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"Dark comedy atau komedi gelap dalam serial animasi sering digunakan untuk menjelaskan atau menyampaikan pernyataan tentang masalah serius sehingga kebanyakan orang dewasa dapat lebih mudah terhubung daripada anak-anak karena orang dewasa adalah audiens target untuk jenis genre ini di dunia produksi animasi. Seringkali genre komedi gelap dalam suatu seri mencakup masalah serius, seperti kematian, kelaparan, dan bahkan dogmatisme keagamaan dalam masyarakat. Dalam Moral Orel (2005-2008), sindiran tentang masalah keagamaan dibangun berdasarkan bagaimana karakter menunjukkan perilaku menyimpang yang bertentangan sebagai seorang pria penganut agama Kristen yang berjuang untuk menjaga nilai-nilai altruistik Kristen sembari menahan nafsu pribadinya. Dengan menerapkan analisis tekstual dan pendekatan psikoanalisis Freud, makalah ini menyimpulkan bahwa karakter Clay Puppington dalam Moral Orel (2005-2008) digunakan untuk menunjukkan dengan cara satir bagaimana seorang individu berjuang untuk menjaga nilai-nilai altruistik Kristen sambil menahan nafsu pribadinya.

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Dark comedy in animation series has been frequently utilised to explain or make a statement about serious subjects so that most adults could relate to them more quickly than children because adults are the target audience for this type of genre in the animation production world.  Many times, the genre of dark comedy in one series covers serious subjects, such as death, famine, and even religious dogmatism in society. In Moral Orel (2005-2008), a satire on a religious issue is built upon how a character demonstrates a contradicting deviant behavior as a Christian man who struggles to maintain Christian altruistic values while at the same time represses his self-indulgent gratification. Applying textual analysis and Freud’s psychoanalytical approach, this paper concludes that the character Clay Puppington in Moral Orel (2005-2008) is used to show in a satirical way how one struggles to maintain Christian altruistic values while repressing self-indulgence gratification."

"Clay-epoxy nanocomposites were synthesized from DGEBA resin and montmorillonite clay with an in-situ polymerization. One type of untreated clay and two types of organo clay were used to produce the nanocompsoites. The aims of this study were to examine the nanocomposite structure using different tools and to compare the results between the unmodified clay and modified clays as nanofillers. Although diffractogram in reflection mode did not show any apparent peak of both types of materials, the transmitted XRD (X-Ray Difraction) graphs, DSC (Differential Scanning Calorimeter) analysis and TEM (Transmission Electron Microscope) images revealed that the modified clay-epoxy and unmodified clay-epoxy provides different results. Interestingly, the micrographs showed that some of the modified clay layers possessed non-exfoliated layers in the modified clay-epoxy nanocomposites. Clay aggregates and a hackle pattern were found from E-SEM images for both types of nanocomposite materials. It is shown that different tools should be used to determine the nanocomposite structure."