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"How is the memory of traumatic events, such as genocide and torture, inscribed within human bodies? In this book, Paul Connerton discusses social and cultural memory by looking at the role of mourning in the production of histories and the reticence of silence across many different cultures. In particular he looks at how memory is conveyed in gesture, bodily posture, speech and the senses - and how bodily memory, in turn, becomes manifested in cultural objects such as tattoos, letters, buildings and public spaces. It is argued that memory is more cultural and collective than it is individual. This book will appeal to researchers and students in anthropology, linguistic anthropology, sociology, social psychology and philosophy."

"Machine generated contents note: 1. The birth of histories from the spirit of mourning; 2. Seven types of forgetting; 3. Silences; 4. Spatial orientation; 5. Tradition as conversation and tradition as bodily re-enactment; 6. Tattoos, masks, skin; 7. Emphatic, mimetic and cosmic projection."

"This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanović explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past."

"Hardware Fault-Tolerance is the set of techniques to remain operational after a fault by design. Programmable Logic Devices are good platforms to implement Hardware Fault-Tolerant techniques by utilizing abundant resources and facilitating self healing operations. In this paper we propose a hardware fault—tolerant architecture to duplicate components in order to replace faulty ones. Theproposed architecture is markedly different from other works that mostly focuses on reconfiguring and evolving logic units rather than our evolvable memory units. The self-reparation process for a memory failure is the reallocation and synchronization of memory content. The internal flip-flops form an abundant reconfigurable resource and are reconfigured to work as newly created memory.The proposed architecture has been downloaded and tested on a real F PGA development board and has satisfied all of its pre-defined specifications."

"Kajian perancangan ini bertujuan untuk mengeksplorasi potensi arsitektur naratif dengan metode perancangan berbasis potongan-potongan memori. Dalam prosesnya, batas-batas dan kualitas keruangan arsitektur dibentuk melalui identifikasi potongan-potongan memori dalam suatu perjalanan. Diskursus arsitektur telah lama mengeksplorasi pendekatan narasi. Namun, pada era kemajuan teknologi yang pesat saat ini, di mana pembangunan telah mencapai ranah virtualitas dan gravitasi sudah tidak lagi relevan, arsitektur dirasa telah dapat meninggalkan batasan-batasan fisik yang selama ini ada untuk kemudian mengoptimalkan kemampuannya dalam menyampaikan suatu narasi dalam bahasa keruangan yang terbentuk. Melalui kajian ini, dengan dilandaskan gagasan memory palace, saya mencoba untuk menggunakan arsitektur sebagai medium dalam mengomunikasikan perjalanan memori hidup saya, yang kemudian memungkinkan pembaca untuk turut mengalami perjalanan memori tersebut. Metode penyusunan memory palace ini menjadi sistem operasi pembentukan ruang arsitektur, di mana fragmen-fragmen memori dikonstruksikan kembali berdasarkan sebuah alur perjalanan pengalaman memori. Pada akhirnya, studi yang dilakukan dalam perancangan ini diharapkan dapat berkontribusi dalam ilmu perancangan arsitektur berlandaskan narasi. Arsitektur naratif berbasis fragmen memori ini berkontribusi pada metode perancangan yang dapat menghidupkan memori terhadap ruang dan waktu, serta hadir secara personal dan menembus batasan fisik konvensional yang ada.

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This study aims to explore the potential of architectural narrative driven by fragments of the memory. In the process, boundaries and spatial qualities of architecture are identified through fragments of memory. Architectural discourses have long explored the narrative approach. However, in the era of advanced technology we now live in, where construction has reached the virtual realm and gravity is no longer relevant, architecture is now able to transcend beyond the existing physical boundaries to optimise its capacity in conveying a narration. Through this study, based on the notion of memory palace, the author aims to utilise architecture as a medium to communicate the journey of the author's life memories and invite the reader to experience the journey as well. In this study, the memory palace method serves as the operation system of spatial construction, where memory fragments are to be reconstructed based on a path of the memory journey. Finally, this exploration aims to contribute to the architecture design method driven by narrative. Narrative architecture driven by memory fragments allows architecture to bring to life our memory within the space and time, to become more personal, and also to transcend the conventional physical limitations."

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Manusia bertindak atas dasar pengalaman yang terekam dalam memori manusia, kumpulan rekaman ini nantinya membentuk nilai diri manusia. Dalam menanggapi lingkungannya, manusia meninggalkan bekas yang kumpulannya membentuk milieu sehingga ruang dapat mencirikan penggunanya. Di sisi lain, semakin tua manusia semakin berkurang kemampuan untuk beraktivitas yang berimbas pada pengurangan nilai diri, terlebih jika dihadapkan dengan lingkungan yang tidak terkoneksi. Jika memori-tindakan-milieu identitas saling berkaitan, bagaimana jika suatu hari manusia lupa identitas dirinya seperti pada pederita Alzheimer? Penderita Alzheimer tidak dapat merespon lingkungannya dengan baik dan bahkan lupa akan hal yang biasa dilakukan. Salah satu cara untuk tetap mempertahankan memori dirinya yaitu dengan membuat memory box, sebuah box yang didalamnya terdapat kumpulan benda yang merangsang memori dengan 4 indera. Karena adanya keterkaitan antara lingkungan dengan manusia, penderita dapat merasa lebih dekat dan tinggal dalam memori ketika memory box diimplementasikan dalam bentuk arsitektur. Ruang dengan ciri fisiknya akan dipahami oleh manusia melalui proses identifikasi-orientasi- inhabitasi sebagai upaya mengulik kembali memori yang pernah ada. Pemahaman milieu ruang dari kumpulan cues merupakan fase yang penting dalam proses eksplorasi lingkungan. Jika arsitektur ini dapat diidentifikasi sebagai memory box, dalam hal ini, arsitektur dapat ikut andil dalam pemertahanan memori dan peningkatan kualitas akhir hidup penderita Alzheimer.

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Experience that recorded in humans memory is the basis of humans act, the collection of this record create the value of human. In response to their environment, human leave traces of which the assemblies of traces create milieu, so that space can depict their inhabitant. In the other hand, human decrease their capability to do their activity as they goes older which affect in reduction of their value, especially if the environment doesnt connects with them. If memory actmilieu identity  linked to each other, what if one day human forget their identity as what happen in Alzheimers? Alzheimers cant respond their environment as well as they forget their usual activity. One way to keep their memories themselves is creating memory box, a box with the collection of objects that stimulate 4 sense inside it. Because of theres connection between human and their environment, Alzheimers could be more close and live in their memories when memory box can be implemented as architecture. Space with its physical characteristic would be understood by human through identification-orientatio-inhabitation process as an effort to recall memories. The understanding process of spaces milieu which from the assemblies of cues is the important phase of spaces exploration. If architecture can be identified as memory box, so that prove architecture can play a role in memories retention and enhancement of life quality of Alzheimers.

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"ABSTRAKMemori atau kenangan merupakan sesuatu yang didapatkan dan tersimpan dalam pikiran dan akan muncul jika kita berusaha mengingatnya. Suatu kenangan pada suatu arsitektur tertentu didapatkan ketika seseorang pernah mengalami dan melakukan aktivitas secara rutin. Durasi yang cukup lama dalam mengalami arsitektur tersebut membuat sebuah ruang space menjadi sebuah tempat place bagi seseorang yang mengalami ruang tersebut. Terdapat hubungan antara pengguna dan ruang serta objek yang berada di dalam ruang. Alat mnemonic, sebuah pemicu ingatan, banyak tersebar pada rumah ini. Baik itu merupakan furnitur atau ruang itu sendiri. Pada Kampung Laweyan terdapat beberapa rumah milik para saudagar batik yang masih berdiri hingga saat ini. Kini pemilik-pemilik rumah tersebut adalah generasi berikut dari para saudagar. Terdapat banyak cerita serta kenangan yang ada pada rumah tersebut melihat bagaimana rumah tersebut merupakan tempat bagi pemiliknya.

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ABSTRACTMemories are obtained and stored in minds they appear only when one tries to remember. A memory of an architecture site is obtained when one experiences it as a routine. Abundance of time spent in experiencing architecture turns space into place for the one who experiences it. There is a connection between human, space, and objects within. Mmenomic devices, as triggers of memories, are spread across the architecture the one that was experienced by the human be it the space itself or the furniture within. In Kampung Laweyan, there exist several houses once owned by saudagar batik in 1900s, now owned by their descendants. There are many memories stored, stories to be told, as in the owners 39 eyes, the houses are not mere space, but place. "