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"ABSTRACTThe purpose of this study is to explain about womens positions and roles that are represented in films as agents who frame identity and ethnical stereotype of the East. By using intersectional feminist perspective, the study analyze texts from three Indonesian films which using film sets in the regions of Eastern Indonesia as follows: Aisyah: Let Us Be a Family (2016), Salawaku (2016), and Marlina, the Murderer in Four Acts (2017). Findings show that films about Eastern Indonesia still embed with the perspectives of orientalism and colonialism. Women from non Eastern Indonesia are commonly represented to having superior positions and important roles in educating and spreading the feeling of nationalism. On the other hand, Eastern Indonesian women are mostly represented inferior and alienated from their communities and nature."

"ABSTRACTThis paper discusses gender bias within the Indonesian historiography tradition. Various historical literature records that all major events in Indonesian history as a nation are masculine and strongly dominated by male narratives.There is no space for women to be present in the narratives of the past. As if the history of Indonesia is a history of men, whereas if critical research is done then women such as men have a past narrative that is also important. Women are present and give meaning to the development of the nations history. This matter is absent in Indonesian historiography. The strength of gender bias in the historiography of Indonesia can not be separated from the strong patriarchal culture in the life of society. Thus the gender bias ultimately forms a canon, so this is then reproduced from generation to generation. This article argues that critical research by revealing a new fact is a power to change gender bias in Indonesian historiography."

"ABSTRACTContemporary feminists in Indonesia do not yet have questions about nationality, since the conversation about nationality has been considered final at the beginning of Indonesian independence. In fact, in terms of contemporary analysis, women have problems with nationality, when the definition of nationality is dominated by the study of political science that is male view biased. By tracing history to contemporary time, the relationship between women and nationality is dominated by patriarchal interests for the mobilization of power, even if women have an independent political interest. That is why political interests of women are situated marginally in nationality. But if we use the perspective of the social sciences, as feminist theories, then the notion of nationality is broader than that of women and the state. We are still less productive in abstracting the relationship between women and citizens in nationality, while it is a daily practice of womens struggles both personally and organically. Women have proven to be an active agency to become citizens beyond the mobilization of the state.This paper seeks to arouse feminist questions about nationalism, in order to reveal the role of women who are hidden in nationality."

"ABSTRACTThe chaotic political issues always accompany the nation of Indonesia until this day. One of them is reflected in political dimension which summarized on the intolerance narrative in the election of Jakarta governor in 2017. Nonetheless, gender and women dimensions seem to shrink from public attention. Within the framework of the state, the important role of women for national life is reduced in the ideology of ibuism.This ideology actually finds a way in triggering activation of women when adapting to Political Islam. For that reason, research question of this paper is how the ibuism of political Islam affect the perception and preferences of female voters in the election of Jakarta governor in 2017? In order to answer the question, this paper uses a qualitative methodology with a phenomenological approach. As the final result, this paper conclude that in the framework of ibuism of political Islam, women played a role as agent which directing women voter perception. It is worked in taklims mobilization network where women voter are asked vow to vote or do not vote particular candidate in Jakarta governor election in 2017."

"ABSTRACTMothers of the Nation or ibuism is a term that is often considered negative in the study of womens history. This is related to the nations political journey, during which the New Order regime took power, the terminology was used to control and dominate women in Indonesia. Further explored, in the 19205, the spirit of nationalism are grew, including among the (priayi) noble women. They formed an association and held the Indonesian Womens Congress I in 1928. According to Susan Blackburn, what women did at the time was their nationalistic form, becoming Mothers of the Nation. Using a historical approach, this paper seeks to retrace how early noble women came into existence and formulated their ideas of nationalism. The sources used are the result of literature studies, whether magazines, books, scientific papers, memoirs or biographies of women movement. This paper also use oral and photo sources to complete the experiences of women who involved in this topic."

"ABSTRACTThe discussion on terrorism is currently focused on issues concerning law enforcement efforts, cooperation between defense institutions, analysis of legal policies, and definitions of terrorism. Women (especially wives) are excluded from the process of dialogue and response to terrorism. This study emphasizes the experience and voice of the wives of former convicted terrorists. This article explores the process of upheaval and negotiation from the extremist narratives contained in the logic of thinking as a struggle in the context of self acceptance and autonomy. This study uses a case study approach with a feminist perspective, and in depth interviews as a method of data collection. The feminist view of Relational Autonomy and the Politics of Piety was chosen as a theoretical framework for analyzing findings. The results of the study indicate that there is an indoctrination from the husband about the teachings of extremism and that the wife experiences a struggle to internalize the teaching. On the other hand, there are also findings that show wives also negotiate with their husbands in carrying out the teachings of extremism. The conclusion of this study shows that the wifes figure experiences the process of constructivism and relational autonomy in the struggle process and its negotiations so far. In addition, the wife can also be seen as an agent to strengthen the spirit of nationality through the values of tolerance."

"ABSTRAKDisertasi ini memproblematikakan representasi perempuan Indonesia melalui sinetron dengan menggunakan perspektlf feminis sosiologi, dalam konteks situasi sosial pasca Orde Baru sebagai konteks sosiologis signifikansi booming media dalam situasi yang berbeda dari dekade sebelumnya. Proses menggunakan perspektif feminis, disertasi ini juga melihat dialog antara sosiologi sebagai ilmu arus utama dengan feminis yang dianggap partikular.Sebagai upaya menyumbang pada ruang publlk, disertasi ini juga berusaha memperlihatkan implikasi praktis sumbangan feminis terhadap kehidupan ruang publik di Indonesia.

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AbstractAfter the tumbling down of the New Order, the situation concerning the media in Indonesia is getting freer. The eradication of the Department of Information and the lesser control by the military is used by the media to secure freedom of the press by the legislature and regulation. The media afterward is a booming economic activity which can be seen from the increasing numbers of media whether print, audio or audio visual. The dissertation oontextualises such situation as particular important and significant historical event, because it marks the sequence of social change."

"Video “A Day in My Life” (ADML) adalah salah satu jenis konten di TikTok yang menceritakan kegiatan keseharian pemilik konten. Penelitian ini bertujuan untuk mengekplorasi permasalahan yang muncul dari praktik video ADML di TikTok terutama dalam konteks Indonesia, yaitu konstruksi femininitas. Penelitian ini menggunakan metode analisis tekstual untuk bagaimana Tiktokers perempuan di Indonesia mengkonstruksi femininitas dan bagaimana ADML mengafirmasi atau bernegosiasi dengan ideologi dominan yang ada dalam masyarakat, dalam hal ini ideologi patriarki. Korpus penelitian adalah dua akun Tiktokers yang memiliki engagement tinggi. Temuan penelitian menunjukkan @sindisafitrii dan @gelialinda mengkonstruksi pemaknaan terhadap femininitas yang mengafirmasi ideologi patriarki terutama dalam isu menikah muda. Video ADML dari kedua akun ini menggambarkan perempuan menikah muda karena adanya faktor sosial dan nilai budaya serta membangun narasi dominan, yaitu menikah adalah halal. Selain itu, dalam isu menikah muda, video ADML menunjukkan konstruksi sosial mengenai peran domestik antara suami istri ketika di satu sisi, ada usaha untuk menempatkan peran yang seimbang antara suami dan istri di ruang domestik, akan tetapi suami yang melakukan peran domestik dianggap tidak lazim atau bahkan diglorifikasi. Temuan lain menunjukkan masih adanya representasi perempuan menikah muda sebagai jalan mendapatkan companionship dan jaminan finansial walaupun terdapat video ADML yang menampilkan perempuan harus mandiri secara finansial. 

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A Day in My Life (ADML) articulating one’s day to day activities is one of video contents in TikTok. This research aims to explore how femininity is constructed through ADML videos in the Indonesian context. By utilizing textual analysis method, this article highlights how Indonesian female TikTokers affirm or negotiate with the dominant ideology in the society, in this case patriarchal ideology. The case studies for this research are two TikTok accounts that have a strong engagement. The finding of the study shows that both Ticktokers, @sindisafitrii and @gelialinda, construct femininity while affirming the patriarchal ideology in marrying at such a young age due to social factor and culture constructions. Besides, marrying at a young age is also a part of the social construction in Indonesia that marriage is considered “halal” or lawful or permitted under Islamic law. On the other hand, ADML videos by both TikTokers are also ambiguous in potraying the domestic role divisions between husband and wife. Although the husbands who are in charge in domestic role is considered uncommon, there are still efforts to position the balanced spouse role in the domestic space. Research findings also uncover that in their ADML videos, they portray how women should gain personal financial security; even though, they also depict that as young women, tehy decide to get married early in order to obtain companionship and financial guarantees. The ambiguous portrayal of how femininity is constructed in both TikTok account through their A Day in My Life videos represents how they affirm yet negotiate with patriarchal ideology."

"ABSTRACTFalling in love is a universal experience that cannot be bounded by racial, religious, ethnic, even ideological barriers. The experiences of falling in love and be in the relationships are also faced by female feminists. In the experiences of failing in love, female feminists often confront with tension between their consciousness in holding feminist ideology and their collective experiences influenced by patriarchal culture. Therefore, they have to compromise and negotiate in the relationship. This paper aims to explain contemplative experiences of female feminists who are falling in love in the patriarchal culture in the three areas of analysis: feminist thoughts which are build their consideration and consciousness, the influences of patriarchal media, and practices in the love relationship in everyday lives. This study is descriptive qualitative using in depth interview as a method toward female feminists from diverse background in Yogyakarta. Surabaya, and Jombang. The results are the concept of love from female feminists cannot be separated from the existence of their partners, the experiences and the reproduction of media about the concept of love, as well as the practices of female feminists relationships, which already creating the concept of love before entering relationships."

"Artikel ini membahas écriture féminine yang diperlihatkan dalam kumpulan esai Si Parasit Lajang karya Ayu Utami. Penelitian ini termasuk dalam penelitian kualitatif dengan menggunakan teknik deskriptif. Penelitian difokuskan pada isu perempuan yang diungkapkan di dalam kumpulan esai tersebut. Kumpulan esai ini memperlihatkan bahwa terdapat banyak permasalahan di tengah masyarakat yang membuat perempuan berada di dalam posisi inferior. Hasil penelitian ini menunjukkan bahwa esai-esai Ayu Utami mengenai perempuan termasuk ke dalam kriteria écriture féminine yang dikemukakan oleh Cixous.

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This article discusses about écriture féminine found in the collection of essays Si Parasit Lajang by Ayu Utami. This research is one of the qualitative research using the descriptive technique. The research focuses on women’s issues mentioned in Si Parasit Lajang. This collection of essays reveals that there are many issues among the society that puts women in an inferior position. The result of this research shows that the essays written by Ayu Utami about women are considered as écriture féminine mentioned by Cixous."