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"Relief and statue of Hindu deity, Durga in Indonesian temples, inscriptions, etc."

"Penelitian ini mengkaji arca Durga Mahisasuramardini di Jawa Tengah dan Jawa Timur koleksi Museum Nasional Jakarta dengan tinjauan gaya seni. Penelitian dilakukan dengan tujuan untuk mengidentifikasi gaya seni arca Durga dari Jawa Tengah dan Jawa Timur yang terdapat di Museum Nasional Jakarta, mengungkapkan kesesuaian arca Durga dengan ketentuan Naskah Hindu India.Hasil penelitian ini mengungkapkan bahwa terdapat persamaan dan perbedaan gaya seni arca Durga Jawa Tengah dan Jawa Timur. Penggambaran arca Durga koleksi Museum Nasional Jakarta mengikuti ketentuan-ketentuan yang berasal dari Hindu India, walaupun terdapat pula penggambaran yang tidak sesuai dengan ketentuan-ketentuan tersebut, hal tersebut kemungkinan menunjukkan adanya kebebasan seniman dalam penggambaran arca.

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This study examines Durga Mahisasuramardini in Central Java and East Java, the collection of the National Museum in Jakarta to review the art style. This research was conducted with the aim of research to indentifiy Durga art style of Central Java and East Java, at the National Museum in Jakarta comparing it with the source of Indian writers.

This study reveals tha there are similarities and differences in art style Durga Central Java and East Java. This ecplains the depiction of Durga in the National Museum in Jakarta to follow the provisions stemming from Hindu India in addition there are depictions that are not in accordance with this provision, it shows the freedom statue maker."

"Islam et acculturation javanaise: line analyse textuelle et contextuell du rite du Slametan Ce memoire porte sur la rencontre culturelle entre L'lslam et la culture javanais telle que representee par le rituel du slaenetan. Les objectifs principaux de cette recherch se presentent en trois valets: Premierement, en dormant un bref apercu du context historique de la rencontre entre !Islam et la tradition javanaise, deuxiemement, e analysant le debat des specialistes sur la question d'etablir si le slametan est un rit animiste, syncretiste ou islamique et, troisiemement, en proposant une nouvell perspective du rituel du slametan, fondee sur une analyse textuelle (religieuse) e contextuelle (socio-culturelle).L'hypothese sous-jacente de cette etude est que le slaenetan soit le prototype d'u rituel syncretiste, etant dune part, la representation d'elements islarniques (en son centre et, d'autre part, la representation de traditions locales (a sa peripherie). Cette recherch critiquera la theorie du slaenetan developpee a la fois par Geertz ainsi que Woodward. L premier chercheur percoit le slaenetan uniquement d'apres une perspective socio-culturell alors que le second considere ce rite selon une approche theologique islamique. L'autet de ce present memoire insiste qu'une perspective holistique devrait plutit etre employe afin de parvenir a une vision d'ensemble, a la fois de "1'interieur" (perspective religieus+ et de "I'exterieur" (perspective culturelle)."

"Part One of this book is based on ethnographic fieldwork conducted by the author during 1970-72 on a local branch of the Muhammadiyah in the town of Kotagede, a suburb of Yogyakarta, Indonesia. This work, first published in 1983, observed that the Muhammadiyah social and educational movement had reformed traditional Javanese Islam into a vital living faith and adapted Muslim life to modernity. The author was one of the first scholars who had noted that there was continuing Islamization in Indonesia and predicted its progress in the future. Part Two is based on the author's three decades of follow-up visits to the Kotagede from the 1970s to 2010. During this period, the Muhammadiyah movement made enormous advancements, enough to to make the town known as a "Muhammadiyah town"."