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""Artemis Fowl is facing his deadliest enemy yet. Himself. Artemis is no stranger to trouble. In fact, he is a magnet for it. Man-eating trolls, armed and dangerous (not to mention high-tech) fairies, and flame-throwing goblins - he's seen the lot. He had decided to forego criminal activity of the more magical kind. Now his mother is gravely ill. Artemis Fowl must travel back through time to steal the cure from the cultures of the young criminal mastermind... Artemis Fowl. That's right. With fairy ally Captain Holly Short by side, Artemis is going back in time to do battle with himself in Eoin Colfer's latest book Artemis Foul and the Time Paradox."-- Back cover.Teenage criminal mastermind Artemis Fowl has a new mission - and this time, it's personal. Artemis's mother is dangerously ill, and the only way to find a cure is for Artemis - with Holly Short by his side - to go back in time to battle his younger, more evil self..Artemis's mother has contracted a deadly disease -- and the only cure lies in the brain fluid of African lemurs. Unfortunately, Artemis himself was responsible for making the lemurs extinct five years ago. Now he must enlist the aid of his fairy friends to travel back in time and save them. Not only that, but he must face his deadliest foe yet...his younger self."

"Twelve-year-old villain, Artemis Fowl, is the most ingenious criminal mastermind in history. His bold and daring plan is to hold a leprechaun to ransom. But he's taking on more than he bargained for when he kidnaps Captain Holly Short of the LEPrecon (Lower Elements Police Reconnaissance Unit). For a start, leprechaun technology is more advanced than our own. Add to that the fact that Holly is a true heroine and that her senior officer Commander Root will stop at nothing to get her back and you've got the mother of all sieges brewing!"

"Young Artemis has frequently used high-tech fairy magic to mastermind the most devious criminal activity of the new century. Now, at a conference in Iceland, Artemis has gathered the fairies to present his latest idea to save the world from global warming."

"A second juvenile genius has discovered that fairies do exist, and she is determined to capture one for scientific study. And not just any fairy. The newcomer intends to trap a demon -- the most human-hating species unknown to man. Only an ancient time spell separates the demons from mankind -- and Artemis must prevent it from unravelling. If he fails, the bloodthirsty tribe will relaunch their quest to wipe every human from the planet.Criminal mastermind Artemis Fowl finally meets his match. A second juvenile genius has discovered that fairies do exist, and she is determined to capture one for scientific study. And not just any fairy. The newcomer intends to trap a demon: the most human-hating species known to man. But there are more than two players in this deadly game. Holly Short has been enlisted by Section Eight, a covert division of the Lower Elements Police, to find out just what her old accomplice Artemis is up to. And there is also a mysterious assassin, Billy Kong, who will stop at nothing to get his revenge. Only an ancient time-spell separates the demons from mankind, and Artemis must prevent it from unravelling. If he fails, the bloodthirsty tribe will relaunch their quest to wipe every human from the planet. Because that's what demons live to do. There can only be one winner - and this time it might not be Artemis Fowl."

"When Artemis learns that his father has been kidnapped by the Russian mob, he races to the Arctic Circle to make a daring rescue, where he finds an old acquaintance, Captain Holly Short, who is investigating a plot of the goblin mob."

"Waktu menjadi sebuah objek kaji dengan tingkat kompleksitas yang rumit, memahami waktu adalah berbicara perihal periodisasi, sejarah, dan memori. Waktu kemudian diidentifikasi sebagai gerak yang hadir dalam manifestasi masa lalu, masa kini dan masa depan. Film menjadi sebuah medium yang mampu memanifestasikan gerak dan waktu dalam produk visual dan tertangkap indera manusia. Film dapat membuat objek bergerak maju, mundur, atau bahkan berhenti sama sekali. Tenet (2020) adalah sebuah film yang mengaplikasikan konsep tersebut. Sebagai film fiksi sains, Tenet mengolah dimensi temporal baik dalam gagasan dan kemasan melalui sinematografi dan struktur naratifnya. Tenet menghadirkan gagasan kesadaran waktu yang tumpang tindih dari masa lalu, masa kini, dan masa sekarang. Sebuah mesin pintu putar dalam Tenet digunakan sebagai signifikansi hadirnya paradoks determinisme atau kondisi tercekik dalam lingkaran waktu yang sirkuler. Bentuk aporia atau kebimbangan deterministik yang dialami tokoh dalam Tenet merefleksikan dialog kesadaran manusia atas dimensi waktu. Tenet menyajikan perdebatan dua perspektif sikap manusia terhadap waktu, yakni perspektif yang modern dan manusia yang postmodern direpresentasikan melalui tokoh Protagonis dan Sator. Dalam tahapan yang lebih ideologis, Tenet menjadi film yang penuh ambivalensi dalam menyajikan dialog perspektif sikap manusia terhadap waktu tersebut. Hal tersebut berkaitan dengan terminologi dan perspektif metamodenisme, yakni kemustahilan yang terus diusahakan. Segala agenda yang dilakukan oleh Protagonis dan Sator pada akhirnya akan berakhir pada kemustahilan, hal tersebut dikarenakan mereka telah terjebak dalam paradoks determinisme atau tercekik dalam putaran waktu yang sirkuler.

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Time becomes an object of study with a complicated level of complexity, understanding time is talking about periodization, history, and memory. Time is then identified as motion that is present in past, present and future manifestations. Film is a medium capable of manifesting motion and time in visual products and is captured by the human senses. Movies can make objects move forward, backward, or even stop altogether. Tenet (2020) is a film that applies this concept. As a science fiction film, Tenet cultivates a temporal dimension both in ideas and packaging through its cinematography and narrative structure. Tenet presents the idea of overlapping time consciousness of the past, present, and present. A revolving door machine in Tenet used as a medium for the paradox of determinism or suffocation in a circular time loop. The form of aporia or deterministic indecision experienced by characters in Tenet reflects the dialogue of human consciousness on the dimension of time. Tenet presents a debate on two perspectives of human attitudes towards time, namely the modern perspective and the postmodern human being represented through the Protagonis and the Sator. In a more ideological stage, Tenet becomes a film full of ambivalence in presenting a dialogue from the perspective of human attitudes towards that time. This related to the terminology and perspective of metamodernism, namely the impossibility that continues to be pursued. All the agendas carried out by the Protagonis and Sator will eventually end in impossibility, this is because they have been trapped in the paradox of determinism or suffocated in a circular time loop."

"ABSTRAKPada periode 2011-2014 di Indonesia diduga terjadi suatu paradoks konsumsi kalori dimana konsumsi kalori perkapita menurun dengan meningkatnya pengeluaran perkapita dan ukuran rumah tangga. Penelitian ini akan menganalisis paradoks konsumsi kalori tersebut dengan menerapkan beberapa metode analisis, termasuk metode LOWESS, metode repeated cross section menggunakan variabel instrumen, dan metode regresi kuantil. Data penelitian ini berskala nasional dengan memanfaatkan data hasil Survei Sosial Ekonomi Nasional (Susenas) Maret 2011-2014. Hasil penelitian ini menunjukkan bahwa paradoks hubungan konsumsi kalori terhadap pendapatan dan ukuran rumah tangga cenderung terjadi di Indonesia pada periode 2011-2014. Selain itu, kebutuhan kalori dan program Raskin berkorelasi positif dengan konsumsi kalori. Dari temuan tersebut, saran dari penelitian ini adalah pemerintah perlu menjaga kesinambungan program bantuan pangan rumah tangga, menjamin kestabilan harga makanan pokok masyarakat, dan penerapan skala ekonomi dalam penghitungan garis kemiskinan.

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ABSTRACTDuring 2011-2014, anecdotal evidence suggested that there was a paradox in Indonesia concerning calorie intake that had fallen, despite increased per capita expenditure and household size. This study will analyze rigorously the issue of calorie intake by applying several analytical methods, including LOWESS method, repeated cross section method using instrumental variable, and quantile regression method. The study uses national scale data from the results of the National Socio-Economic Survey (Susenas) in March 2011-2014. This study find that there is a meaningful relationship between calorie intake and per capita expenditure and household size in Indonesia in the 2011-2014 period. In addition, calorie need and the Subsidized Rice for the Poor (the Raskin) program are positively correlated with calorie intake. The research also suggests that the government needs to maintain the sustainability of household food assistance programs, ensure the stability of staple food prices, introducing education on the importance of fulfilling proper and balanced calorie consumption, and applying economies of scale in calculating poverty line."