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"Hikayat Malim Deman sebagai peninggalan kesustraan Melayu Klasik amatlah berharga. Melalui pendekatan diktatis yang ditekankan pada aspek estetik yang terdapat di dalam narasi, didapati bahwa hikayat ini tedak sekadar bermanfaat sebagai pelipur lara. Nilai yang diperoleh dari hasil pembacaan secara tekstual maupun kontekstual dari hikayat ini menunjukkan bahwa ajaran kebijaksanaan, kesetiaan, ketakziman, kesadaran dan kerja keras merupakan nilai yang mempu memperkaya kehidupan rohani pembaca."

"Analisis sistem sosial Minangkabau yang terkandung dalam warisan bertujuan mengungkapkan berbagai konsep dalam tradisi dan kebudayaan Minangkabau yang melatari novel ini agar tercapai pemahaman yang lebih dalam dan lengkap. Dalam penelitian di atas, penulis mempergunakan pendekatan ekstrinsik. Pendekatan ekstrinsik digunakan untuk membahas warisan, yang mengacu pada sistem sosial, berupa konsep dalam tradisi budaya masyarakat Minangkabau. Hasil analisis menunjukkan bahwa novel warisan sangat banyak memuat konsep dalam tradisi budaya Minangkabau. Penulis mencoba mengungkapkan sistem sosial, berupa konsep-konsep dalam tradisi budaya Minangkabau yang terkandung dalam Warisan."

"As a cultural performance, Randai traditionally organized in various ways as part of a traditional Minangkabau order adaik salingka nagari prevailing at each villages in Minangkabau. As a folk theater, Randai always produced with distinctive-looking dramaturgi order relating to the socio-cultural order prevailing in Minangkabau society. Based on the description dramaturgi aspects of it, seems a common thread that connects the various elements of the socio-cultural order Minangkabau society. Study of this paper will show that the Randai dramaturgy typically constructed based on the existence of elements and traditional values in the range of ethnic communities in the Minangkabau of West Sumatra. Various political and social factors in the development of the Minangkabau people, especially friction factor of the indigenous, Islam, and the state, has affected the order of the elements and the traditional values that build Randai dramaturgy. As a result, aspects and positions where Randai dramaturgi inMinangkabau society today, is also changing."

"As a cultural performance, Randai traditionally organized in various ways as part of a traditional Minangkabau order adaik salingka nagari prevailing at each villages in Minangkabau. As a folk theater, Randai always produced with distinctive-looking dramaturgi order relating to the socio-cultural order prevailing in Minangkabau society. Based on the description dramaturgi aspects of it, seems a common thread that connects the various elements of the socio-cultural order Minangkabau society. Study of this paper will show that the Randai dramaturgy typically constructed based on the existence of elements and traditional values in the range of ethnic communities in the Minangkabau of West Sumatra. Various political and social factors in the development of the Minangkabau people, especially friction factor of the indigenous, Islam, and the state, has affected the order of the elements and the traditional values that build Randai dramaturgy. As a result, aspects and positions where Randai dramaturgi inMinangkabau society today, is also changing."