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"ABSTRAKenelitian ini membahas representasi penolakan terhadap homoseksual di Rusia dengan contoh kasus persekusi yang terjadi di Chechnya. Penelitian ini adalah penelitian kualitatif, menggunakan metode studi kasus untuk membuktikan adanya representasi yang berbeda dari kedua media yang diteliti yaitu РИА НОВОСТИ / RIA NOVOSTI dan Cable News Network / CNN. Penelitian ini menggunakan teori Representasi yang dikemukakan oleh Stuart Hall dalam buku Representation: Cultural Representations and Signifying Practices (1997). Tujuan dari penelitian ini adalah untuk mengemukakan adanya perbedaan representasi dari kedua media dalam memberitakan bentuk penolakan terhadap pelaku homoseksual di Chechnya. Hasil penelitian ini membuktikan bahwa РИА НОВОСТИ / RIA NOVOSTI mendukung pemerintah Rusia dengan menyangkal adanya tindakan kekerasan yang dilakukan oleh pemerintah Rusia terhadap pelaku homoseksual, sementara pemberitaan yang dilakukan oleh Cable News Network / CNN sesuai dengan keadaan yang sebenarnya yaitu adanya bentuk persekusi terhadap pelaku homoseksual di Chechnya.

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ABSTRACT

This research describes the representation of the rejection of homosexuals in Russia with examples of the persecution cases in Chechnya. This research is a qualitative study and uses the case study method to prove that there exist two different representations by PNA BOBOCTN/ RIA NOVOSTI and Cable News Network/CNN. This research uses Stuart Halls Representation theory from his book Representation: Cultural Representations and Signifying Practices (1997). This research aims to reveal different representations from both medias in broadcasting homosexual rejection news in Chechnya. The results of this research prove that PNA HOBOCTN RIA NOVOSTI supports the Russian government by denying any acts of violence committed by the Russian government against homosexual perpetrators, while the Cable News Network/CNN factually describes the persecution of homosexuals in Chechnya."

"[Pencitraan yang dilakukan oleh Putin dalam periode pemerintahannya menunjukan perbedaan yang signifkan dengan pencitraan yang umum dilakukan oleh pemimpin Rusia pada era Uni Soviet. Akan tetapi, proses pencitraan yang berlainan tersebut hanyalah wujud dari luar semata, pada sistem pemerintahan Putin totaliter kembali diberlakukan, seperti pada era Uni Soviet. Wujud demokrasi yang diperlihatkan pada diizinkannya demonstrasi, partai politik yang tidak tunggal, diizinkannya oposisi hanyalah etalase semata. Pada kenyataanya, Republik Federasi Rusia tetaplah negara otoriter yang dikendalikan oleh Putin sepenuhnya. Sosok Putin saat ini menggantikan sosok Partai pada era pemerintahan Uni Soviet dahulu.;Putin’s way to visualize his own image is different with the old ‘Soviet-Way’ of imagining someone as their leader. Putin is using popular culture rather than the old black and white or military typical portrait. This is a way from Putin to show the world that Russian Government has changed. However, Putin own policy shown that Russia was unlikely change into a better democratic country. Russia nowadays tend to be more totalitarian rather than democratic, it has the same similarities with the Soviet system. Putin’s total control of Russia today seems like a replacement of old Soviet’s totalitarian regime, Putin’s way to visualize his own image is different with the old ‘Soviet-Way’ of imagining someone as their leader. Putin is using popular culture rather than the old black and white or military typical portrait. This is a way from Putin to show the world that Russian Government has changed. However, Putin own policy shown that Russia was unlikely change into a better democratic country. Russia nowadays tend to be more totalitarian rather than democratic, it has the same similarities with the Soviet system. Putin’s total control of Russia today seems like a replacement of old Soviet’s totalitarian regime]"

"ABSTRAKPenelitian ini membahas enam berita mengenai kasus kekerasan rumah tangga yang dialami oleh Маргарита Грачева (Margarita Gračeva) pada tahun 2017 melalui media Rusia РИА Новости (RIA Novosti). Adapun tujuan dari penelitian ini adalah untuk mengetahui makna yang terdapat dalam media Rusia RIA Novosti mengenai kasus Margarita Gračeva. Metode analisis wacana kritis digunakan dalam penelitian ini untuk mencari tahu hal-hal yang ingin disampaikan oleh media RIA Novosti melalui beritanya mengenai kasus kekerasan rumah tangga terkait dengan adanya dekriminalisasi kekerasan rumah tangga. Landasan teori yang digunakan adalah teori tiga dimensi milik Norman Fairclough yaitu deskripsi, interpretasi, dan juga eksplanasi teks. Melalui metode analisis tersebut ditemukan bahwa pemberitaan kekerasan rumah tangga yang dialami Margarita Gračeva, media RIA Novosti sebagai media resmi pemerintah Rusia memberikan citra positif terhadap negaranya melalui apa yang terdapat dalam beritanya. Penelitian ini menunjukkan bahwa media berperan dalam mengembangkan citra positif terhadap negara melalui beritanya.

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ABSTRACT

This study discusses about six news of domestic violence case experienced by Маргарита Грачева (Margarita Gračeva) in 2017 through the Russian media РИА Новости (RIA Novosti). The purpose of this study is to find the meaning through Russian media RIA Novosti about Margarita Graceva case. The critical discourse analysis method is used to find things that RIA Novosti media wants to say through the news related to the decriminalization of domestic violence. The theoretical basis uses the three dimension theory approach by Norman Fairclough is description, interpretation, and explanation of the text. Through this analysis method found that domestic violence in Margarita Graceva case, the RIA Novosti media as the official media of the Russian government gave a positive image to the country through what was contained the news. This study shows that the media play a role in developing a positive image of their country through the news."

"Kekerasan seksual dalam konflik merupakan fenomena yang akrab dalam sejarah peperangan dan konflik dunia. Berdasarkan laporan Human Rights Watch dan PBB, kekerasan seksual kembali terjadi pada konflik Rusia-Ukraina 2022. Berbagai media massa, seperti media Inggris The Guardian dan media Rusia RIA Novosti, menyajikan topik ini dengan cara yang berbeda dalam artikel-artikelnya. Dalam pandangan konstruktivisme, perbedaan cara penyajian berita itu merupakan hal yang wajar karena berita bukanlah cermin realitas, melainkan hasil konstruksi dari proses pembingkaian. Lalu, bagaimana media The Guardian dan RIA Novosti membingkai kekerasan seksual dalam konflik Rusia-Ukraina selama 24 Februari–31 Desember 2022? Bertujuan untuk mengetahui bagaimana bingkai atas topik tersebut ditampilkan oleh The Guardian dan RIA Novosti, penelitian ini menganalisis artikel-artikel dari kedua media dengan model pembingkaian milik Robert Entman. Dari temuan penelitian ini, dapat dimaknai bahwa The Guardian membingkai topik kekerasan seksual dalam konflik Rusia-Ukraina 2022 sebagai masalah HAM dan transnasional, sedangkan RIA Novosti membingkai topik tersebut sebagai tuduhan palsu terhadap Rusia.

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Conflict-related sexual violence is a familiar phenomenon inside the world's history of war and conflict. Based on Human Rights Watch and the UN's reports, sexual violence was occurring again in the 2022 Russia-Ukraine conflict. Various mass media, such as British media The Guardian and Russian media RIA Novosti, delivered this topic differently in their news articles. From the view of constructivism, the difference in the way of delivering news is prevalent because news is not a mirror of reality but the result of a construction from a framing process. Then, how did The Guardian and RIA Novosti frame sexual violence in the Russia-Ukraine conflict from 24 February–31 December 2022? Aiming to know how the frame of the topic was served by The Guardian and RIA Novosti, this study analyzes articles from both medias using Robert Entman's framing model. From the findings of this study, it can be interpreted that The Guardian framed the topic of sexual violence in the 2022 Russia-Ukraine conflict as a human rights and transnational issue, while RIA Novosti framed it as a false accusation against Russia."

"ABSTRAKHomoseksual bukanlah sebuah tema yang baru dalam perfilman di Jerman. Dahulu film-film bertemakan homoseksual pernah mati akibat rezim Nazi, karena Nazi membenci homoseksualitas dan beranggapan bahwa homoseksualitas mengancam maskulinitas negara. Setelah tumbangnya Nazi film-film bertemakan homoseksual mulai kembali bermunculan, salah satunya adalah film bertajuk Jonathan. Penelitian ini membahas mengenai representasi homoseksual yang terdapat pada film Jonathan 2016 sebagai film debut karya Piotr. J. Lewandowski. Tidak seperti film bertemakan homoseksual lainnya, Jonathan menampilkan tokoh gay yang hidup dalam kesengsaraan. Kesengsaraan tokoh gay disebabkan keputusannya untuk mengingkari orientasi seksualnya yang kemudian menyebabkan efek domino kepada istri dan anaknya. Di akhir film orientasi seksual tokoh utama diterima oleh keluarganya sebelum ia mati dan hal ini melahirkan kebahagiaan serta penerimaan diri pada tokoh utama. Tujuan penelitian ini adalah untuk memperlihatkan representasi homoseksual di pedesaan Jerman dalam film. Untuk meneliti bagaimana film merepresentasikan homoseksual, maka diperlukan teori semiotika dari John Fiske, yang lebih fokus pada tanda dalam film, sehingga dapat diketahui bagaimana tokoh homoseksual direpresentasikan melalui kostum, pencahayaan, dan musik dalam film. Penelitian menunjukkan bahwa pengingkaran diri tidak saja merugikan diri sendiri, tapi juga merugikan orang lain. Penerimaan diri amatlah penting, tidak saja untuk kebahagiaan diri sendiri, tapi juga untuk kebahagiaan orang lain, terutama keluarga.

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ABSTRACT<>br>Homosexuality is not a foreign film theme in German. Formerly homosexual themed films had died from the Nazi regime, because the Nazis hated homosexuality and thought that homosexuality threatened the state rsquo s masculinity. After the fall of the Nazi, homosexual themed films began to re emerge, one of which is a film titled Jonathan. This study discusses the homosexual representation found in Jonathan 2016 as Piotr. J. Lewandowski rsquo s debut film. Unlike other gay themed films, Jonathan features gay character who lives in a misery. The gay character rsquo s misery is due to his decision to deny his sexual orientation, which then causes a domino effect on his wife and son. At the end of the film, the main character rsquo s sexual orientation is accepted by his family before he dies and this give happiness and self acceptance for the main character. The purpose of this study is to show homosexual representation in rural Germany in the film. To examine how this film represents homosexuality, it takes the semiotic theory of John Fiske, which focuses more on the sign in the film, so it can be seen how the homosexual character is represented through costumes, lighting, and music in the film. This research shows that self denial is not only self defeating, it also harms others. Self acceptance is very important, not only for the happiness of oneself, but also for the happiness of others, especially the family."

"ABSTRAK Makalah ini membahas stereotip media dari pria homoseksual dan unsur heteroseksisme dalam film the Imitation Game. Sebagai film independen yang paling banyak ditonton pada tahun 2014, the Imitation Game adalah karya bertema homosexual seperti pendahulunya Will and Grace (1998-2006) dan Brokeback Mountain (2005). Penelitian menggunakan teori analisis tekstual oleh Alan McKee untuk membahas unsur mise-en-scene dan narasi. Ditemukan bahwa meskipun Alan Turing sebagai tokoh utama terlihat berlawanan dengan stereotip pria gay, beberapa ciri karakternya masih terikat kepada stereotip homoseksual di media - yaitu feminin, flamboyan, dan menjadi penjahat/ korban. Selain itu, unsur heteroseksisme yang terjadi di the Imitation Game adalah formula berulang yang juga terjadi pada Will dan Grace dan Brokeback Mountain. Walaupun komunitas LGBT telah diterima di masyarakat Amerika, media AS sendiri masih butuh waktu untuk benar-benar merepresentasikan homoseksualitas tanpa unsur hetero-normativitas.Makalah ini membahas stereotip media dari pria homoseksual dan unsur heteroseksisme dalam film the Imitation Game. Sebagai film independen yang paling banyak ditonton pada tahun 2014, the Imitation Game adalah karya bertema homosexual seperti pendahulunya Will and Grace (1998-2006) dan Brokeback Mountain (2005). Penelitian menggunakan teori analisis tekstual oleh Alan McKee untuk membahas unsur mise-en-scene dan narasi. Ditemukan bahwa meskipun Alan Turing sebagai tokoh utama terlihat berlawanan dengan stereotip pria gay, beberapa ciri karakternya masih terikat kepada stereotip homoseksual di media - yaitu feminin, flamboyan, dan menjadi penjahat/ korban. Selain itu, unsur heteroseksisme yang terjadi di the Imitation Game adalah formula berulang yang juga terjadi pada Will dan Grace dan Brokeback Mountain. Walaupun komunitas LGBT telah diterima di masyarakat Amerika, media AS sendiri masih butuh waktu untuk benar-benar merepresentasikan homoseksualitas tanpa unsur hetero-normativitas.ABSTRACT This paper discusses the media?s stereotypes of homosexual men and heterosexualization in the Imitation Game film. As the most watched independent film in 2014, the Imitation Game is an influential homosexual-themed work following its two predecessors Will and Grace (1998-2006) and Brokeback Mountain (2005). Using textual analysis theory by Alan McKee to examine the mise-en-scenes and the narratives, this study has found that despite the seemingly non-stereotypical portrayal of Alan Turing as a gay mathematician, some of his character traits are still tied to the classical homosexual men stereotypes in the media ? the effeminate, flamboyant, and victim/villain personality. Furthermore, the heterosexualization which overvalues the relationship between a gay man and a straight woman is very prevalent in the film and diminishing the homosexual nature of the main character. The heterosexualization that happens in the Imitation Game is a repetitive formula that also occurs in Will and Grace and Brokeback Mountain. Thus, despite the society?s growing reception toward LGBT communities, the US media still has a long way to go before it could present homosexuality without overshadowing it with hetero-normativity.;This paper discusses the media?s stereotypes of homosexual men and heterosexualization in the Imitation Game film. As the most watched independent film in 2014, the Imitation Game is an influential homosexual-themed work following its two predecessors Will and Grace (1998-2006) and Brokeback Mountain (2005). Using textual analysis theory by Alan McKee to examine the mise-en-scenes and the narratives, this study has found that despite the seemingly non-stereotypical portrayal of Alan Turing as a gay mathematician, some of his character traits are still tied to the classical homosexual men stereotypes in the media ? the effeminate, flamboyant, and victim/villain personality. Furthermore, the heterosexualization which overvalues the relationship between a gay man and a straight woman is very prevalent in the film and diminishing the homosexual nature of the main character. The heterosexualization that happens in the Imitation Game is a repetitive formula that also occurs in Will and Grace and Brokeback Mountain. Thus, despite the society?s growing reception toward LGBT communities, the US media still has a long way to go before it could present homosexuality without overshadowing it with hetero-normativity.;This paper discusses the media?s stereotypes of homosexual men and heterosexualization in the Imitation Game film. As the most watched independent film in 2014, the Imitation Game is an influential homosexual-themed work following its two predecessors Will and Grace (1998-2006) and Brokeback Mountain (2005). Using textual analysis theory by Alan McKee to examine the mise-en-scenes and the narratives, this study has found that despite the seemingly non-stereotypical portrayal of Alan Turing as a gay mathematician, some of his character traits are still tied to the classical homosexual men stereotypes in the media ? the effeminate, flamboyant, and victim/villain personality. Furthermore, the heterosexualization which overvalues the relationship between a gay man and a straight woman is very prevalent in the film and diminishing the homosexual nature of the main character. The heterosexualization that happens in the Imitation Game is a repetitive formula that also occurs in Will and Grace and Brokeback Mountain. Thus, despite the society?s growing reception toward LGBT communities, the US media still has a long way to go before it could present homosexuality without overshadowing it with hetero-normativity.;This paper discusses the media?s stereotypes of homosexual men and heterosexualization in the Imitation Game film. As the most watched independent film in 2014, the Imitation Game is an influential homosexual-themed work following its two predecessors Will and Grace (1998-2006) and Brokeback Mountain (2005). Using textual analysis theory by Alan McKee to examine the mise-en-scenes and the narratives, this study has found that despite the seemingly non-stereotypical portrayal of Alan Turing as a gay mathematician, some of his character traits are still tied to the classical homosexual men stereotypes in the media ? the effeminate, flamboyant, and victim/villain personality. Furthermore, the heterosexualization which overvalues the relationship between a gay man and a straight woman is very prevalent in the film and diminishing the homosexual nature of the main character. The heterosexualization that happens in the Imitation Game is a repetitive formula that also occurs in Will and Grace and Brokeback Mountain. Thus, despite the society?s growing reception toward LGBT communities, the US media still has a long way to go before it could present homosexuality without overshadowing it with hetero-normativity."

"Media yang memiliki narasi percintaan sesama laki-laki boy rsquo;s love digemari khalayak luas tak terkecuali di Indonesia. Hal ini terbukti dari jumlah konsumsi yang tinggi terhadap media tersebut, terutama kaum perempuan. Pada awalnya konsumsi terhadap boy rsquo;s love ini dilakukan secara pasif oleh para perempuan Indonesia. Seiring perkembangan teknologi, para konsumen perempuan tersebut mempunyai fasilitas untuk lebih aktif dalam memproduksi media-media yang memiliki narasi boy rsquo;s love. Selain itu, di Indonesia belakangan ini semakin marak acara comic market dan content creator yang mewadahi perempuan untuk mereproduksi media yang memiliki narasi boys rsquo; love. Seperti diungkapkan Jenkins 1992 , para konsumen perempuan, yang disebut juga dengan fan, telah lebih dari dua dekade memproduksi kembali narasi boy rsquo;s love menjadi fan merchandise, fan art, fan fiction, dan lain-lain. Namun, reproduksi narasi yang dilakukan konsumen perempuan tersebut masih membawa nilai-nilai maskulin dan feminin, atau nilai-nilai heteronormatif. Berangkat dari hal tersebut, penulis akan mengkaji salah satu karya fan fiction, yang berjudul ldquo;Card Vanguard rdquo; dengan pengarang Hisuri Rii. Menggunakan pisau analisis semiotika Roland Barthes 1972 dengan konsep denotasi dan konotasi sebagai kunci analisis semiotika, penelitian ini akan mengkaji nilai-nilai patriarki dan heteronormatif yang dibawa oleh sang pengarang dalam pembuatan media berkonten boys rsquo; love.

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Media that has a narrative of love of fellow men boy 39 s love popular a wide audience is no exception in Indonesia. This is evident from the amount of high consumption of these media, especially women. At first the consumption of boy 39 s love was done passively by the women of Indonesia. Along with technological developments, these female consumers have the facility to be more active in producing media that has a narrative boy 39 s love. In addition, in Indonesia lately increasingly rampant comic market event and content creator that accommodate women to reproduce the media that has a narrative boys 39 love. As Jenkins 1992 points out, female consumers, also called fans, have more than two decades of re producing boy 39 s love narratives into fan merchandise, fan art, fan fiction, and so on. However, the production of narratives by women consumers still carries both masculine and feminine values or heteronormative values. Departing from that, the author will review one of the fan fiction works, entitled Card Vanguard with the author of Hisuri Rii. Using Roland Barthes 39 s 1972 semiotical analysis knife with the concept of denotation and connotation as the key to semiotic analysis, this study will examine the patriarchal and heteronormative values brought by the author in the manufacture of boys 39 love media"

"[ABSTRAK Glee adalah salah satu serial televisi yang menampilkan tokoh homoseksual. Sebagai program televisi yangterkenal, Glee cenderung menciptakan atau memperkuat stereotip mengenai cara berbicara kaum homoseksualmelalui fitur bahasa yang digunakan. Penelitian ini berfokus pada bagaimana Glee menggunakan bahasa untukmenunjukan seksualitas para tokoh homoseksualnya, dan bagaimana serial televisi ini berurusan denganstereotip cara berbicara kaum gay. Teori fitur bahasa wanita Lakoff adalah landasan dasar dari penelitian ini.Sistem heteronormatif dalam percakapan di antara pasangan dan dominasi fitur bahasa yang digunakan olehpara tokoh homoseksual adalah dua hal yang didiskusikan dalam makalah ini. Penelitian ini menjelaskanbagaimana Glee memperumit pendapat umum mengenai cara kaum gay berbicara. Makalah ini memberikankonstribusi pada studi bahasa homoseksual dalam budaya populer. ABSTRACT Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture;Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture;Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters? sexuality, and how this show

deals with the stereotype of gay talk. Lakoff?s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture, Glee is one of television series that provides gay characters. As a well-known television program, Glee tends to

create and to strengthen stereotypes of how homosexual speak through the features of language. This research is

mainly focused on how Glee uses language to show its homosexual characters’ sexuality, and how this show

deals with the stereotype of gay talk. Lakoff’s women language feature is the main framework of this study.

Heteronormative system of partner conversation and the dominance of features of language of gay characters are

two points that are discussed in this paper. The paper demonstrates how Glee complicates the common belief

about how gay talk. This paper gives contribution to the study of homosexual language in popular culture]"