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"Penerjemahan memiliki peran penting dalam menyampaikan pesan dari bahasa sumber ke bahasa sasaran. Kesalahan penerjemahan sering ditemukan pada penerjemahan teks, khususnya pada terjemahan bahasa Korea ke bahasa Indonesia. Sudah banyak penelitian yang membahas kesalahan penerjemahan dalam berbagai bahasa asing, namun masih belum banyak ditemukan penelitian kesalahan penerjemahan bahasa Korea ke dalam bahasa Indonesia atau sebaliknya. Penelitian ini bertujuan untuk menganalisis kesalahan penerjemahan bahasa Korea dalam Bahasa Indonesia pada takarir. Penelitian ini juga merumuskan masalah, yakni bagaimana jenis kesalahan penerjemahan dalam takarir bahasa Indonesia. Data yang digunakan adalah takarir bahasa Indonesia pada acara realitas berjudul 7llin’ in the Dream. Untuk menganalisis data, penelitian ini menggunakan 5 klasifikasi jenis kesalahan yang diperoleh dari teori kesalahan penerjemahan Nord (1997), Baker (1992), dan Popescu (2013). Dari hasil analisis, ditemukan sebanyak 28 data kesalahan penerjemahan. Kesalahan paling banyak ditemukan adalah kesalahan pemilihan diksi atau padanan kata sebanyak 15 data (54%). Kesalahan kedua yang paling banyak ditemukan adalah kesalahan menerjemahkan makna proporsional sebanyak 6 data (21%).

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Translation has an important role in conveying messages from the source language to the target language. Translation errors are often found in text translation, especially in the translation of Korean into Indonesian. There have been many studies that discuss translation errors in various foreign languages, but there is still not much research on Korean translation errors into Indonesian or otherwise. This study aims to analyze the translation errors of Korean into Indonesian in subtitle. This study also formulates the problem, namely how the types of translation errors in Indonesian subtitle. The data used are Indonesian subtitles in a reality show titled 7llin' in the Dream. To analyze the data, this study uses 5 classifications of error types obtained from the theories of translation error of Nord (1997), Baker (1992), and Popescu (2013). From the analysis, 28 data of translation errors were found. The most common error is the error of diction or word equivalence as many as 15 data (54%). The second most common error is the error in translating proportional meaning with 6 data (21%)."

"Makanan Korea telah memperoleh kepopuleran di mancanegara. Kepopuleran ini terjadi karena semakin meningkatnya popularitas budaya populer Korea (hallyu), seperti K-pop, K-film, dan K-drama. Saat ini, makanan Korea juga semakin dikenal melalui acara realitas Korea, salah satunya adalah Jinny’s Kitchen. Jinny’s Kitchen adalah acara realitas yang memperkenalkan jajanan kaki lima Korea (gilgeorieumsik) melalui pembukaan restoran Korea di Bacalar, Meksiko. Tujuan penelitian ini adalah untuk menjelaskan strategi Jinny’s Kitchen dalam melakukan gastrodiplomasi gilgeorieumsik. Penelitian ini menggunakan metode deskriptif kualitatif dan pendekatan studi kasus. Hasil penelitian menunjukkan bahwa Jinny’s Kitchen telah melakukan berbagai strategi yang efektif untuk mengupayakan gastrodiplomasi di Meksiko. Berbagai strategi yang dilakukan Jinny’s Kitchen berpengaruh pada peningkatan kesadaran target gastrodiplomasi terhadap budaya kuliner Korea.

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Korean food has gained popularity abroad. This popularity occurs due to the increasing popularity of Korean popular culture (hallyu), such as K-pop, K-film and K-drama. Currently, Korean food is also increasingly known through Korean reality shows, one of which is Jinny's Kitchen. Jinny's Kitchen is a reality show that introduces Korean street food (gilgeorieumsik) through the opening of a Korean restaurant in Bacalar, Mexico. The aim of this research is to explain the motivation, strategy and success of Jinny's Kitchen in carrying out gilgeorieumsik gastrodiplomacy. This research uses a qualitative descriptive method and a case study approach. The research results show that Jinny's Kitchen carried out various effective strategies to pursue gastrodiplomacy in Mexico. The various strategies carried out by Jinny's Kitchen have an effect on increasing the awareness of gastrodiplomacy targets towards Korean culinary culture."

"Terrace House merupakan reality show Jepang yang menampilkan kehidupan laki-laki dan perempuan Jepang yang tinggal dalam satu rumah megah. Namun, berbeda dengan reality show lainnya, Terrace House tidak dipenuhi drama dan pesertanya tidak selalu mempunyai tujuan untuk menemukan pasangan. Para peserta perempuan juga tidak menampilkan stereotip perempuan Jepang yang lemah lembut dan pasif. Penelitian ini bertujuan untuk melihat bagaimana perempuan Jepang direpresentasikan dalam reality show Jepang Terrace House. Penulis menggunakan teori representasi Stuart Hall (1997) sebagai konsep dasar dan teori gender Oakley (1972) serta konsep gender stereotip Yoko Sugihara dan Emiko Katsurada (2000) dengan metode analisis deskriptif dalam penelitian ini. Hasil penelitian menunjukkan bahwa representasi perempuan yang melawan stereotip gender tetapi di saat bersamaan sesuai dengan stereotip gender. Reality show ini dapat dilihat sebagai refleksi terhadap masyarakat Jepang saat ini dengan partisipasi perempuan karier yang meningkat namun kesengjangan gender yang masih sangat tinggi.Kata kunci: feminin, gender, reality show, representasi, stereotip

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Terrace House is a Japanese reality show that shows the lives of Japanese men and women living in one magnificent house. However, unlike any other reality shows, Terrace House is not full of drama and the participants do not always have the goal to find a partner. The female participants also do not present the stereotypes of meek and passive Japanese women. This study aims to see how Japanese women are represented in Japanese reality show Terrace House. The writer uses the representation theory from Stuart Hall (1997) as the basic concept and gender theory from Oakley (1972) as well as the stereotypical gender concepts from Yoko Sugihara and Emiko Katsurada (2000) with descriptive analysis methods. The results showed that women's representation opposes gender stereotypes but at the same time is in line with gender stereotypes. This reality show can be seen as a reflection of current Japanese society with increased participation of career women but still a very high gender gap.Keywords: feminine, gender, reality show, representation, stereotypes"

"Dalam penelitian ini dianalisis prosedur, teknik, dan metode penerjemahan yang dipakai dalam menerjemahkan lirik lagu Take Me Home, Country Roads dalam lirik lagu adaptasi bahasa Jerman Dieser Weg Führt Nach Haus (Neue Version). Lirik lagu dianalisis menggunakan teori prosedur, teknik, dan metode penerjemahan dari Newmark (1988). Penulis mengelompokkan masing-masing lagu per bait, satu bait berisi empat baris. Dengan begitu baik lirik lagu bahasa sumber maupun bahasa sasaran memiliki empat bait yang dianalisis. Penelitian ini menggunakan metode kualitatif deskriptif dan terbatas pada analisis prosedur, teknik dan metode penerjemahan yang digunakan dalam lirik lagu bahasa sasaran atau unsur lingual saja, kalaupun ada unsur lain seperti kultural atau musikal, hanya dijabarkan sepintas. Berdasarkan hasil penelitian, prosedur dan teknik yang dipakai dalam adaptasi lagu ini adalah modulasi bebas dan mempunyai fungsi komunikatif dan fungsi estetik. Metode yang dipakai adalah free translation, adaptation, dan idiomatic translation. Penerjemah dalam adaptasi juga memperhatikan unsur-unsur seperti jumlah suku kata, pemilihan kata, dan rima.

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This study analyzes translation procedure, technique, and methods used to translate Take Me Home, Country Roads song lyrics into German adaptation lyrics in Dieser Weg Führt Nach Haus (Neue Version). The lyrics were analyzed using translation procedure, technique, and methods theory by Peter Newmark (1988). The lyrics of two songs are grouped by verse, one verse contains four lines. Therefore both songs will have four verses to analyze. This study uses a qualitative descriptive method and is limited to translation procedure, technique, and methods used or lingual matter, other matters e.g. cultural or musical are briefly discussed. According to the results, translation procedure, technique, and methods used are free modulation, communicative purpose, and aesthetic purpose. Methods used are free translation, adaptation and idiomatic translation. The translator also takes into account elements like syllable count, word choice, and rhyme."

"ABSTRAKDisertasi ini menyingkap strategi, ideologi, metode, dan teknik penerjemahan ungkapan sapaan bahasa Inggris-Amerika dan ungkapan sapaan bahasa Indonesia serta budaya kebahasaan yang terlibat di dalam penerjemahan. Penelitian kualitatif ini menggunakan tiga novel Amerika beserta terjemahan bahasa Indonesianya dan wawancara dengan penerjemah serta narasumber lain. Didukung oleh teori penerjemahan, ungkapan sapaan, dan budaya kebahasaan, penelitian ini menemukan dua ideologi penerjemahan yang berhulu pada strategi penerjemahan pemancaan (foreignization) dan pelokalan (domestication). Di samping itu, juga ditemukan tujuh metode penerjemahan dan dua puluh empat teknik penerjemahan serta budaya kebahasaan yang menyangkut kuasa (power) dan solidaritas (solidarity).

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ABSTRACTThis dissertation reveals the translation strategies, ideologies of translation, translation methods, and translation techniques of American-English forms of address into their Indonesian translations within linguistic culture involved in the translation. This qualitative research employs three American novels with their translation versions and interviews with their translators and other resource persons. Through the theories of translation, forms of address theories, and linguistic culture, the research findings indicate that two ideologies of translation: foreignization and domestication. Besides, it is also found that there are seven methods of translation with twenty four techniques of translation and linguistic culture relating to power and solidarity."

"Penelitian ini membahas penerjemahan preposisi pemarkah lokatif dan adverbia lokatif bahasa Prancis ke dalam bahasa Indonesia dengan menganalisis padanannya. Hasil penelitian menunjukkan bahwa preposisi pemarkah lokatif bahasa Prancis dapat diberi padanan berupa preposisi pula dalam bahasa Indonesia, sedangkan adverbia lokatif bahasa Prancis tidak pernah berpadanan adverbia lokatif bahasa Indonesia, sebab bahasa Indonesia tidak mengenal adverbia lokatif. Oleh karena itu, kesejajaran bentuk dapat diterapkan dalam penerjemahan preposisi pemarkah lokatif, sebaliknya penerjemahan adverbia lokatif tidak terikat pada kesejajaran bentuk dan lebih mementingkan kesepadanan tekstual. Hasil analisis juga menunjukkan pergeseran dalam penerjemahan, baik pergeseran tataran maupun pergeseran kategori. Meskipun demikian, amanat yang terdapat dalam bahasa sumber tetap dapat tersampaikan dalam bahasa sasaran.

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This research explains the translation of locative prepositions and locative adverbs in French language to Indonesian language by analyzing their Indonesian equivalents. It shows that there are Indonesian equivalents for French locative prepositions that work as prepositions as well, whereas Indonesian equivalents for French locative adverbs can never be determined as adverbs because there is no locative adverb in Indonesian language. Therefore, formal correspondence can be applied in the translation of locative prepositions. On the other hand, the translation of locative adverbs ignores formal correspondence but emphasizes textual equivalence. The result of the analysis shows translation shifts, both level shifts and category shifts. Nevertheless, the message in the source language still can be transferred in the target language."

"Karena nilai budayanya, metafora disetujui sebagai salah satu masalah penerjemahan, terutama dalam penerjemahan sastra. Dengan demikian, makalah ini menggabungkan teori prosedur penerjemahan yang dikemukakan oleh Peter Newmark (1988) dan Gideon Toury's (1995) serta teori foreingnisasi dan domestikasi yang dikemukakan oleh Venuti (1995). Makalah ini bertujuan untuk menganalisis bagaimana prosedur penerjemahan metafora, serta strategi penerjemahan foreignisasi dan domestikasi, diterapkan dalam dua terjemahan bahasa Indonesia dari novel berjudul Frankenstein yang ditulis oleh Mary Shelley. Penelitian ini menggunakan dua hasil terjemahan yang berbeda untuk mengumpulkan data. Terjemahan pertama (TT1) diterbitkan oleh Gramedia Publisher, dan terjemahan kedua (TT2) diterbitkan oleh Qanita Publisher. Penelitian menunjukkan bahwa dari tujuh prosedur yang digunakan, hanya satu yang tidak diterapkan. Penelitian ini juga mengungkapkan bahwa kedua terjemahan tersebut menggunakan strategi foreignisasi dan domestikasi. Namun, TT1 condong ke arah foreignisasi dan TT2 cenderung lebih menggunakan strategi domestikasi.

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Because of its cultural value, metaphor is agreed as one of the translation problems, especially in literary translation. Thus, this paper combines theories of translation procedures proposed by Peter Newmark (1988) and Gideon Toury’s (1995) and foreignization and domestication theories proposed by Venuti (1995). This paper aims to analyze how the procedure of metaphor translation, as well as the translation strategies of foreignization and domestication, are applied in two Indonesian translations of a novel titled Frankenstein by Mary Shelley. This research uses two different translations of the novel to collect the data. The first translation (TT1) is published by Gramedia Publisher, and the second translation (TT2) is published by Qanita Publisher. The research shows that out of the seven procedures that are utilized, only one that is not applied. Also, this research reveals that the two translations use both of foreignization and domestication strategy. However, TT1 leans towards foreignization and TT2 tends to involve domestication moreBecause of its cultural value, metaphor is agreed as one of the translation problems, especially in literary translation. Thus, this paper combines theories of translation procedures proposed by Peter Newmark (1988) and Gideon Toury’s (1995) and foreignization and domestication theories proposed by Venuti (1995). This paper aims to analyze how the procedure of metaphor translation, as well as the translation strategies of foreignization and domestication, are applied in two Indonesian translations of a novel titled Frankenstein by Mary Shelley. This research uses two different translations of the novel to collect the data. The first translation (TT1) is published by Gramedia Publisher, and the second translation (TT2) is published by Qanita Publisher. The research shows that out of the seven procedures that are utilized, only one that is not applied. Also, this research reveals that the two translations use both of foreignization and domestication strategy. However, TT1 leans towards foreignization and TT2 tends to involve domestication more."

"Penerjemahan takarir untuk media audiovisual saat ini sangat diperlukan untuk menjangkau kelompok sasaran yang lebih luas. Akan tetapi, di dalam proses penerjemahan, terdapat kemungkinan kesalahan penerjemahan, khususnya pada kata sapaan yang sangat berkaitan dengan unsur budaya dari bahasa sumber. Penelitian ini menarik karena belum banyak penelitian yang melihat kesalahan penerjemahan kata sapaan dari bahasa Indonesia ke bahasa Jerman. Oleh karena itu, penelitian ini bertujuan untuk melihat adanya kesalahan penerjemahan kata sapaan dalam serial Netflix Gadis Kretek dari bahasa Indonesia sebagai bahasa sumber (BSu) ke bahasa Jerman sebagai bahasa sasaran (BSa). Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan analisis deskriptif dengan menggunakan sintesis teori kesalahan penerjemahan menurut Nord (2005), Hansen (2009), serta Silalahi, dkk (2018). Terdapat 20 data kesalahan penerjemahan yang ditemukan dalam takarir bahasa Jerman pada serial Gadis Kretek dan kesalahan penerjemahan linguistik menjadi kategori kesalahan penerjemahan paling banyak ditemukan, yaitu sebanyak 50% dari total data.

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The translation of subtitles for audiovisual media is currently regarded as an essential tool for reaching a wider target audience. Nevertheless, it is important to recognise the possibility of translation errors occurring during the translation process, particularly within salutation words that are culturally specific to the source language. This study is relevant because it addresses a gap in the research on the translation errors of salutation words from Indonesian to German. This study therefore aims to examine the mistranslation of greeting words in the Netflix series Gadis Kretek from Indonesian as the source language (SL) to German as the target language (TL). The mzzethod used in this research is a qualitative method with a descriptive analysis approach, using a synthesis of translation error theories according to Nord (2005), Hansen (2009), and Silalahi, et al (2018). A total of 20 instances of translation errors have been identified in the German subtitle. It can be concluded that linguistic translation errors make up the largest proportion of these errors, making up 50% of the total data."

"[ABSTRAKTesis ini menyuguhkan terjemahan beranotasi novel The Kaisho. Anotasi dilakukan untuk menjelaskan masalah penerjemahan istilah budaya dan penyelesaiannya. Keunikan novel dari segi budaya dan keinginan untuk memperkenalkan budaya latar TSu menjadi dasar penerjemahan yang menganut ideologi pengasingan, tanpa mengabaikan ideologi pelokalan. Ideologi pelokalan hanya digunakan pada bagian-bagian tertentu untuk mencapai pemahaman pembaca TSa. Metode penerjemahan yang digunakan adalah metode semantis-komunikatif dengan penggunaan berbagai teknik yang mendukung kesepadanan makna dan kewajaran bentuk. Penerjemahan yang melibatkan teks sumber (TSu) yang menghadirkan sejumlah budaya kuat memerlukan upaya dari penerjemah agar tidak terjadi ?penjajahan budaya?. Keterlibatan teks sumber yang menghadirkan sejumlah budaya kuat di dalam penerjemahan ini memerlukan upaya penerjemah untuk menghindari ?penjajahan budaya?. Dalam situasi ini, penerjemah perlu mencondongkan pada lima aspek, (1) pemahaman karakteristik TSu; (2) pemahaman tentang calon pembaca TSa; (3) pemahaman budaya-budaya di dalam TSu dan budaya sasaran; (4) pemahaman makna dalam penyampaian pesan; dan (5) pemahaman bahwa ada perbedaan cara pengungkapan suatu ide pada dua budaya yang berlainan.

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ABSTRACTThis thesis presents an annotated translation of the novel The Kaisho. Annotation is performed to explain the problem and its solution translation of the cultural terms. The uniqueness of the novel in terms of culture and the desire to introduce the cultural background of the source text become a basic of translation that adheres to the ideology of foreignization, without ignoring the localization of ideology. The localization only used on certain parts to achieve the target text reader comprehension. Translation method used is semantic-communicative methods with the use of various techniques that support the equivalence of meaning and reasonableness shape. The involvement of the source text that presents a strong culture in this translation requires some effort of the translator to avoid the ?culturally imperialistic?.In this situstion, translator needs to be leaned on five aspects of understanding, (1) understanding of the characteristics of source text; (2) understanding of the potential reader of the target text; (3) understanding of the cultures in the source text and the target text; (4) understanding of the meaning in the delivery of the message; and (5) an understanding that there are different ways of expressing an idea in two different cultures.;This thesis presents an annotated translation of the novel The Kaisho. Annotation is performed to explain the problem and its solution translation of the cultural terms. The uniqueness of the novel in terms of culture and the desire to introduce the cultural background of the source text become a basic of translation that adheres to the ideology of foreignization, without ignoring the localization of ideology. The localization only used on certain parts to achieve the target text reader comprehension. Translation method used is semantic-communicative methods with the use of various techniques that support the equivalence of meaning and reasonableness shape. The involvement of the source text that presents a strong culture in this translation requires some effort of the translator to avoid the “culturally imperialistic”.In this situstion, translator needs to be leaned on five aspects of understanding, (1) understanding of the characteristics of source text; (2) understanding of the potential reader of the target text; (3) understanding of the cultures in the source text and the target text; (4) understanding of the meaning in the delivery of the message; and (5) an understanding that there are different ways of expressing an idea in two different cultures., This thesis presents an annotated translation of the novel The Kaisho. Annotation is performed to explain the problem and its solution translation of the cultural terms. The uniqueness of the novel in terms of culture and the desire to introduce the cultural background of the source text become a basic of translation that adheres to the ideology of foreignization, without ignoring the localization of ideology. The localization only used on certain parts to achieve the target text reader comprehension. Translation method used is semantic-communicative methods with the use of various techniques that support the equivalence of meaning and reasonableness shape. The involvement of the source text that presents a strong culture in this translation requires some effort of the translator to avoid the “culturally imperialistic”.In this situstion, translator needs to be leaned on five aspects of understanding, (1) understanding of the characteristics of source text; (2) understanding of the potential reader of the target text; (3) understanding of the cultures in the source text and the target text; (4) understanding of the meaning in the delivery of the message; and (5) an understanding that there are different ways of expressing an idea in two different cultures.]"