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"This book gives an account of how the new dramatic experimentwas born and grew, moving from closed courtly audiences to a wider public. By concentrating on the order in which things happened, it underlines the novelty of almost everything that was produced. By highlighting performing qualities,rather than literary ones, it is able to show how improvised commedia dell'arte depended to a surprising degree on these relatively respectable antecedents. Scripted and improvised comedy are treated as part of the same phenomenon, and in this way a crucial phase in the development of European theatre is explored for the first time."

"The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed for private audiences, ranged in tone from sober moralism to scurrilous farce, and influenced European dramatists from Shakespeare to Molière and Lope de Vega. This book gives an account of how the new dramatic experiment was born and grew, moving from closed courtly audiences to a wider public. It examines the performing values of these scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores a crucial phase in the development of European theatre. It will be of interest to scholars and students in both theatre history and Italian studies"