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"The dramatic change in some important aspects of this country after the collapse of New Order Regime, primarily in the political aspect, provided larger opportunity to Indonesian Chinese in constructing their real identity, included to the Indonesian Chinese Muslim. In one hand, Indonesian Chinese Muslim tended to re-strengthen their cultural identity shown by articulating some features of their ethnic identity, and they show more the involvement in developing discourse of national building and the life of majority group by using their Islamic identity in the other hand. At this point, they then could not be categorized as ?peranakan? and ?totok?, the binary category which is often used to refer to the asimilated and unasimilated Chinese into the cultural system practized by the native majority. After the state launched the new regulation of citizenship No. 12/2006, they were then positioned by the state as the ?real? citizen who had the same civil rights before the law as well as the other groups. The implication of this legacy in the social and cultural context is that they then developed the inclusive identity, such as absorbing the categories and features of identity of other group, involved in the activities of majority group, and occupied the same kind of majority group profession, until they felt that those had become part of their own identity. By sharing their identity with non-Muslim Chinese and majority group, they could take a strategic role as cultural mediators, political brokers and bridge builders."

"nanya dong dokIn the first part of this article, the author presents theories about the concept of nation which has been developed since the early 20th century. By presenting these theories the author aims to reveal the ambiguities of the concept of nation that has been developed by various scholars. The explanation focuses only on certain group in the society, whereas the subject contains psychological and emotional values which are difficult to be examined objectively. Another problem is the construction of the concept of nation based on more than one discourse. The author describes further the explanation of the concept of nation from the anthropological viewpoints. Malinowski relates the concept of nation to the existence of ethnic groups. Leach and Barth revise Malinowski's concept in their discussion about ethnic boundaries. Within the political and historical discourses, the concept of nation relates to the objective and subjective relations with the state as developed by Mill and Renan. In the post Second World War, the concept of nation is associated with the emergence of nation-states, the presence of social awareness of colonialism and set upon many ethnic groups as stated by Anderson. At the end, the author depicts the problem faced by the Indonesian in their efforts to maintain the existence of their nation-state and provides alternatives to solve the problem."

"Since the 'beginning' of modern Indonesian literature in the early twentieth century, Indonesian writers have engaged with the project of defining Indonesian identity. Most serious writers engaged both with the mission of creating a new literature and with the project of interrogating and investigating issues of national identity. It is a mission which continues to inform Indonesian literature in the twenty first century. Literature written by peranakan Chinese flourished at the end of the nineteenth century and the early twentieth century. But because the first language of these peranakan writers was low or 'market' Malay, much of it received scant attention from Indonesian critics, who reserved their praise for writing in the court-derived high Malay favored by the recognized publishing houses. Peranakan literature reached its zenith in the 1920s and 1930s-whichwas also a time of heightened Chinese nationalism in Java. Thanks to the meticulous work of two scholars in particular-Claudine Salmon and Leo Suryadinata-much of this early writing has now been documented and critically analyzed. However, Salmon and Suryadinata's commentary effectively ends at 1965. Chinese-Indonesians who did continue to write during the New Order on the whole projected themselves and were constructed by others as 'Indonesian'. They thus assimilated as writers as they did as citizens, and their ethnicity never featured as part of their work. The category 'Chinese-Indonesian literature' for all intents and purposes ceased to exist. It was subjected to the same process of erasure as Chinese ethnicity. Since the fall of Soeharto Chinese-Indonesian writers have begun to write as Chinese-Indonesians, some using their Chinese names, some writing in Mandarin. This paper begins to fill a significant gap in documenting the ways in which recent literary works by Chinese-Indonesians give expression to their understanding of themselves and their place in the Indonesian nation-state."

"This article observes collective action of Toa Pe Kong celebration in the public space during Post-New Order era in Slawi, Central Java. This celebration involves local people from different religions and cultures. Why this celebration can be done after New Order? What aspect functions as collective bond among Slawi plural society? Using historical and cultural sources, this study analyses function and meaning of the ritual in relation to the collective aspect of Toa Pe Kong celebration."

"This article examines notions of identity in the context of Mamanda, a traditional theatre in Banjar, South Kalimantan. The author Mamanda as a cultural symbol and describes the formulation of its identity using a semiotic approach whereby identity is conceived as a part of a binary composition fluctuating between the opposing notions of 'us' and 'other'. This is illustrated in the oppositions between the theatre's community and the state, individuals and the state, and the contradictory oppositions between the community members within Mamanda itself. This article demonstrates that identity is continually reformulated and is linked to political interests such as regional autonomy."

"In many multi-ethnic and multi-religious societies, nation building has often become the urgent task of the government. Under the authoritarian rule of Soeharto, the state introduced an assimilationist policy towards the ethnic Chinese. As the model of the Indonesian nation was based on indigeneity, the ethnic Chinese, considered to be foreign, were expected to be absorbed into the 'native population'. However, after the fall of Soeharto and the rise of a more democratic regime, this policy has been gradually abandoned and multiculturalism has been adopted. This paper aims at examining the evolving concept of the Indonesian nation, the state changing policies towards the ethnic Chinese and the responses of this minority, especially after the fall of the New Order regime. The revival of Chinese ethnicity and the relationship with nation building in the land of the Garuda will also be discussed."

"This article describes the relationship between power, history and identity in the processof division North Buton of Muna. In this article the presence of North Buton identity is seen asa phenomenon that refers to the identity of reproduction historical narrative where Kulisusuin historical context has a power relationship with the kingdom of Buton which lasted fromthe 17th century. This study found; that the presence of North Buton identity is a product ofdiscourse that legitimized by indigenous groups who identify themselves as descendants ofthe founder of the kingdom Kulisusu. it means that the identity of North Buton formed dueto higher power structures Barata Kulisusu surviving in culture Kulisusu People. This studyalso found that reproductive identity North Buton a political attempt to discover the identityof distinguishing between Kulisusu and People Muna (identity as a weapon of resistance).This distinctive identity in turn managed to attract popular support for the masses who feelconnected to that identity."

"This article will clarify political representation of exhibition at Ullèn Sentalu Museum, Monumen Jogja Kembali, and Affandi Museum. These three museums are considered as proponent of Yogyakarta?s identity as the central of Javanese culture, struggle city, and the barometer of Indonesian fine art. The issue then, is it true that in the exhibitions? at the three museums are appropriate with the identity of Yogyakarta, or in the contrary, the exhibitions have no correlation with this city?s identity discourse. There is a possibility that museum precisely bringing self-interest for specific purposes. Therefore, this paper needs to observe how the exhibitions at these museums were implemented. Through interpretive approach, the exhibition at the museum may be analogous similar with language phenomenon, and hence museum is considered as text that can be read and interpreted. Exhibition at the museum was developed within framework of thoughts (ideology), motives, and specific discourses, which all of these are articulated through a set of symbols (collection), that arranged with special layout procedure (display procedure). Thus, museum becomes ?political? since, in this perspective, museum has power over the formation of discourse through their exhibition."

"People from Buton, Southeast Sulawesi, have for centuries migrated to Ambon for work, there forming one of the most prominent communities of 'pendatang' along with the Bugis. Since the beginning of the recent conflicts in Maluku, official figures indicate that over 160,000people have returned to Buton (previous population 450,000) as refugees. This paper discusses the identity of these refugees and how the term 'refugee' may be misleading. Some of the 'refugees', who often ask to be referred to as 'returned migrants', had retained strong connections with their villages in Buton while they were living in Ambon. Their integration back into Butonese society after their flight from the conflict in Ambon poses, however, a number of serious challenges, especially for those born in Ambon. Having always been called 'Butonese' in Ambon, the returned migrants are often referred to as 'Ambonese' after their return to Buton and they often find it hard to adjust to life in Buton. This paper is based on fieldwork currently being undertaken in the village of Boneoge, Buton. I will discuss some aspects of the lives of the returned migrants in Buton, including their interactions with other Butonese people, as well as some of their perspectives on their own experiences. In Buton; perspectives on their identity are thus being expressed and contested through issues such as use of local languages, dance parties, and contested land rights. Their memories of life in Ambon, and of the conflict, also play a role in their constructions of identity, and in how they respond to challenges intheir lives in Buton now. Here memory is seen as a constructive process, which is culturally influenced, structured by narratives, and adapted to a context."

"This article is the research on Bajonese life in Wakatobi regency of the Southeast Sulawesi Province as a community with a maritime history and culture as part of their life. In the interactional process with other communities in its surroundings in Wakatobi, The Bajonese are often stereotyped as pirates, stupid, and with physical characteristics that are different from other communities. In fact, for so long they have been neglected from the process of development implemented by either the central government or the regency government. As a marginal ethnic group, the Bajonese develop their own awareness to do morenients to negotiate at local political elements (bupati election=pilkada) and formed the ?kekar Bajo? organization, and appointing Ir Abdul Manan, MSc as president of this organization, and identifying all Bajonese as members without regard to state borders."