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"Charles Thomas Newton (1816–1894) was a British archaeologist specialising in Greek and Roman artefacts. He studied at Christ Church, Oxford before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor. In 1856 he discovered the remains of the Mausoleum of Helicarnassus, one of the seven ancient wonders of the world. He was appointed Keeper of Greek and Roman Antiquities in 1860 and remained in the position until 1880. First published in 1880, this volume is a compilation of lectures on archaeology and classical art which he delivered over the course of his career. They are arranged chronologically and cover topics as diverse as the study of archaeology, Greek sculptures and the arrangement of antiquities in the British Museum, providing valuable information on early methods of archaeology and the study of classical art."

"The core of the book is an intelligent summary of various studies of literary forms done by the French critics of the last several decades, in particular, by Barthes, Greimas, Genette and Todorov. This is accompanied by a compact discussion of Russian formalism, one more bird's eye view on the Saussure-Jakobson tradition in linguistics, and the author's own contribution to the poetics of fiction : the topics for which Scholes has a special predilection and on which he has published a number of important essays. His critical summaries of structuralist critics are models of clarity"

"This book contains essays written by eminent phenomenologists & scholars closely related to R. Bernet, a person and a philosopher. The intellectual and worldwide authority of R. Bernet's work is well represented, as well as by the content of their chapters. In a sense, this volume is a good indication of the importance of Bernet's own books, articles and classes. The editors have chosen to concentrate the contributions on what could be estimated to be one of the three major themes of his philosophical itinerary: life, seen from a phenomenological point of view, its relation to subjectivity, experiences and consciousness, and both seen as the ground for an original reflection on art (paintings)."