Hasil Pencarian  ::  Simpan CSV :: Kembali

"ABSTRAK Penelitian ini membahas naskah Hikayat Pandawa koleksi Perpustakaan Nasional Republik Indonesia. Hikayat Pandawa berisi cerita Mahabharata bagian Adiparwa yang mengisahkan asal-usul keluarga bharata, Pandawa dan Kurawa. Naskah ini termasuk dalam kategori cerita wayang. Naskah disalin di Betawi pada abad ke-19. Penelitian terhadap Hikayat Pandawa dilakukan dengan menggunakan metode filologi dalam menghasilkan edisi teks dan pendekatan sosiologi sebagai dasar analisis isi teks. Edisi teks disajikan dengan menggunakan edisi kritis dan tinjauan naskah dilakukan untuk melihat situasi sosial masyarakat tempat penyalinan naskah berlangsung melalui perbandingan teks sejenis. Berdasarkan fisik naskah dan tinjauan isi, dapat diungkapkan bahwa Hikayat Pandawa disalin di Pecenongan. Selanjutnya, kajian dilakukan dengan membandingkan unsur daur hidup dalam isi cerita yang meliputi kelahiran, perkawinan, dan kematian. Berdasarkan perbandingan unsur cerita tersebut dapat diketahui bahwa Hikayat Pandawa merupakan cerita gubahan yang menampilkan unsur keindahan karya sastra Melayu yang dipengaruhi oleh ideologi Hindu-Budha dan Islam serta warna lokal Betawi.

---

ABSTRACT

This research discusses the Hikayat Pandawa collection of the National Library of the Republic of Indonesia. Hikayat Pandawa contains the story of the Mahabharata part of Adiparwa which tells the origin of the family of the bharata, Pandawa and Kurawa. This text belongs to the category of wayang stories. Manuscripts were copied in Betawi in the 19th century. Research on Hikayat Pandawa was carried out using the method of philology in producing text editions and sociological approaches as a basis for analyzing of text. The text editions are presented using critical editions and analysis of manuscripts conducted to look at the social situation of the community where the manuscript was copied through a comparison of similar texts. Based on the physical and analysis of the contents, it can be revealed that the Hikayat Pandawa was copied in Pecenongan. Furthermore, the study was conducted by comparing the elements of the life cycle of the story which included birth, marriage, and death. Based on the comparison of the elements of the story, it can be seen that Hikayat Pandawa is a composition of stories featuring elements of the beauty of Malay literature influenced by Hindu-Buddhist, Islamic ideologies and culture of Betawi."

"This article deals with traditional literature of the Pakpak-Dairi and Karo peoples in North Sumatra, who are speakers of closely related Batak languages and have many common features in their language and culture. Their traditional life-style, based on agriculture and the use of forest products, requires the regular performance of community rituals featuring songs, dance, music and other oral traditions including storytelling. The songs, prayers, and stories belonging to their literary tradition have characteristic features that are intimately connected with the social context in which they are created and performed. Karo and Pakpak-Dairi oral genres often contain information about the natural environment, local customs and religious concepts. They may also reflect perceptions of relationships with neighbouring groups, such as the Minangkabau and the Malays who live in the coastal areas."

"Tesis ini membahas tradisi lisan mowindahako suku Tolaki di Sulawesi Tenggara. Dengan menggunakan pendekatan "formula" yang dikemukakan oleh Albert. B Lord. Penelitian ini adalah penelitian kualitatif dengan melakukan observasi, wawancara, dan analisis teks. Hasil penelitian tradisi lisan mowindahako memperlihatkan adanya pola pewarisan yang dilakukan berdasarkan keturunan langsung dan pola pewarisan yang bukan keturunan langsung. Dalam penelitian ini pula ditemukan formula satu kata, formula setengah baris maupun satu baris. Formula yang dominan muncul adalah formula satu baris dan satu kata, sedangkan formula setengah baris jarang pemunculannya.

---

This thesis discussed the Tolaki tribe?s oral tradition mowindahako in Southeast Sulawesi using ?formula? approached by Albert B. Lord. The qualitative method was applied in order to find the passing-on pattern of Tolaki's and texts analyzes were conducted. The results showed that the passing-on pattern was conducted based on lineage and non-lineage. Moreover, it is found that "formulas" in mowindahako included one-word, half-line, and one-line formula. The most appeared formulas are the one-word and the one-line formula, while the half-line formula rarely appeared."

"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"Penelitian ini mengkaji tradisi lisan asli Betawi, ngerahul, yang dilakukan masyarakat Betawi Mampang melalui memori kolektif yang mereka miliki. Penelitian ini dilakukan dengan tujuan memperoleh dan mengungkapkan upaya yang nyata untuk mengembalikan peranan ingatan masyarakat Betawi Mampang terhadap tradisinya. Penelitian ini menggunakan metode kualitatif dengan dengan pendekatan deskriptif analitis karena menjelaskan, memberikan ilustrasi, dan simpulan terhadap permasalahan yang telah didapatkan dan diteliti sekaligus cukup adaptif dan peka terhadap pola-pola atau yang diterapkan masyarakat dalam tradisi ini. Metode pengumpulan data yang digunakan untuk penelitian ini adalah wawancara dengan beberapa narasumber terverifikasi, termasuk budayawan Betawi dan pelaku budaya tersebut. Penelitian ini memperoleh temuan bahwa ngerahul pada era modern di kawasan tersebut dijalankan atas dasar kebutuhan pelakunya dengan modal ingatan masa lalu. Di satu sisi, dengan ngerahul, mereka memperoleh timbal balik dan nilai-nilai yang bermanfaat untuk kehidupan mereka.

---

This research examines the indigenous oral tradition of Betawi called ngerahul, which is practiced by the Betawi community in Mampang, through their collective memory. The purpose of this study is to obtain and reveal the genuine efforts to restore the role of Betawi Mampang community's memory in relation to their tradition. This research utilizes a qualitative method with an analytical descriptive approach, as it seeks to explain, illustrate, or draw conclusions regarding the identified and researched issues, while also being adaptable and sensitive to the patterns or practices implemented by the community in this tradition. The data collection method employed for this research is interviews with several verified sources, including Betawi cultural experts and practitioners. The study findings indicate that ngerahul, in the modern era of the area, is carried out based on the needs of its participants with the aid of past memories. With ngerahul, they gain reciprocity and values that are beneficial to their lives."

"Penelitian ini membahas warna lokal tradisi budaya karapan sapi di Madura. Korpus penelitian ini adalah cerita pendek Sapi-Sapi Karapan karya Zainal A. Hanafi. Penelitian ini bertujuan untuk (1) mendeksipsikan karapan sapi dalam cerpen Sapi-Sapi Karapan karya Zainal A. Hanafi menjadi identitas budaya masyarakat Madura, (2) mengungkapkan warna lokal serta keunikan yang terjadi dalam cerpen Sapi-Sapi Karapan karya Zainal A. Hanafi, dan (3) menjelaskan aspek budaya dan ekonomi tokoh utama mempengaruhi warna lokal sehingga terjadi transformasi budaya serta menemukan solusi untuk permasalahan yang ada. Penelitian ini menggunakan metode penelitian gabungan, yaitu kualitatif dan deskriptif. Penelitian ini menggunakan studi pustaka. Teori yang digunakan bersumber dari beberapa ahli berupa struktur dalam (intrinsik), yaitu penokohan dan latar; struktur luar (ekstrinsik) warna lokal dan kajian intertekstual sebagai media untuk mengkaji warna lokal berupa identitas budaya, yaitu karapan sapi di Madura dalam aspek budaya dan ekonomi serta keterkaitannya sehingga terjadi transformasi budaya karapan sapi dalam cerpen Sapi-Sapi Karapan. Berdasarkan hasil penelitian, dapat disimpulkan bahwa tradisi karapan sapi merupakan budaya yang mengungkapkan jati diri masyarakat Madura sesuai gambaran dalam cerpen Sapi-Sapi Karapan. Tradisi tersebut patut dilestarikan, namun dengan beberapa catatan yang akan dibahas pada penelitian ini.

---

This study discusses the local color of the karapan sapi cultural tradition in Madura. The corpus of this research is the short story Sapi-Sapi Karapan by Zainal A. Hanafi. This study aims to (1) describes the karapan sapi in the short story Sapi-Sapi Karapan by Zainal A. Hanafi to become the cultural identity of the Madurese community, (2) reveal the local color and uniqueness that occurs in the short story Sapi-Sapi Karapan by Zainal A. Hanafi, and (3) explains the cultural and economic aspects of the main character influencing local colors so that cultural transformation occurs and finds solutions to existing problems. This study used a combined research method, namely qualitative and descriptive. This study used library research. The theory used comes from several experts in the form of internal structure (intrinsic), namely characterization and setting; the external structure (extrinsic) of local colors and intertextual studies as a medium to study local colors in the form of cultural identity, namely karapan sapi in Madura in cultural and economic aspects and their relationship so that there is a cultural transformation of karapan sapi in the short story Sapi-Sapi Karapan. Based on the results of the study, it can be concluded that the karapan sapi tradition is a culture that expresses the identity of the Madurese community according to the description in the short story Sapi-Sapi Karapan. This tradition should be preserved, but with some notes that will be discussed in this study."

"The Siraman Gong Kyai Pradah Tradition is one of the local cultures in Blitar Regency, East Java Province. This Traditiona is still held twice a year by the supporting people in lodoyo, Sutojayan district, Blitar Regency.This is because the public belelves that supporters of this tradition will gain benefir for his or her life...."