotypicallymasculine."

"Jahren has built three laboratories in which she's studied trees, flowers, seeds, and soil. She tells about her childhood in rural Minnesota with an uncompromising mother and a father who encouraged hours of play in his classroom's labs; about how she found a sanctuary in science, and the disappointments, triumphs and exhilarating discoveries of scientific work. Yet at the core of this book is the story of a relationship Jahren forged with Bill, who becomes her lab partner and best friend. Their sometimes rogue adventures in science take them over the Atlantic to the ever-light skies of the North Pole and to tropical Hawaii, where she and her lab currently make their home."