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"How is the memory of traumatic events, such as genocide and torture, inscribed within human bodies? In this book, Paul Connerton discusses social and cultural memory by looking at the role of mourning in the production of histories and the reticence of silence across many different cultures. In particular he looks at how memory is conveyed in gesture, bodily posture, speech and the senses - and how bodily memory, in turn, becomes manifested in cultural objects such as tattoos, letters, buildings and public spaces. It is argued that memory is more cultural and collective than it is individual. This book will appeal to researchers and students in anthropology, linguistic anthropology, sociology, social psychology and philosophy."

"Machine generated contents note: 1. The birth of histories from the spirit of mourning; 2. Seven types of forgetting; 3. Silences; 4. Spatial orientation; 5. Tradition as conversation and tradition as bodily re-enactment; 6. Tattoos, masks, skin; 7. Emphatic, mimetic and cosmic projection."

"ABSTRAKFilm Mother Dao The Turtlelike(fMD) merupakan sebuah film yang disusun dari penggalan-penggalan film dokumenter Hindia-Belanda (1912-1933). Penggalan film dari masa kolonial tersebut disusun dalam bentuk kolase dan dibubuhi sonor berupa bunyi-bunyian, tembang dalam bahasa Jawa dan Sunda, puisi dalam bahasa Indonesia serta sebuah mitos penciptaan Nias. Disertasi ini berusaha mengungkap cara sineas memanfaatkan unsur-unsur sinematografis dan naratif untuk menawarkan suatu memori kolektif poskolonial yang lebih kritis.Dengan memperlakukannya sebagai teks, analisis struktur film dilakukan dengan menggunakan teori naratologi film. Hasil analisis memperlihatkan perbedaan pandangan tentang kolonialisme antara para kinematograf film Hindia-Belanda(fHB) dan sineas fMD. Bagi para kinematograf dan pemesannya kolonialisme diyakini sebagai upaya pengentasan penduduk dan pengembangan wilayah koloni. Pandangan sineas fMD sebagaimana tercermin dalam sonor memperlihatkan hal yang bertentangan: kolonialisme adalah eksploitasi manusia atas manusia dan alam.Susunan berbentuk kolase dan pengimbuhan sonor mengubah gambaran kolonial dalam fHB. Dengan cara itu sineas menjadikan filmnya sebagai langkah awal pembentukan memori poskolonial yang lebih kritis.

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ABSTRACT

The documentary film Mother Dao the Turtlelike (MDT) is not a remake but composed from footages of the Ducth East Indies (DEI) films made between 1912 and 1933. A sound-over is then added on this collage composition which consist of Javanese and Sundanese songs, Indonesian poems, and the mythology of creation of Batu Islands, Nias. This dissertation tried to find out the way the filmmaker uses the cinematographic and narrative elements in an attempt to construct a new postcolonial collective memory.

Assuming film as a text, the film?s structure is then analysed using the theory of film narratology. Despite the highly complicated structure, sinds there is no commentary added to the collage composition, a comprehensive analyses have to be conducted. The analysis showed the different perspectives of the cinematographers of DEI films and of MDT. Colonialism is still believed as an effort to develop the colony and its people. On the contrary the composition of collages and sonores in MDT clearly show the missery and extreme sufferings of the indigenous people. As well as the exploitation of their nature for the sake of the welfare of the colonialist.

The composition of colages and sonores in MDT change the colonial image of DEI films. The colage and the sonores in MDT give the chance to the viewer to see what colonialism really meant. MDT will enhance spectators critical thinking as well as their an humanistic postcolonial collective memory;The documentary film Mother Dao the Turtlelike (MDT) is not a remake but composed from footages of the Ducth East Indies (DEI) films made between 1912 and 1933. A sound-over is then added on this collage composition which consist of Javanese and Sundanese songs, Indonesian poems, and the mythology of creation of Batu Islands, Nias. This dissertation tried to find out the way the filmmaker uses the cinematographic and narrative elements in an attempt to construct a new postcolonial collective memory.

Assuming film as a text, the film?s structure is then analysed using the theory of film narratology. Despite the highly complicated structure, sinds there is no commentary added to the collage composition, a comprehensive analyses have to be conducted. The analysis showed the different perspectives of the cinematographers of DEI films and of MDT. Colonialism is still believed as an effort to develop the colony and its people. On the contrary the composition of collages and sonores in MDT clearly show the missery and extreme sufferings of the indigenous people. As well as the exploitation of their nature for the sake of the welfare of the colonialist.

The composition of colages and sonores in MDT change the colonial image of DEI films. The colage and the sonores in MDT give the chance to the viewer to see what colonialism really meant. MDT will enhance spectators critical thinking as well as their an humanistic postcolonial collective memory."

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Layaknya organisme yang hidup, kota akan terus berubah. Tiap sudut kota menjadi saksi atas rekam jejak perubahan tersebut. Dalam konteks ini, ruang publik di kota berperan ganda: sebagai repositori sekaligus tempat diproduksinya memori kolektif. Tempat dimana masa lalu dan masa kini mematerialisasikan dirinya dalam satu waktu. Tulisan ini akan menelusuri jejak memori kolektif di ruang publik kota yang lebih lanjut membentuk identitas ruang tersebut di mata publik. Objek studinya ialah Taman Ismail Marzuki, ruang publik yang kaya akan nilai histori. Penelusuran dilakukan dengan metode etnografi, melibatkan wawancara kualitatif dan observasi mendalam dengan kajian berdasarkan narasi formal sejarah sebagai pembandingnya. Hasilnya, didapatkan rangkaian identitas TIM yang variatif pada tiap periodenya, dengan potongan memori kolektif masa lampau yang turut tersisip di wujud terbarunya. Residu dari memori kolektif ini beragam wujudnya, muncul dalam bentuk program ruang, nama bangunan, mural, hingga motivasi komunitas seni untuk berlatih di TIM.

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A city is similar to a living organism, constantly changing. Every corner of the city becomes a witness to these transformations. In this context, the city's public spaces serve a dual role: as repositories and as sites where collective memory is produced. They are the places where the past and present materialize simultaneously. This article will explore the traces of collective memory in public spaces, which will further shape the identity of these spaces in the eyes of the public domain. The study will focus on Taman Ismail Marzuki (TIM), a public space that is rich in historical value. The exploration is conducted through ethnographic methods, involving qualitative interviews and in-depth observations, with a comparative analysis based on formal historical narratives. The findings reveal a diverse range of TIM's identities in each period, with fragments of collective memory from the past embedded in its current form. The residues of this collective memory take various forms, appearing as spatial programs, building names, murals, and even motivating artistic communities to practice at TIM.

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"There is no more stressful and traumatic experience than coping with the death of a loved one. There are various stages of grief and loss, which often take months or even years for many people to overcome. But with the right guidance, readers can learn to lessen the pain and live happy lives. "Solace" provides soothing comfort and hope for those who are suffering. As an award-winning bereavement expert, Roberta Temes believe all of us experience and process grief in our own way. Here she helps readers through the stages of grief, tells them when they should worry, helps them consider the pros and cons of bereavement groups and counselors, and shows them how to use visualization to help the healing process. Featuring anecdotes drawn from her bereavement practice so readers may learn from the experiences of others who have also gone through and struggled with loss, "Solace" is also filled with comforting affirmations, quotations and words of encouragement. Dealing with loss is never easy, but this book provides a calming companion to help readers through their mourning and begin enjoying life again."