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"ABSTRAK Pada abad 21, jumlah penampilan tokoh wanita yang kuat atau tangguh di film-film Hollywood mengalamikenaikan. Terdapat sejumlah jalan cerita di mana tokoh wanita berperan sebagai pahlawan atau sosok yang kuatatau tangguh menghadapi tokoh-tokoh lainnya di film-film Hollywood. Menganalisa ?The Girl with the DragonTattoo? dan ?Gone Girl? karya David Fincher, jurnal ini menyampaikan argumen bahwa representasi tokoh wanitadi kedua film tersebut hanya sampai pada titik tertentu. Memberikan sejumlah analisis mengenai hubungan antarakarakter pria dan wanita di kedua film tersebut, jurnal ini menunjukkan bahwa representasi tokoh wanita kuat atautangguh di ?The Girl with the Dragon Tattoo? dan ?Gone Girl? karya David Fincher sangat berkaitan denganterjadinya ketidakseimbangan kekuasaan atau power imbalance di dalam hubungan, dan hanya jatuh pada konsepbinary opposition, di mana tokoh wanita dilihat sebagai sosok yang kuat atau tangguh hanya di saat merekamengalami pembalikkan kekuasaan atau reversal of power di dalam hubungan.ABSTRACT In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships."

"Travel writing (catatan perjalanan) telah menjadi medium dokumentasi bagi para penjelajah Eropa, termasuk dari Belanda, ketika menjelajahi luar Eropa pada abad ke-16 hingga ke-19. Kini travel writing telah diakui sebagai sumber sejarah penting bagi Belanda dan juga wilayah-wilayah yang dikunjungi penjelajah Belanda. Penelitian ini berfokus pada buku Mijn Indische Reis (1931), catatan perjalanan H.P. Berlage ketika di Hindia Belanda pada tahun 1923. Identitas Berlage sebagai orang Barat yang melakukan perjalanan ke Timur menjadi unsur menarik untuk mengkaji bagaimana penilaian Berlage sebagai orang Barat terhadap budaya Hindia Belanda. Dengan menggunakan pendekatan pascakolonial yakni Orientalisme dari Edward Said, penelitian ini menemukan bahwa terdapat narasi oposisi biner dalam perbandingan budaya antara Hindia Belanda dengan Barat yang dilakukan oleh Berlage. Hasil dari penelitian menunjukkan bahwa terdapat perubahan narasi oposisi biner Berlage sehingga identitasnya terekonstruksi di Timur. Ambivalensi narasi oposisi biner di akhir perjalanan Berlage menunjukkan perubahan pandangan orientalis Berlage sebagai orang Barat dengan mengutarakan kritiknya terhadap praktik kolonial yang dilakukan oleh bangsa Belanda. Sehingga dapat disimpulkan Mijn Indische Reis (1931) adalah medium kritik Berlage terhadap pandangan Barat mengenai Timur

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Travel writing has become a medium of documentation for European explorers, including those from the Netherlands when exploring outside Europe in the 16th to 19th centuries. Now travel writing has been recognized as an important historical source for the Netherlands and also for the regions visited by Dutch explorers. This research focuses on the book Mijn Indische Reis (1931), a travel writing of H.P. Berlage while in the Dutch East Indies in 1923. Berlage's identity as a Westerner who traveled to the East is a unique element in examining how Berlage as a Westerner assessed Dutch Indies culture. By using a postcolonial theoretical approach, namely Orientalism by Edward Said, this research finds that there are binary opposition narratives in the cultural comparison between the Dutch East Indies and the West carried out by Berlage. The results of the research show that there is a change in Berlage's binary opposition narrative so that his identity is reconstructed in the East. The ambivalence of the binary opposition narrative at the end of Berlage's journey shows a change in Berlage's orientalist view as a Westerner by expressing his criticism of colonial practices carried out by the Dutch. So it can be concluded that Mijn Indische Reis (1931) is a medium for Berlage's criticism of Western views on the East."

"Oposisi biner adalah metafisika kehadiran. Oposisi biner ini terdapat dalam struktur sehingga memunculkan hierarki. Hierarki ini merupakan sejarah filsafat barat. Oposisi biner memunculkan makna yang stabil dan pasti. Hal inilah yang didekonstruksi oleh Derrida. Dekonstruksi Derrida ini memunculkan konsekuensi tentang makna teks. Metode dekonstruksi digunakan untuk menemukan dan menunjukkan konsekuensi dekonstruksi Derrida itu. Dekonstruksi Derrida terhadap oposisi biner tidak untuk mencari makna, melainkan menciptakan makna yang terkait dengan teks, konteks, intertekstualitas, penafsir, dan permainan bahasa. Derrida menolak oposisi biner dan muncul pluralitas makna.

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The binary opposition is a metaphysics of presence. This binary opposition can be found in structure that emerge hierarchy. This hierarchy is history of Western philosophy. The binary opposition emerge stable and certain meaning. This case is deconstructed by Derrida. This deconstruction of Derrida emerge the consequence about meaning of text. The method of deconstruction is used to find out and to point out that consequence of Derrida's deconstruction. The deconstruction of Derrida on the binary opposition is not looking for meaning, but it creates meanings that related to text, context, intertextuality, interpreter, and language games. Derrida rejected binary opposition and emerge plurality of meanings."

"ABSTRAK Penelitian ini menggunakan kerangka pemikiran dari Shulamith Firestone dalam The Dialectic of Sex dan bertujuan untuk untuk mengeksplorasi gagasan di balik cinta romantis dan kehamilan dalam novel Gone Girl karya Gillian Flynn. Analisis hubungan antara karakter utama wanita dan dua pria sebagai pasangannya dalam novel ini menunjukkan bagaimana cinta tidak sehat menjadi bentuk opresi bagi wanita. Budaya romansa dalam novel mendemistifikasi cinta romantis dengan menunjukkan sisi cinta romantis yang merusak. Analisis atas persepsi media dan Nick Dunne mengenai kehamilan menunjukkan pentingnya fungsi reproduktif wanita untuk mempertahankan berdirinya keluarga nuklir patriarkal. Akan tetapi, cara karakter wanita Amy Dunne menggunakan kehamilan tradisional dibantu reproduksi buatan membalikkan kehamilan menjadi sumber kekuatan baginya. Dengan demikan, reproduksi buatan dalam teks memberi kekuatan bagi wanita tanpa menghapus ikatan keluarga nuklir. Seiring dengan wanita mendapatkan kontrol atas kondisi biologis tubuh mereka, keluarga nuklir tidak lagi menjadi sebuah bentuk opresi untuk wanita.

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ABSTRACT Using Shulamith Firestone’s theoretical framework of The Dialectic of Sex, the focus of this research is to explore the underlying notions of romantic love and pregnancy in the novel Gone Girl by Gillian Flynn. Analysis of the relationships between the heroine and the love interests reveal how unhealthy love becomes a form of oppression for women. The culture of romance in the novel demystifies romantic love as the novel reveals the destructive side of romantic love. Further analysis on the perceptions from media and Nick Dunne toward pregnancy shows the importance of women’s reproductive function to withstand the establishment of the patriarchal nuclear family. However, the way the female character, Amy Dunne, uses traditional pregnancy aided with artificial reproduction turns pregnancy as a source of power for her. Thus, artificial reproduction in the text enables women to gain power without diminishing the bond of nuclear family. As women gain power through control of their biological conditions, nuclear family is no longer viewed as a form of women’s oppression."

"Penelitian mengenai identitas melalui narasi tertulis seperti pada memoar dan biografi sudah populer di bidang linguistik selama beberapa dekade. Dalam tulisan ini, memoar terkenal yang ditulis oleh Michelle Robinson Obama, Becoming (2018), diteliti dengan tujuan untuk menganalisis konstruksi identitas. Memoar ini secara spesifik dipilih karena narasi personal yang kuat dan cerita yang menginspirasi, dimana menceritakan perjuangan seorang wanita Afrika-Amerika melawan diskriminasi di Amerika Serikat. Tulisan ini berfokus pada bagian tertentu dari memoar, yaitu Becoming Us, yang dianalisis melalui pendekatan DHA (Analisis Wacana Historis) yang dipelopori oleh Ruth Wodak. Pendekatan ini menyediakan beberapa strategi diskursif, beberapa di antaranya adalah referensi/nominasi dan predikasi yang diaplikasikan untuk menganalisis fitur-fitur linguistik yang menyediakan representasi positif, negatif, dan netral dari aktor sosial. Semua representasi yang ada nantinya berkontribusi untuk mengonstruksi identitas budaya dan ras Michelle Obama. Kebaruan dari penelitian ini terdapat pada pendekatan yang lebih linguistik dan konteks sejarah sebagai usaha untuk meneliti identitas.

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Researches on identity through written narrative such as memoir and biography have been popular in the linguistics field over the decades. In this paper, a famous memoir written by Michelle Robinson Obama, Becoming (2018), is examined as a means to analyze the construction of identities. This particular memoir is chosen because of the strong personal narrative and inspiring story which recounts the struggle of the African American woman against discrimination in the United States. This paper focuses on the selected section of the memoir, Becoming Us, which is examined through the Discourse-Historical Analysis (DHA) pioneered by Ruth Wodak. This approach offers several discursive strategies, some of which are referential/nomination and predication that are applied to analyze the linguistic features which provide positive, negative, and neutral representations of the social actor. All of these representations then contribute to construct Michelle Obama’s cultural and racial identities. The novelty of this research lies in a more linguistic approach and historical context as the endeavors to examine the identities."

"[ABSTRAK Glee adalah salah satu serial televisi yang menampilkan tokoh homoseksual. Sebagai program televisi yangterkenal, Glee cenderung menciptakan atau memperkuat stereotip mengenai cara berbicara kaum homoseksualmelalui fitur bahasa yang digunakan. Penelitian ini berfokus pada bagaimana Glee menggunakan bahasa untukmenunjukan seksualitas para tokoh homoseksualnya, dan bagaimana serial televisi ini berurusan denganstereotip cara berbicara kaum gay. Teori fitur bahasa wanita Lakoff adalah landasan dasar dari penelitian ini.Sistem heteronormatif dalam percakapan di antara pasangan dan dominasi fitur bahasa yang digunakan olehpara tokoh homoseksual adalah dua hal yang didiskusikan dalam makalah ini. Penelitian ini menjelaskanbagaimana Glee memperumit pendapat umum mengenai cara kaum gay berbicara. Makalah ini memberikankonstribusi pada studi bahasa homoseksual dalam budaya populer. ABSTRACT Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture;Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture;Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture, Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters’ sexuality, and how this show

deals with the stereotype of gay talk. Lakoff’s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture]"