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"This volume highlights some emerging issues in the study of displaced persons in India, like the agency and voices of people who flee across an international border, the identities they forge for themselves, their relations with the hosts and their interactions with the state and non-governmental organizations. Three case studies included here are: (a) Partition refugees from East Pakistan to West Bengal, (b) Tamil refugees from Sri Lanka to India, and (c) Bangladesh Liberation War refugees from East Pakistan to West Bengal. The reader will find that each case is in itself highly complex. The treatment meted out to the displaced people in India has not been consistent. The volume shows that the responses of the state to cross-border displacement have been varied over space and time."

"Following Heonik Kwon, this article explores the social and cultural underpinnings of the Cold War (and Cambodia’s stance of neutrality in relation to it) as illustrated through the life of a colorful Cambodian monk, Dharmawara Mahathera. Long resident in India, Dharmawara became a confidant of Norodom Sihanouk as the latter negotiated independence and Cambodia’s new geopolitical realities. Dharmawara was one point of connection between Sihanouk and India at the time Sihanouk was drawn to a position of neutrality and to the Non-Aligned Movement associated with Jawaharlal Nehru and Zhou Enlai, and his story illuminates some of the cultural interface underlying the politics. He would assume a profile in emerging institutions of international Buddhism, such as the World Fellowship of Buddhists, which in their own way related to developing geopolitics. He subsequently attracted the attention of American diplomats in Cambodia in ways that illustrate something of how the Cold War came to be negotiated on the ground. His tensions with the Cambodian monastic hierarchy help us better understand the latter’s role at a historical conjuncture. I argue that Dharmawara helps us understand Sihanouk’s emerging philosophy of “Buddhist socialism.”"

"Hubungan India dan Pakistan telah diwarnai dengan dinamika yang fluktuatif selama hampir 80 tahun lamanya. Kehadiran identitas seakan-akan bersifat integral dalam dinamika ini. Hal ini pun dapat ditilik dari peristiwa Partisi 1947 yang merupakan titik puncak dari perpecahan antara komunitas Hindu dan Muslim sebagai awal kelahiran India dan Pakistan sebagai entitas berbeda. Kedua entitas terus menaruh imajinya terhadap Kashmir melalui simbolisme identitas. Kontestasi antara entitas ini juga termanifestasi dalam perbatasan kedua negara tersebut. Perbatasan sendiri memiliki dimensi yang kompleks dalam konteks kontestasi identitas antara India dan Pakistan. Tinjauan literatur ini mengulas 36 literatur mengenai identitas dalam hubungan India-Pakistan dengan menggunakan pengorganisasian metode Taxonomi. Secara garis besar topik ini memiliki empat tema, 1).Tinjauan Historis Pertautan Identitas India dan Pakistan, 2). Signifikansi Partisi 1947 dalam Dinamika Hubungan India–Pakistan, 3). Kompleksitas Isu Kashmir dalam Hubungan India-Pakistan, dan 4). Dinamika Identitas dalam Isu Perbatasan India-Pakistan. Dalam tinjauannya, penulis menemukan bahwa tercipta relasi antara identitas yang bersifat predatorik dalam konteks dinamika India-Pakistan. Komunalisme komunitas identitas telah menjadi salah faktor dalam melanggengkan relasi ini. Hal ini pun juga tecermin dalam kasus Kashmir dan Perbatasan yang turut menjadi wahana terjadinya konstruksi dan marginalisasi identitas.

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India-Pakistan relations have been volatile for nearly 80 years, heavily influenced by identity dynamics. The 1947 Partition, marking the division between Hindu and Muslim communities, led to the formation of India and Pakistan. This event set the stage for ongoing conflicts, particularly over the disputed Kashmir region, where both countries project their identities. The border itself is a site of complex identity contestation, impacting both state policies and border communities. This literature review examines 36 sources on identity in India-Pakistan relations using a taxonomy method, categorizing the findings into four themes: 1). Historical Review of the Identity Linkage of India and Pakistan, 2). The Significance of the 1947 Partition in the Dynamics of India–Pakistan Relations, 3). The Complexity of the Kashmir Issue in India-Pakistan Relations, and 4). Identity Dynamics in the India-Pakistan Border Issue. The review reveals a relationship of predatory identities between the two nations, sustained by communitarian identity politics. This dynamic is evident in both the Kashmir issue and border interactions, where identity construction and marginalization are ongoing."

"[ABSTRAK Makalah ini meneliti representasi poskolonial India dalam film the Best Exotic Marigold Hotel. Representasi orientalis India dalam makalah ini dilihat melalui latar tempat, kekacauan (situasi) dan iklim India, transportasi umum, dan kemiskinan dari negara tersebut. Perspektif bias dari 7 karakter turis asal Inggris terhadap India dan proses adaptasi antar kebudayaan juga dibahas dalam makalah ini. Teori Orientalisme Edward Said dan teori Ambivalensi Homi K. Bhabha digunakan untuk menganalisis hubungan poskolonial Inggris-India dalam film, sedangkan konsep dinamis dari teori culture confusion digunakan untuk menjelaskan bagaimana masing-masing karakter menghadapi perbedaan kebudayaan. Hasil penelitian menunjukkan bahwa film the Best Exotic Marigold Hotel mengingatkan kembali masa kolonial Inggris di India dan memperlihatkan sebuah representasi orientalis. ABSTRACT This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.;This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said?s orientalism and Homi K. Bhabha?s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation., This paper examines the postcolonial representation of India in the Best Exotic Marigold Hotel film. This paper analyzes the orientalist representation of India through settings, the chaos and climate of India, public transportation, and the poverty of the country. It discusses the biased perspectives of the British characters toward India and the process of intercultural adaptation. Edward Said’s orientalism and Homi K. Bhabha’s ambivalence theory are used to examine British-India postcolonial relation in the film. The dynamic concept of culture confusion is used to describe how each character deals with this intercultural experience. Based on the obtained data, this film clearly renders a reminder of British-India colonial past and an orientalist representation.]"