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"Charles Thomas Newton (1816–1894) was a British archaeologist specialising in Greek and Roman artefacts. He studied at Christ Church, Oxford before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor. In 1856 he discovered the remains of the Mausoleum of Helicarnassus, one of the seven ancient wonders of the world. He was appointed Keeper of Greek and Roman Antiquities in 1860 and remained in the position until 1880. First published in 1880, this volume is a compilation of lectures on archaeology and classical art which he delivered over the course of his career. They are arranged chronologically and cover topics as diverse as the study of archaeology, Greek sculptures and the arrangement of antiquities in the British Museum, providing valuable information on early methods of archaeology and the study of classical art."

"Seni rupa merupakan bentuk komunikasi non-verbal yang berisi nilai dan gagasan dari senimannya. Seni juga merupakan produk kultural masyarakatnya. Modernisasi yang terjadi memunculkan perkembangan seni seperti seni populer. Perkembangan tersebut pun terjadi di Indonesia yaitu dengan kemunculan seni designer toys. Seni bermediakan mainan ini menjadi sebuah bisnis yang komersil sehingga mengancam keberadaan seni rakyat. Salah satu seniman yaitu Silvia T., menghasilkan beragam karya designer toys dengan tema identitas budaya Indonesia. Penelitian ini mengungkap terjadinya komodifikasi identitas lokal pada wujud seni populer yang merupakan bentuk industri budaya. Dengan memodifikasi metode analisis wacana kritis Norman Fairclough, penelitian ini menghasilkan temuan data berupa adanya pengadopsian identitas budaya Indonesia menjadi bentuk-bentuk populer melalui tanda-tanda pada designer toys karya Silvia T. sebagai bentuk komodifikasi. Melalui analisis terhadap proses produksi, seniman mengakui bahwa kepentingan untuk memperoleh keuntungan menjadi prioritas sehingga dilakukan penyesuaian pada proses produksi karya. Seni designer toys menjadi bentuk industri budaya yang menjerat masyarakat pasif sebagai konsumennya. Penelitian ini menunjukkan bahwa kekhawatiran Theodor W. Adorno berupa industri budaya telah terjadi pada perkembangan seni saat ini.

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Fine art is a non-verbal communication form which consist of concepts and values from its artist. Art is also cultural product from its society. Modernization shows the development of arts such as popular art. That development yet takes place in Indonesia with arise of designer toys art. These art toys become an commercial business which threaten the popularity of folk arts. One of the designers, Silvia T., creates some designer toys creation with Indonesian culture identity themed. This research reveals that there is occurrence commodification of local identity in the popular art as a form of culture industry. By modifying Norman Fairclough critical discourse analysis method, this research result finding data which shows some adoption of Indonesian culture identity with pop art forms through signs in Silvia T. designer toys creations as a form of commodifications. From production process analysis, designer admitted to gain profit as her priority, which results some adjusment in her art production process. Designer toys art turns out become a form of culture industry which enticed the passive society as its consumers. This research indicate that Theodore W. Adorno?s concern about culture industry, recently has happened on art development."

"Keterkaitan antara arsitektur dan fesyen merupakan topik yang menarik untuk dikaji. Akan tetapi, pembahasan mengenai keterkaitan antar keduanya relatif belum banyak dilakukan oleh para peneliti. Arsitektur dan fesyen merupakan perwujudan gaya yang berkembang pada suatu zaman. Keduanya akan terus berubah dan digantikan oleh gaya yang baru. Gaya dapat dicerminkan dalam wujud dan bentuk, maupun elemen lain yang menciptakan karakteristik berbeda antara gaya satu dengan yang lainnya. Saat ini, bentuk bangunan menjadi lebih dinamis, sedangkan fesyen justru berkembang menurut prinsip arsitektonik, karena perkembangan teknologi. Hal tersebut menunjukkan perkembangan terhadap gaya keduanya. Menoleh ke masa sebelumnya, perkembangan arsitektur dan fesyen menciptakan gaya yang berbeda dalam suatu masa. Terdapat faktor-faktor yang mempengaruhi perkembangannya, dan menciptakan ciri pada gaya dalam kurun waktu tertentu. Dengan menelaah perkembangan arsitektur dan fesyen dari masa lampau, hingga masa kini, dapat disimpulkan adanya keterkaitan antara gaya keduanya serta dampak signifikan akibat keterkaitan tersebut sebagai perwujudan dari kebudayaan masyarakat.

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The relations between architecture and fashion are interesting topics to be studied. However, the discussion on the relationship between the two, relative has not been carried out by researchers. Architecture and fashion are embodiment of style which grow at a time. Both will always and replaced by new style. Style can be reflected in object and form, also in another element which creating different character between one style with another. Currently, building forms become more dynamic, while fashion grows according architectonic principal because of technological development. It shows the developments of both styles.

Turned to the past, the development of architecture and fashion was creating different style in period. There are factors which affect its development, and create characteristic of style within certain time. By examining the development of architecture and fashion from the past until the present, we can conclude there is correlation between their style as well as significant impacts due to these linkages as reflection of social culture."