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"Spirituality is, too often, subsumed under the heading of religion and treated as much the same kind of thing. Yet spirituality extends far beyond the spaces of religion. The spiritual makes geography strange, challenging the relationship between the known and the unknown, between the real and the ideal, and prompting exciting possibilities for charting the ineffable spaces of the divine which lie somehow beyond geography. In setting itself that task, this book pushes the boundaries of geographies of religion to bring into direct focus questions of spirituality. By seeing religion through the lens of practice rather than as a set of beliefs, geographies of religion can be interpreted much more widely, bringing a whole range of other spiritual practices and spaces to light. The book is split into three sections, each contextualised with an editors introduction, to explore the spaces of spiritual practice, the spiritual production of space, and spiritual transformations.This book intends to open to up new questions and approaches through the theme of spirituality, pushing the boundaries on current topics and introducing innovative new ideas, including esoteric or radical spiritual practices. This landmark book not only captures a significant moment in geographies of spirituality, but acts as a catalyst for future work."

"ABSTRAKIdolling yang dibawa oleh JKT48 dari Jepang telah mengalami proses kontekstualisasi terhadap nilai dan norma yang ada di Indonesia dengan tujuan agar dapat diterima sebagai budaya populer seperti di Jepang. Studi-studi sebelumnya menyatakan bahwa manajemen dari grup idola telah melakukan proses komodifikasi dan lokalisasi budaya dalam membawa idolling sebagai budaya populer ke Indonesia. Berbeda dengan studi-studi sebelumnya, argumentasi dari penelitian ini adalah idolling yang dibawa oleh JKT48 muncul sebagai ruang negosiasi bagi manajemen JKT48 yang berasal dari Jepang dengan manajemen, anggota dan penggemar JKT48 yang kemudian membentuk idolling versi hybrid. Penelitian ini merupakan penelitian kualitatif dengan wawancara mendalam dan observasi sebagai metode pengumpulan data. JKT48 di dalam tulisan ini didefinisikan sebagai sebuah entitas yang melibatkan manajemen, anggota dan penggemar JKT48. Idolling versi hybrid muncul sebagai hasil negosiasi budaya yang berbeda antara Jepang dan Indonesia. Proses negosiasi tersebut melibatkan manajemen, anggota dan penggemar JKT48 sebagai bentuk resistensi terhadap budaya populer yang masuk yaitu idolling.

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ABSTRACTIdolling that was brought by JKT48 from Japan has experienced the process of contextualization of values and norms in Indonesia with the purpose to be accepted as popular culture as in Japan. Previous studies have stated that from within the management of the idol group has done the process of commodification and localization of culture in bringing idolling as a popular culture to Indonesia. Different from previous studies, the argument from this research is that the idolling that was brought by JKT48 emerged as a third space for JKT48 management from Japan with management, members and fans of JKT48 which later formed a hybrid version of idolling. This research is a qualitative research with in depth interview and observation as data collecting method. JKT48 in this paper define as an entity that involving management, members and fans of JKT48. Hybrid version idolling emerged as a result of cultural negotiations that took place in the third space . The negotiation process involves the management, members and fans of JKT48 as a form of resistance to idolling as popular culture which was originated from Japan."

"ABSTRAKPenelitian ini membahas tentang Masjid Hidayatullah hasil proses hibriditas yang terjadi di Jakarta pada kurun waktu abad XVII - XX. Penelitian ini bertujuan untuk mengungkap variasi bentuk dan komponen bangunan dari perspektif arsitektural dan ornamen yang dipengaruhi oleh berbagai gaya bangunan di Jakarta, seperti gaya bangunan Betawi, Arab, Tionghoa, dan Kolonial. Metode yang digunakan dalam penelitian ini berasal dari metode penelitian arkeologi Sharer dan Ashmore yaitu formulasi, implementasi, pengumpulan data, pengolahan data, analisis, interpretasi, dan publikasi. Pengaruh gaya bangunan lokal (Betawi) dan asing (Arab, Tionghoa, dan kolonial) dapat ditemukan pada denah dan pondasi, aula utama, atap, menara, dan dekorasi. Berdasarkan hasil analisis dapat diketahui bahwa Masjid Hidayatullah merupakan bangunan cagar budaya hasil persilangan yang ditemukan dari komponen bangunannya.ABSTRACTThis study discusses the Hidayatullah Mosque as a result of the hybridity process that occurred in Jakarta during the XVII - XX century. This study aims to reveal variations in building shapes and components from an architectural and ornamental perspective that are influenced by various building styles in Jakarta, such as Betawi, Arabic, Chinese, and Colonial building styles. The method used in this research comes from the archaeological research method of Sharer and Ashmore, namely formulation, implementation, data collection, data processing, analysis, interpretation, and publication. The influence of local (Betawi) and foreign (Arabic, Chinese, and colonial) building styles can be found in the plans and foundations, the main hall, roofs, towers and decorations. Based on the results of the analysis, it can be seen that the Hidayatullah Mosque is a cultural heritage building resulting from a cross found from its building components."