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"Penelitian ini membandingkan peran gender dan adat dalam upacara pernikahan di Tiongkok dan Vietnam serta implikasinya terhadap norma sosial. Melalui analisis kualitatif, penelitian ini meneliti tradisi pernikahan di kedua negara untuk memahami bagaimana adat memperkuat ekspektasi gender. Di Tiongkok, adat pernikahan lebih menekankan kelanjutan garis keluarga dan menegaskan dominasi laki-laki dalam hierarki keluarga, sementara di Vietnam, lebih berfokus pada kesatuan keluarga dan penghormatan leluhur. Metode penelitian mencakup analisis konten dari media massa, teks akademik, serta analisis narasi tekstual dan visual dari dokumenter yang berkaitan dengan praktik pernikahan. Dengan menggunakan teori ritual Turner, performativitas gender Butler, maskulinitas hegemonik Connell, deskripsi Tebal Geertz, dan teori Objektifikasi Nussbaum, penelitian ini mengeksplorasi bagaimana adat pernikahan tradisional mempertahankan norma peran gender. Hasilnya menunjukkan bahwa, meski ada perubahan karena modernisasi, banyak praktik tradisional masih memengaruhi pandangan masyarakat di daerah pedesaan. Penelitian ini berkontribusi pada pemahaman tentang fungsi adat pernikahan dalam memperkuat peran gender di Tiongkok dan Vietnam, serta bagaimana modernitas menantang praktik-praktik ini.

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This study compares gender roles and marriage customs in wedding ceremonies in China and Vietnam, as well as their implications for social norms. Through qualitative analysis, this research examines wedding traditions in both countries to understand how customs reinforce gender expectations. In China, wedding customs place greater emphasis on the continuation of the family lineage and reinforce the male dominance in the family hierarchy, while in Vietnam, they focus more on family unity and ancestral reverence. The research methodology includes content analysis of mass media, academic texts, along with textual and visual narrative analysis of documentaries related to wedding practices. Using Turner’s ritual theory, Butler’s gender performativity, Connell’s hegemonic masculinity, Geertz’s thick description, and Nussbaum’s objectification theory, this study explores how traditional marriage customs sustain gender role norms. The results indicate that while modernization has brought about changes, many traditional practices continue to influence societal views in rural areas. This research contributes to an understanding of the function of marriage customs in reinforcing gender roles in China and Vietnam, as well as how modernity challenges these practices."

"Tests 1m membahas mengena1 makna upacara perkawman Shmto yangdtselenggarakan dt Togo JmJa Urutan upacara perkawman Shmto adalah sebagatbenkut Sanden Shubatsu no Gz Norzto Sojo Sezhaz no Gz Yubzwa no KokanSezshz Sojo Tamagushz Hoten Shznzokuhaz no Gz dan Tazshutsu Masalah pokokyang dtbahas dalam penehtlan 1m adalah 1) apa makna upacara perkawmanShmto dt Togo JmJa 2) apa makna dan pakatan yang dtkenakan pada upacaraperkawman Shmto d1 Togo JmJa dan 3) apakah ada perbedaan antara upacaraperkawman Shmto yang umum dan upacara perkawman Shmto d1 Togo JmjaHastl penehtian menunJukkan bahwa ntual yang pentmg dalam upacaraperkawman Shmto adalah Shubatsu no Gz Norzto Sojo dan Tamagushz Hotenyang bermakna pemumtan permohonan dan persembahan Makna upacaraperkawman Shmto adalah pembentahuan kepada Kam1 kepada kerabat dan ternanmengena1 terbentuknya keluarga yang barn Selam 1tu JUga memihkl tuJuan untukmemohon kepada Kam1 untuk memberkah perkawman mereka supaya btsamembentuk keluarga yang bahagta Ada sedikit perbedaan yang terdapat dalamupacara perkawman di Togo Jmja tetap1 bukan perbedaan makna

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This thesis IS about the meanmg of Shmto weddmg ceremony held m Togo JmJa

Shmto weddmg sequence ts as follows Sanden, Shubatsu no Gz Norzto Sojo

Sezhaz no Gz Yubzwa no Kokan Sezshz Sojo Tamagushz Hoten Shznzokuhaz no Gz

and Tazshutsu The central Issues m th1s thesis are 1) what IS the meanmg of

Shmto weddmg ceremony m Togo JmJa 2) what 1s the meamng of clothmg worn

on Shmto weddmg ceremony, and 3) whether there ts a dtfference between a

pubhc Shmto weddmg ceremomes and marnage ceremomes m Togo JmJa Shmto

The results showed that the Important ntual m Shmto weddmg ceremony IS

Shubatsu no Gz Norzto Sojo dan Tamagushz Hoten whtch IS means punfymg,

supplicatiOn and offermgs The meamng of Shmto weddmg ceremony IS a notice

to us to relatives and fnends about the formation of a new family It also has the

purpose to plead wtth us to bless the1r marnage m order to form a happy family

There IS httle dtfference there ts m a marnage ceremony m Togo JmJa but not the

difference m meamng"

"[ ABSTRAKLaylat al-henna adalah sebuah tradisi yang berasal dari negara-negara Arab dan beberapa negaradi Asia Selatan. Semenjak Islam masuk ke Indonesia melalui orang Arab, Gujarat, dan Persia,tradisi ini masuk dan dipertahankan oleh perempuan keturunan Arab-Indonesia di Otista, JakartaTimur menjelang hari pernikahannya sebagai simbol akan melepaskan masa lajang. Laylat alhennaditandai dengan penggunakan henna pada tangan dan kaki calon pengantin perempuan padadua atau sehari sebelum perayaan dan perayaannya biasanya terjadi pada malam hari menjelanghari pernikahan. Tradisi ini hanya dihadiri oleh kaum perempuan di rumah atau tempat lain yangdisediakan calon pengantin perempuan. Penggunaan henna tersebut diyakini sebagai daya tarik,kepercayaan leluhur, dan kesehatan. Tradisi ini masih dipertahankan sampai saat ini olehperempuan keturunan Arab di Indonesia. Laylat al-henna sudah dianggap layaknya suatu tahapyang wajib dilakukan sebelum melakukan acara atau prosesi pernikahan. Tradisi laylat al-henna diIndonesia juga mengalami percampuran antara budaya asli, yaitu Arab dan budaya setempat, yaituIndonesia.

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ABSTRACTLaylat al-henna is a tradition that comes from Arab countries and some countries in South Asia.

Since Islam arrived in Indonesia through the Arabs, Gujarat, and Persia, this tradition entered and

maintained by the Arab-Indonesian woman in Jakarta ahead of her wedding day as a symbol will

be releasing the single. Laylat al-henna is characterized by the use of henna on the hands and feet

of the bride at the two or the day before the festivities and celebrations usually take place on the

night before the wedding day. This tradition is only attended by women at home or elsewhere

provided the bride. The use of henna is believed to be the charm, ancestral beliefs, and health. This

tradition is still maintained today by the women of Arab descent in Indonesia. Laylat al-henna has

been deemed appropriate, a step that must be done prior to the event or wedding procession. Laylat

al-henna traditions in Indonesia also experienced a mixture of origin culture, Arab and the local

culture, Indonesia., Laylat al-henna is a tradition that comes from Arab countries and some countries in South Asia.

Since Islam arrived in Indonesia through the Arabs, Gujarat, and Persia, this tradition entered and

maintained by the Arab-Indonesian woman in Jakarta ahead of her wedding day as a symbol will

be releasing the single. Laylat al-henna is characterized by the use of henna on the hands and feet

of the bride at the two or the day before the festivities and celebrations usually take place on the

night before the wedding day. This tradition is only attended by women at home or elsewhere

provided the bride. The use of henna is believed to be the charm, ancestral beliefs, and health. This

tradition is still maintained today by the women of Arab descent in Indonesia. Laylat al-henna has

been deemed appropriate, a step that must be done prior to the event or wedding procession. Laylat

al-henna traditions in Indonesia also experienced a mixture of origin culture, Arab and the local

culture, Indonesia.]"