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"Drawing on interdisciplinary work in the field of ethics by a diverse range of thinkers, including Martha Nussbaum, Richard Rorty, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late-Victorian and turn-of-the-century British fiction. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, Henry James, and Joseph Conrad, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying."

"The Jamesian mode of writing, it has been claimed, actively works against an understanding of the way truth, history and power circulate in his texts. Enacting History in Henry James argues instead that James' writing promises an experiential type of knowledge, one that is attained by actively participating in the power games and moral dramas that unfold within the text. Reading James thus requires not just an emotional responsiveness, but also an ethical assumption of responsibility for the act of reading. This book places James' work in a fresh theoretical context and throws new light on this most enigmatic of writers."

"Taman tematik kerap memiliki lanskap dengan narasi ataupun cerita tertentu, namun narasi tersebut tidak selalu dapat diperlihatkan kepada pengunjung. Skripsi ini membahas mengenai bagaimana narasi digunakan pada taman tematik dan lanskap sebagai penyampai narasinya. Penyusunan elemen fisik lanskap penyampai narasi berupa form, path, elemen alami, dan signage sehingga membentuk suatu ruang yang dapat menyampaikan cerita. TMII menjadi studi kasus dalam mengamati elemen lanskap yang menjelaskan narasi. Dari studi kasus tersebut diketahui bahwa elemen lanskap dapat menjadi media penyampai narasi dengan memperhatikan sudut pandang dalam menyusun narasi dan menangkap narasi yang disampaikan dan sudut pandang penting untuk memahami dan merasakan kualitas ruang yang dibentuk pada ruang luar.

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The landscape of a theme park is often seen with a certain narrative or story that is sometimes not explicitly shown to the visitors. This thesis discusses about how the landscape of a theme park becomes an agent of the narration used in the theme park. The physical elements of landscape that are used as the narrative agent, such as form, path, natural elements, and signage, composed to form a space that can tell the stories it holds. The case study of this thesis is TMII, observed thoroughly to see how the landscape of the said theme park became a narrative agent. From the observation, it can be concluded that the landscape can be a narrative agent, with point of view as a consideration to compose and to capture the narrative that is trying to be delivered. Point of view itself is an important factor for understanding and experiencing the spatial quality formed in an outdoor space. It is also important to consider what kind of element suits the narrative of the space, and how people experience the narrative itself."

"Sebagai bidang interdisiplin ilmu, arsitektur banyak digunakan sebagai medium pendekatan terhadap berbagai bidang pengetahuan, salah satunya narasi. Arsitektur dirasa memiliki kekuatan untuk menyampaikan sebuah narasi dengan caranya yang unik melalui pendekatan manusia dan ruang. Melalui kajian ini, penulis mencoba melakukan pembahasan tentang isu kelangkaan identitas nasional, berupa rasa nasionalisme, sebab dan akibatnya, dengan pendekatan naratif menggunakan medium perancangan arsitektur. Dalam prosesnya, arsitektur akan dilihat sebagai kendaraan narasi yang mengantarkan pembaca menemukan metode alternatif dalam membaca sebuah identitas nasional berdasar pengalaman dan pemahaman masing-masing.

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As an interdisciplinary field of science, architecture is widely used as a medium of approach to various fields of knowledge, one of which is narration. Architecture is felt to have the power to convey a narrative through different approaches to human and space. Through this study, the author tries to discuss the issue of scarcity of  national identity, nationalism, its causes and effects, with a narrative approach using architectural design medium. In the process, architecture will be seen as a driving force for narration that leads readers to find alternative methods of reading a national identity based on their own experience and understanding.

 

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