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"Women and Media is a thoughtful cross–cultural examination of the ways in which women have worked inside and outside mainstream media organizations since the 1970s.Rooted in a series of interviews with women media workers and activists collected specifically for this book, the text provides an original insight into women’s experiences.Explains the ways that women have organized their internal and external campaigns to improve media content (or working conditions) for women, and established womenowned media to gain a public voice.Identifies key issues and developments in feminist media critiques and interventions over the last 30 years, as these relate to production, representation and consumption."

"Konstruksi perempuan yang muncul dalam iklan, layar kaca, film maupun media lain menunjukkan salah satu karakter yang dimiliki oleh perempuan yang ideal adalah paras cantik atau menarik. Hal yang menjadi pertanyaan adalah, bagaimana dengan konstruksi sosial kecantikan perempuan yang bekerja di industri media (di belakang layar), apakah sama? Penelitian ini menggunakan teori Konstruksi Sosial dari Berger dan Luckmann. Dalam penelitian ini paradigma yang digunakan adalah konstruktivisme dan menggunakan metode kualitatif. Pengumpulan data dilakukan dengan cara wawancara mendalam dengan pekerja perempuan khususnya mereka yang bekerja di belakang layar. Hasil penelitian menunjukkan Proses konstruksi sosial pada kecantikan perempuan yang bekerja di insitusi media terjadi melalui momen eksternalisasi, yaitu adanya anggapan bahwa bekerja di institusi media walaupun di belakang layar harus tetap memperhatikan penampilan wajah dan tubuh, lalu ada momen objektivasi yang terbagi dua yaitu karyawan perempuan merasa memang diperlukan untuk tampil menarik kapanpun itu dan sebaliknya merasa apabila tampilan menarik hanya diperlukan jika ada acara besar saja. Terakhir ada momen internalisasi yaitu proses sosialisasi melalui keluarga teman dan lingkunan sekitar yang terjadi pada setiap individu lalu kemudian hadir di momen eksternalisasi kembali.

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The construction of women who appear in advertisements, television screens, films and other media shows that one of the characters possessed by the ideal woman is a beautiful or attractive face. The question is, what about the social construction of women's beauty working in the media industry (behind the scenes), is it the same? This study uses Social Construction theory from Berger and Luckmann. In this study the paradigm used is constructivism and using qualitative methods. Data collection was carried out by in-depth interviews with women workers, especially those who worked behind the scenes. The results showed that the social construction process on the beauty of women who work in media institutions occurs through moments of externalization, namely the assumption that working in a media institution even though behind the scenes must still pay attention to the appearance of the face and body, then there is a moment of objectivation divided into two, namely female employees feel it is necessary to look good whenever it is and vice versa feel that if an attractive appearance is only needed if there is a big event. Finally there is the moment of internalization, the process of socialization through family friends and the surrounding environment that occurs in each individual and then present at the moment of externalization again."

"Tesis ini membahas kebertubuhan perempuan dalam wacana erotika serta pornografi pada tayangan televisi Mata Lelaki dan Sexophone. Penelitian ini merupakan penelitian kualitatif dengan menggunakan paradigma kritis. Melalui analisis framing Gamson dan Modigliani, hasil penelitian menunjukan bahwa kebertubuhan perempuan dalam tayangan televisi dianggap sebagai instrumen dalam mengakumulasi modal. Kemampuan media untuk menampilkan sosok perempuan sebagai objek, menyebabkan eksploitasi fisik perempuan sebagai daya tarik tayangan. Kemenarikan fisik perempuan serta penggunaan wacana tubuh mereka dimanfaatkan oleh tayangan Mata Lelaki dan Sexophone untuk membawa imajinasi khalayak ke tema yang menjadi segmentasi program. Objektifikasi perempuan selalu disajikan dalam rancangan program, menjadi salah satu manifestasi eksploitasi perempuan. Perempuan diidentifikasi hanya sebatas kemenarikan fisik dan keterampilan yang lemah. Dari sini, perempuan di representasikan hanya untuk mendapatkan keuntungan yang besar dan cepat melalui kekuatan rating.

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The focus of this study is women’s body and their embodiment in erotica and pornography discourse on Mata Lelaki and Sexophone program. This is qualitative research and using critical paradigm. Through Gamson and Modigliani's framing, the result shows that woman body and their embodiment in the television becomes instrument to accumulate the capital. The ability of the media to show women as an objects, led to the exploitation of women's physical attractiveness impressions. Physical attractiveness and bodies discourse of women exploited by Mata Lelaki and Sexophone to bring audiences imagination to the theme of the program segmentation. Objectification are always presented in the program design, become one of woman exploitation manifestation. Woman described in the physical beauty and weak ability. Woman is represented by television program to get large advantage rapidly through the power of rating."

"Kajian ini menganalisis bagaimana media massa yaitu koran Angkatan Bersendjata dan Berita Yudha pasca Peristiwa Gerakan 30 September 1965 melakukan konstruksi kejahatan terhadap Gerwani. Kajian ini menggunakan data sekunder yang berasaal dari pemberitaan Angkatan Bersendjata dan Berita Yudha periode Oktober 1965-April 1966 yang tersedia di Perpustakaan Nasional Republik Indonesia. Selain itu data sekunder juga diambil tulisan Saskia WIeringa yang berjudul Penghancuran Gerakan Perempuan: Politik Seksual di Indonesia Pascakejatuhan PKI dan Benedict Anderson yang berjudul ldquo;How Did the Generals Die?'. Data sekunder dianalisis menggunakan teori Politik Seksual oleh Kate Millett 1970 dan teori Amplifikasi Penyimpangan oleh Stanley Cohen 1972 . Analisis menunjukkan bahwa konstruksi terhadap Gerwani sebagai perempuan jalang adalah hasil dari amplifikasi penyimpangan yang menyebabkan moral panic sehingga terjadi kejahatan kebencian terhadap Gerwani. Semua ini merupakan sebuah bentuk dari kekerasan berbasis gender.

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This study analyze how the mass newspapers, Angkatan Bersendjata dan Berita Yudha, after the 30 September 1965 Movement constructed Gerwani Indonesian Women's Movement as criminals. This study used secondary data sources from Angkatan Bersendjata and Berita Yudha articles ranged from October 1965 to April 1966 which available at Perpustakaan Nasional Republik Indonesia National Library of Republic of Indonesia. The author also used works by Saskia Wieringa titled Penghancuran Gerakan Perempuan Politik Seksual di Indonesia Pascakejatuhan PKI and Benedict Anderson, 'How Did the Generals Die'. These secondary data analyzed with Kate Millett's Sexual Politic theory 1970 and Deviancy Amplification theory by Stanley Cohen 1972. The result was the construction of Gerwani as sexually deviant was the effect of deviancy amplification which caused moral panic that leads to hate crime against Gerwani. These whole proccess is a form of gender based violence. "

"Skripsi ini membahas pembingkaian Republika online mengenai strategi kuota 30 pencalonan perempuan untuk meningkatkan keterwakilan perempuan di legislatif, pada pemilu legislatif di tahun 2009 dan 2014. Penelitian ini menggunakan metode analisis framing dan pendekatan kualitatif dalam menganalisa mengenai bagaimana strategi kuota 30 keterwakilan perempuan pada pemilu legislatif tahun 2009 dan 2014 diberitakan oleh Republika. Hasil analisis framing terhadap berita di Republika online menunjukkan bahwa peningkatan keterwakilan perempuan sangat penting, namun masih terdapat beberapa hambatan. Permasalahan yang dihadapi untuk mewujudkan keberhasilan strategi kuota 30 pencalonan perempuan tersebut adalah sistem pemilu, kebijakan partai politik, dan pandangan mengenai kualitas calon anggota legislatif perempuan.

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This undergraduate thesis analyzes the framing of Republika online about 30 quota strategy of women candidacy to increase women representation in Parliament during legislative elections in 2009 and 2014. This research used framing analysis method and qualitative approach to analyzed how the 30 quota strategy of women representation reported by Republika online. The frame of Republika online shows that increasing women representation is very important, but there are still some problems may occur. The obstacles to achieve the goals of 30 quota strategy are the electoral system, political parties policy, and the perspective about the quality of women candidates."

"This volume seeks to offer a critical, innovative and empirically driven interrogation of the international political economy of cultures of production and consumption in Western market societies, investigating the reproduction of Western popular and commercial culture (including its products and representations) alongside analysis of representations of and attitudes towards feminism in contemporary Western societies. Many scholars have examined the marginalisation of feminist concerns in contemporary Western societies, argued that we now live in a post-feminist age, or shown how feminist concerns have been appropriated and absorbed by institutions that contribute to the perpetuation of gender inequalities. Death of Feminism? furthers this debate by focusing on how these very arguments depend upon a cultural political economy that has gendered understandings of everyday life, gendered patterns of consumption, and gendered predominant forms of commercial capitalism that circulate at the global level. This book will provide significant insight into how cultural artefacts of the past decade in the UK, US, and Australia have made use of gendered representations for the purposes of promoting specific forms of consumption, how these artefacts can be (and have been) understood as gendered, and the political consequences of these representations and understandings. Written in an accessible fashion, analysing a broad range of commercial and popular culture artefacts (including advertising, radio, television, film and online media) and including primary data from interviews and focus groups, this work will of use to students and scholars of IR, IPE, gender, cultural and media studies"--"This book explores the intimate connections between representation, the politics of feminism and the cultural practices of modern, Western, consumer society. It explores feminism 'made sensible' through visual imagery and popular culture representations, examining feminism's popular and commercial value. It investigates how popular culture is produced, represented and consumed to reproduce the conditions in which feminism is valued or dismissed. It asks where and how the sexualisation of cultural products is maintained and to what effect. It asks, finally, whether sufficient evidence can be marshalled to argue that antifeminism exists in commodity form and is commercially viable."