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"The patristic, ecclesiological, and liturgical revival in the Orthodox Church has had a profound impact on world Orthodoxy and the ecumenical movement. Orthodox leaders have also contributed to the movements efforts in inter-religious dialogue, especially with Muslims. Yet this book is the first comprehensive attempt to assess an Orthodox position on Islam. It explains why, despite being neighbors for centuries, relations between Orthodox Christians and Muslims have become increasingly complex as internal and external forces challenge their ability to understand each other and live in peace. It demonstrates how a growing number of Orthodox scholars and leaders have reframed the discussion on Islam, while endorsing and participating in dialogue with Muslims. It shows how a positive relationship with Muslims (and Islam in a general sense) is an essential aspect of Orthodox Christians historical past, present identity, and future aspirations."

"Arab Christians and the Quran from the Origins of Islam to the Medieval Period is a collection of essays on the use and interpretation of the Quran by Christians writing in Arabic in the period of Islamic rule in the Middle East up to the end of the thirteenth century. These essays originated in the seventh Woodbrooke-Mingana Symposium on Arab Christianity held in Birmingham, UK, in 2013, and are edited by Mark Beaumont. "

"The production of a new and attractive ‘Japan Brand’—one that resonates with the emerging global image of ‘Cool Japan’ associated with Japan's popular culture—is a national project incorporated in the Japanese Intellectual Property Strategy promoted by the state since 2002. This article critically examines the Japan Brand Strategy as a government-owned production site of Cool Japan imagery and as a cultural policy designed to promote a specific sense of cultural identity. Detailed reconstructions of the selective appropriation of cultural products in order to create a new cultural imagery for Japan, of the meanings attached to this imagery and of the tactics devised to spread it, highlight how problematical it is to appropriate market-made images of Cool Japan for national ends. Furthermore, by examining the various functions attributed to this national strategy, I show that while it is primarily promoted as a means for enhancing Japan's industrial policy and cultural diplomacy, it is also devised as a mechanism to mobilize the nation during unsettled times. Through examining the Japan Brand Strategy, this article highlights the challenges faced today by cultural policy makers, questioning the contemporary relevance of the modernistic approach to the state as a regulatory cultural planning apparatus."