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Ditemukan 535 dokumen yang sesuai dengan query
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Martin, George R. R.
A game of thrones = Perebutan Takhta
Jakarta: Fantasious, 2015
813 MAR g
Buku Teks SO  Universitas Indonesia Library
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Martin, George R. R.
A game of thrones = Perebutan takhta
Jakarta: Fantasious, 2016
813 MAR g
Buku Teks SO  Universitas Indonesia Library
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Martin, George R.R.
A game of thrones : song of ice and fire
New York : Bantam Books, 2011
813 MAR g
Buku Teks SO  Universitas Indonesia Library
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Game of thrones versus history : written in blood
""Game of Thrones versus History: Written in Blood is a collection of thought-provoking essays by medieval historians who explore how the enormously popular HBO series and fantasy literature of George R. R. Martin are both informed by and differ significantly from real historical figures, events, beliefs, and practices of the medieval world. From a variety of perspectives, the authors delve into Martin's plots, characterizations, and settings, offering insights into whether his creations are historical possibilities or pure flights of fantasy.""
Hoboken, NJ : John Wiley & Sons, 2017
791.457 2 GAM
Buku Teks SO  Universitas Indonesia Library
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Roihatul Firdaus
Perempuan dan Pertarungan Kekuasaan dalam Serial Game of Thrones = Women and Power Struggle in Game of Thrones Series
"Serial Game of Thrones (2011-2019) mengisahkan konflik perebutan tahta atas Westeros. Terdapat banyak tokoh yang terlibat dalam perebutan tahta hingga alur cerita menyisakan tiga perempuan yang berebut kuasa dan pengaruh. Ketiga perempuan itu adalah Daenerys Targaryen, Cersei Lannister, dan Sansa Stark. Pergeseran posisi ketiganya dijabarkan melalui struktur naratif yang diperinci oleh sekuen. Melalui skema aktan oleh Greimas diketahui motif dan tujuan mereka berkuasa. Selain itu, intensitas kemunculan tokoh dan latar tempat per musim penayangan serial tersebut juga mengungkap posisi tokoh. Kepemilikan modal menjadi penting untuk menentukan posisi ketiganya. Teori arena oleh Bourdieu mengungkap modal apa saja yang paling menunjang ketiga tokoh perempuan itu untuk meraih dan mempertahankan tahta. Strategi untuk memenangkan tahta tentu membutuhkan modal yang berjumlah besar. Kepemilikan modal menentukan perjalanan mereka untuk mencapai kekuasaan atau justru menghantarkan mereka kepada keruntuhan. Hasil penelitian menunjukkan bahwa kepemilikan modal ekonomi, kultural, sosial, dan simbolik berpengaruh pada strategi dan posisi kekuasaan.
The Game of Thrones series (2011-2019) tells of the conflict over the throne of Westeros. There are many characters involved in the struggle for the throne so that the storyline leaves three women who are fighting for power and influence. The three women are Daenerys Targaryen, Cersei Lannister, and Sansa Stark. The shifts in the positions of the three are explained through a narrative structure that is detailed by the sequence. Through the actan scheme by Greimas their motives and goals in power are known. In addition, the intensity of character appearance and the setting per season of the series also reveals the characters’ positions. Capital ownership is important to determine their positions. Bourdieu’s theory of arena reveals what capital best supports the three female characters to gain and defend the throne. Their ownership of capital either determines their journey to power or leads them to collapse. The results showed that the ownership of economic, cultural, social, and symbolic capital had an effect on the strategy and position of power."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2021
T-pdf
UI - Tesis Membership  Universitas Indonesia Library
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Bill Clinten
Representasi perempuan ideal analisis perkembangan karakter Daenerys Targaryen sebagai figur tertindas dalam Game of Thrones 2011 = Ideal woman representation analyzing Daenerys Targaryen character development as a distressed figure in Game of Thrones 2011
"[ ABSTRAK
Keberadaan perempuan sebagai sebuah representasi dalam sebuah film selalu menjadi isu menarik untuk dibicarakan. Banyak bentuk media hiburan, sebagai contohnya adalah TV seri, yang menawarkan potret perempuan melalui karakter atau kepribadiannya yang secara implisit atau eksplisit menggambarkan TV seri tersebut. Pada kebanyakan kasus lainnya, perempuan biasanya digambarkan sebagai karakter yang terpojok dan mencoba untuk menyetarakan dirinya dengan lingkungan atau laki-laki. Padahal, perempuan dalam media mengorbankan dirinya/digambarkan seperti itu karena ingin sama dengan laki-laki yang didukung oleh kepribadian serta perilakunya di media hiburan tersebut. Hal lannya lagi, penggambaran perempuan juga dipengaruhi oleh lingkungan, tanggung jawab, dan perannya dalam media hiburan tersebut. Dengan mengidentifikasi sebuah karakter perempuan dalam TV seri, semoga makalah ini dapat menjawab semua pertanyaan tentang representasi perempuan dalam media hiburan, dalam hal ini TV seri.
ABSTRACTWomen representation in movie always become an intriguing issue to discuss. Many forms of entertainment media, American TV series for example, offer various depiction of women through their character or personality in representing that particular series. In most cases, women usually depicted as an afflicted character that seemingly try to compete with men. However, that is not usually the case. Women become an afflicted character because they actually want to reach equality and justice through their personality changes. In addition to that, they also affected by society, their responsibilities, and roles in that particular TV series. By identifying a woman character and her changes in a TV series, this research paper hopefully can answer the questions about women representation in TV series.;Women representation in movie always become an intriguing issue to discuss. Many forms of entertainment media, American TV series for example, offer various depiction of women through their character or personality in representing that particular series. In most cases, women usually depicted as an afflicted character that seemingly try to compete with men. However, that is not usually the case. Women become an afflicted character because they actually want to reach equality and justice through their personality changes. In addition to that, they also affected by society, their responsibilities, and roles in that particular TV series. By identifying a woman character and her changes in a TV series, this research paper hopefully can answer the questions about women representation in TV series.;Women representation in movie always become an intriguing issue to discuss. Many forms of entertainment media, American TV series for example, offer various depiction of women through their character or personality in representing that particular series. In most cases, women usually depicted as an afflicted character that seemingly try to compete with men. However, that is not usually the case. Women become an afflicted character because they actually want to reach equality and justice through their personality changes. In addition to that, they also affected by society, their responsibilities, and roles in that particular TV series. By identifying a woman character and her changes in a TV series, this research paper hopefully can answer the questions about women representation in TV series.;Women representation in movie always become an intriguing issue to discuss. Many forms of entertainment media, American TV series for example, offer various depiction of women through their character or personality in representing that particular series. In most cases, women usually depicted as an afflicted character that seemingly try to compete with men. However, that is not usually the case. Women become an afflicted character because they actually want to reach equality and justice through their personality changes. In addition to that, they also affected by society, their responsibilities, and roles in that particular TV series. By identifying a woman character and her changes in a TV series, this research paper hopefully can answer the questions about women representation in TV series., Women representation in movie always become an intriguing issue to discuss. Many forms of entertainment media, American TV series for example, offer various depiction of women through their character or personality in representing that particular series. In most cases, women usually depicted as an afflicted character that seemingly try to compete with men. However, that is not usually the case. Women become an afflicted character because they actually want to reach equality and justice through their personality changes. In addition to that, they also affected by society, their responsibilities, and roles in that particular TV series. By identifying a woman character and her changes in a TV series, this research paper hopefully can answer the questions about women representation in TV series.]"
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Kriswanda Krishnapatria
Representasi tokoh perempuan dominan dalam alih wahana dari novel ke seri televisi game of thrones karya George R.R. Martin = Dominant woman representation in the adaptation from novel to television series game of thrones by George R.R. Martin
"[ABSTRAK
Penelitian ini bertujuan memperlihatkan representasi tokoh perempuan dominan dalam alih wahana dari novel ke seri televisi Game of Thrones. Metode deskriptif analisis dengan teori feminisme tentang gender digunakan untuk melihat bagaimana tokoh-tokoh perempuan tersebut merepresentasikan ide perempuan sebagai bentuk perempuan dominan. Dari hasil analisis tampak bahwa seri televisi menggambarkan perempuan-perempuan sebagai tokoh yang lebih mandiri, simpatik dan cerdas dibandingkan novel.
ABSTRACT
This analysis aims to show the representation of dominant female characters in the adaptation from the novel to the television series Game of Thrones. Descriptive analytical method with feminism theory about gender are used to see how the female characters represent the idea of ​​women as a form of dominant women. From the analysis, it appears that the television series depict women as more independent, sympathetic and more intelligent characters than the novel.
;This analysis aims to show the representation of dominant female characters in the adaptation from the novel to the television series Game of Thrones. Descriptive analytical method with feminism theory about gender are used to see how the female characters represent the idea of ​​women as a form of dominant women. From the analysis, it appears that the television series depict women as more independent, sympathetic and more intelligent characters than the novel.
;This analysis aims to show the representation of dominant female characters in the adaptation from the novel to the television series Game of Thrones. Descriptive analytical method with feminism theory about gender are used to see how the female characters represent the idea of ​​women as a form of dominant women. From the analysis, it appears that the television series depict women as more independent, sympathetic and more intelligent characters than the novel.
, This analysis aims to show the representation of dominant female characters in the adaptation from the novel to the television series Game of Thrones. Descriptive analytical method with feminism theory about gender are used to see how the female characters represent the idea of ​​women as a form of dominant women. From the analysis, it appears that the television series depict women as more independent, sympathetic and more intelligent characters than the novel.
]"
[, ], 2015
T43290
UI - Tesis Membership  Universitas Indonesia Library
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Tambunan, Bonmedo
Xar and Vichattan. Buku satu : Takhta cahaya
Jakarta: Adhika Pustaka, 2010
899.221 TAM x
Buku Teks SO  Universitas Indonesia Library
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Rowling, J.K., 1965-
The casual vacancy : perebutan kursi kosong
Bandung: Qanita, 2012
823.914 ROW ct
Buku Teks SO  Universitas Indonesia Library
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Langit Kresna Hariadi, 1959-
Gajah mada bergelut dalam kemelut takhta dan angkara
Solo: Tiga Serangkai, 2006
899.222 3 LAN g
Buku Teks  Universitas Indonesia Library
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