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"Among the more than 130,000 objects from Indonesia in the Dutch National Museum of World Cultures, many once belonged to or were used by the Chinese poplation of Indonesia. In the article, the author provide an overview of these collections by presenting their collecting histories from the earliest acquisitions to the most recent collections and by highlighting a number of object, which in their materials, techniques, motifs, colurs or function show a combination of elements from both Chinese and Indonesain cultures. The authors pay particular attention to objects which play a role in the Chinese-Indonesian wedding ceremony."

"Museum Nasional Indonesia merupakan salah satu dari yang tertua di Asia, dengan sejarah dari akhir abad ke-18. koleksinya rentang yang besar dalam ruang dan waktu .."

"This article examines the relationships between the changes and continuities of Indonesian local politics and Chinese Indonesian business practices in the post-Suharto era, focusing on Chinese Indonesian businesses in two of the largest Indonesian cities, Medan and Surabaya. The fall of Suharto in May 1998 led to the opening up of a democratic and liberal space as well as the removal of many discriminatory measures against the Chinese minority. However, due to the absence of an effective, genuinely reformist party or political coalition, predatory political-business interests nurtured under Suharto’s New Order managed to capture the new political and economic regimes. As a result, corruption and internal mismanagement continue to plague the bureaucracy in the country and devolve from the central to the local governments. This article argues that this is due partially to the role some Chinese businesspeople have played in perpetuating corrupt business practices. As targets of extortion and corruption by bureaucratic officials and youth/crime organizations, Chinese businesspeople are not merely passive and powerless victims of corrupt practices. This article argues, through a combination of Anthony Giddens’s structure-agency theory as well as Pierre Bourdieu’s notion of habitus and field, that although Chinese businesspeople are constrained by the muddy and corrupt business environment, they have also played an active role in shaping such a business environment. They have thus played an active role in shaping local politics, which is infused with corruption and institutionalized gangsterism, as well as perpetuating their increasingly ambivalent position."

"Indonesia sebagai negara multikultural terintegrasi dalam semboyan Bhineka Tunggal Ika sebagai simbol persatuan. Pada kenyataannya masih ada etnis yang mengalami diskriminasi yaitu etnis Cina, hingga sekarang kitapun masih bisa melihat adanya sentimen yang diarahkan kepada mereka. Pemisahan etnis tertentu akan mengganggu ketahanan nasional. New Museum mengubah paradigma museum dari tempat pameran masa lalu menjadi tempat pendidikan dan media komunikasi untuk kepentingan masa kini dan masa depan. Etnis Cina harus direpresentasikan di museum sebagai cara untuk merangkul dan sebagai simbol pengakuan negara terhadap minoritas. Penelitian ini bertujuan untuk melihat sejauh mana museum nasional Indonesia mengakomodir etnis Cina dan kendala apa yang dihadapi serta cara untuk mengatasinya. Dan juga menunjukkan sejauh mana pemerintah menggunakan museum sebagai sarana pembentuk integrasi nasional. Penelitian menunjukkan etnis Cina belum direpresentasikan karena Museum Nasional Indonesia masih terjebak dalam konsep traditional museum yang berfokus koleksi dan masa lalu.

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Indonesia as a multicultural country is integrated in the motto of Bhinneka Tungga Ika or Unity in Diversity as a symbol of unity. But now adays, there are still ethnic groups that discriminated like Chinese Ethnic as we can still see the sentiment pointed to them. The Segregation of certain ethnic will disrupt national resilience. New Museum transforms the paradigm of the museum from the place of the past exhibition into a place of education and communication media for the benefit of both present and the future. Chinese Ethnic must be represented in museums as a way to embrace and symbolize state recognition of minorities. This research aims to see the extent to which the Museum Nasional Indonesia accommodates the Chinese and what obstacles are faced and ways to overcome them. And also shows the extent to which the government uses museum as a means of forming national integration. This research shows that Chinese minority has not been represented because Museum Nasional Indonesia are still trapped in traditional museum concepts."

"Kerajaan Cina sudah menggunakan mata uang sejak ribuan tahun lalu. Hubungan baik di bidang perdagangan antara Kerajaan Cina dan kerajaan yang ada di Nusantara, mengakibatkan mata uang Cina banyak digunakan di Nusantara. Berdasarkan bahannya, mata uang di bagi menjadi dua, yaitu mata uang kertas dan mata uang logam. Skripsi ini membahas mengenai tulisan yang terdapat pada mata uang dan juga ukuran dari mata uang logam. Mata uang logam Cina yang digunakan sebagai sampel data sebanyak 2000 keping yang merupakan koleksi dari Museum Majapahit. Secara keseluruhan, penelitian ini menghasilkan 44 variasi karakteristik Mata uang logam berdasarkan penguasa di Cina.

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The kingdom of China has using currency for a long time ago. In a good trade relationship between the Kingdom of China and the other kingdoms make these currency grew up in the Indonesian Archipelago. Based on matter, currency divided into two types, there are paper money and coins. This Thesis discusses about the legend and measurement of China coins. The China coins used as a sample data from the collection of Majapahit Museum as musch as 2.000 chips. According to research, there are 44 variations of China coins."