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"With a vibrant history of art and architecture, the city of Baroda is a much-sought-after destination for art education. Much of this could be credited to Sayajirao Gaekwad III, the maharaja of the erstwhile princely state of Baroda, and his art collecting practice that shaped Barodas modern art and craft institutions and industries. It was during his reign that the renowned artist Raja Ravi Varma, Sankheda lacquered wares, and the famed Patan patola debuted on the national and international trail of exhibitions. With the help of rare archival data, back-room surveys, and exhaustive research, Fashioning a National Art discusses how a native prince not only patronized and collected the local arts but also mediated a cross-cultural dialogue between the European and indigenous art techniques. A scientific and progressive thinker, Sayajirao encouraged Barodas alternative experiments in art, craft, and even design. The book also unravels him in a scarcely documented role: a lender of the royal collection to regional and international exhibitions. Additionally, it not only traces the history of elite patrons, famous artists, and European sculptors such as Augusto Felici, but also delves into the stories of subalterns such as master craftsman Neelakandan Asari, wood-worker Keshav Mistry, and others."

"Kerajaan Majapahit sebagai salah satu kerajaan kuno terbesar di Indonesia dikenal sebagai peradaban yang relatif maju, salah satunya dalam bidang gaya seni arca. Arca-arca Majapahit dikenal memiliki ciri khusus yang mampu menandakan identitasnya, namun hal tersebut sering dijumpai pada arca-arca dewa saja. Penelitian ini ditujukan untuk mengetahui bagaimana gaya seni pada arca bukan dewa masa Majapahit Koleksi Museum Nasional serta menjelaskan persamaan dan perbedaan gaya seni antara arca-arca tersebut dengan arca dewa. Metode yang digunakan dalam penelitian ini adalah analisis deskriptif. Terdapat 15 arca yang dijadikan data, seluruhnya diklasifikasikan ke dalam tiga kategori figur; yaitu laki-laki, perempuan, dan lain-lain. Berdasarkan penelitian ini, gaya seni arca-arca yang tidak memiliki ciri dan atribut dewa masa Majapahit koleksi Museum Nasional dapat diketahui melalui dua aspek, yaitu ukuran dan atribut. Ukuran arca-arca tersebut adalah chala atau yang mudah dipindahkan, sedangkan dari aspek atribut berupa perhiasan atau busana, terdapat variasi kelengkapan dan jenis tergantung dari kelompok figur arca tersebut. Tidak ada gaya seni atau aturan ikonografi yang mutlak pada arca-arca yang tidak memiliki ciri dan atribut dewa masa Majapahit.

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The Majapahit Empire as one of the biggest ancient kingdoms in Indonesia known as a relatively advance civilization for its time, of which one of the fields is the sculpture art style. The sculptures of Majapahit are known to have distinct character which set their identity, but these traits are only found on the gods sculptures. This research is conducted to find out the characters of the non-god sculptures of Majapahit from the national museum collection and to explain the similarities and differences they have with their god type counterparts.The method used in this research is the descriptive analysis. There are 15 sculptures used as data, they are classified into three categories; male, female, and others. Based on this research, the sculpture that do not have the characteristics and attributes of the gods of the Majapahit era, the National Museum collection can be identified through two aspects; size and attributes. The size of the statues is a chala or other word movable, while from the aspect of attributes in the form of jewelry or clothing, there are variations in completeness and type depending on the group of statues. There are no sculpture or absolute iconographic rules on statues that do not have the characteristics and attributes of the gods of the Majapahit era."

"While the 250 color images of chosen masterpieces from the best of Western art are mesmerizing, and their placement in his ideal museum a fascinating exercise, the author's descriptions are not only informed and insightful, they're practically poetry.- Ambassador "While the 250 color images of chosen masterpieces from the best of Western art are mesmerizing, and their placement in his ideal museum a fascinating exercise, the author's descriptions are not only informed and insightful, they're practically poetry." Ambassado"

"Penelitian ini mengkaji arca Durga Mahisasuramardini di Jawa Tengah dan Jawa Timur koleksi Museum Nasional Jakarta dengan tinjauan gaya seni. Penelitian dilakukan dengan tujuan untuk mengidentifikasi gaya seni arca Durga dari Jawa Tengah dan Jawa Timur yang terdapat di Museum Nasional Jakarta, mengungkapkan kesesuaian arca Durga dengan ketentuan Naskah Hindu India.Hasil penelitian ini mengungkapkan bahwa terdapat persamaan dan perbedaan gaya seni arca Durga Jawa Tengah dan Jawa Timur. Penggambaran arca Durga koleksi Museum Nasional Jakarta mengikuti ketentuan-ketentuan yang berasal dari Hindu India, walaupun terdapat pula penggambaran yang tidak sesuai dengan ketentuan-ketentuan tersebut, hal tersebut kemungkinan menunjukkan adanya kebebasan seniman dalam penggambaran arca.

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This study examines Durga Mahisasuramardini in Central Java and East Java, the collection of the National Museum in Jakarta to review the art style. This research was conducted with the aim of research to indentifiy Durga art style of Central Java and East Java, at the National Museum in Jakarta comparing it with the source of Indian writers.

This study reveals tha there are similarities and differences in art style Durga Central Java and East Java. This ecplains the depiction of Durga in the National Museum in Jakarta to follow the provisions stemming from Hindu India in addition there are depictions that are not in accordance with this provision, it shows the freedom statue maker."