Hasil Pencarian  ::  Simpan CSV :: Kembali

"Part-Architecture' presents a detailed and original study of Pierre Chareau's Maison de Verre through another seminal modernist artwork, Marcel Duchamp's Large Glass. Aligning the two works materially, historically and conceptually, the book challenges the accepted architectural descriptions of the Maison de Verre, makes original spatial and social accounts of its inhabitation in 1930s Paris, and presents new architectural readings of the Large Glass. Through a rich analysis, which incorporates creative projects into history and theory research, the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie Dalsace, the Maison de Verre combines a family home with a gynaecology clinic into a 'free-plan' layout. Screened only by glass walls, the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction, the Large Glass, where Duchamp's complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. 0This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women's domestic and maternal choices, reclaiming the building as a piece of female social architectural history."

"Examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou's work performs an architectural analysis of Duchamp's final enigmatic work Given: 1. The Waterfall."

"ABSTRAKArtikel ini menampilkan gambaran harc lement de rue di Paris melalui sekuen Quais de Seine dalam film Paris je t 39;aime. Film tersebut mengangkat cerita tentang perempuan-perempuan yang mengalami pelecehan seksual di jalanan, baik melalui tindakan maupun ucapan yang bersifat menggoda yang dilakukan laki-laki tidak dikenal. Pada dasarnya harc lement de rue di Paris melalui unsur sinematografi dan naratif film dilihat dari kategori , bagaimana pelecehan terjadi, dan siapa pelaku serta korban yang terlibat dalam film Paris Je T 39;aime pada sekuen Quais de Seine. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang didukung oleh teknik pengumpulan data yaitu studi kepustakaan. Penelitian ini menunjukkan bahwa secara umum korban harc lement de rue adalah perempuan dari berbagai ras. Pelaku adalah laki-laki yang berasal dari berbagai ras. Dalam artikel ini juga ditemukan bahwa harc lement de rue tidak hanya menyinggung aspek seksual namun terdapat pelecehan agama yang dialami seorang tokoh perempuan muslim.

---

ABSTRACTThis article presents the depiction of harc lement de rue that is shown in Quais de Seine sequence in Paris je t 39;aime movie. The movie portrays the story of women who are harassed in the street by male strangers calling her a nasty words based on reality which frequently happen in Paris. Harc lement de rue is harassment in the street, especially sexual is portrayed through both verbal and physical harassment which often go hand-in-hand. The objective of this study is to find out harc lement de rue in Paris focusing on Quais de Seine sequence in Paris je t 39;aime film. The cinematography and narrative elements found in the film show types of harassment, how the harassment happens also the perpetrator and the victim of harassment. The method used in this research is qualitative research supported by library research for the data collection. This research shows that the victim of harc lement de rue are generally women from various races. Meanwhile, the perpetrators are males from various races. In addition, this research reveals that harc lement de rue does not only elevate sexual aspect but also religious harassment in a muslim woman character."