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"Dalam seni ekologis, materialitas objek-objek alam dihadirkan sebagai representasi hubungan manusia dan multispesies non-manusia. Dalam karya seni kontemporer yang partisipatif, Jatiwangi art Factory memaknai ulang tanah yang menjadi elemen penting bagi masyarakat Jatiwangi, Jawa Barat, yang dikenal sebagai penghasil genteng sejak 1905. Penelitian ini berlatar di Jatiwangi dan Kassel, Jerman—lokasi di mana peneliti terlibat dalam sebuah karya seni ekologis berjudul New Rural Agenda, sebuah konferensi performatif yang menghadirkan representasi human dan non-human untuk membicarakan agenda baru pedesaan, yang dipresentasikan di Documenta Fifteen, sebuah perhelatan penting bagi seni kontemporer dunia. Penelitian ini menggunakan metode autoetnografi, di mana peneliti melakukan refleksi dan analisis pengalaman ketubuhan “mengalami tanah” yang tersituasikan, dan menggunakan paradigma materiality turn dalam kajian Antropologi. Penelitian ini ingin menarasikan dan mengurai proses terbentuknya materialitas baru dan memori kolektif akan “tanah” dan multispesies lainnya dari mengalami “peristiwa seni” dari sudut pandang seniman.

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In ecological art, the materiality of natural objects is involved as a representation of the relationship between humans and non-human multispecies. In contemporary participatory works of art, Jatiwangi art Factory reinterprets land as an essential element for the people of Jatiwangi, West Java, who have been known as tile producers since 1905. This research is set in Jatiwangi and Kassel, Germany, where researchers are involved in a work of ecological art entitled New Rural Agenda. This performative conference presents human and non-human representations to discuss the new rural agenda presented at Documenta Fifteen, a historical event for contemporary world art. This thesis research uses the autoethnography method, in which the researcher reflects and analyzes the bodily experience of "experiencing Tanah" on situated and views it from the paradigm of materiality turn in Anthropology studies. This research aims to narrate and describe the process of forming new materiality and collective memory of "Tanah" and other multispecies from experiencing art performance from the artist's point of view."

"The theme of this book is the early encounters between Christianity and Islam in the eastern provinces of the Byzantine Empire and in Persia from the beginnings of Islam in Mecca to the time of the Abbasids in Bagdad. The contributions in this volume deal with crucial subjects of political and theological dialogue and controversy that characterized the varying responses of the Christian communities in the Byzantine Eastern provinces to the Islamic conquest and its subsequent impact on Byzantine society and history. This volume opens up new research perspectives surrounding the confrontation of Christianity with the early theological and political development of Islam. The present publication emphasizes the importance of the study of the beginnings and the foundations of the relations between the two religions."