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"Indonesia sebagai negara multikultural terintegrasi dalam semboyan Bhineka Tunggal Ika sebagai simbol persatuan. Pada kenyataannya masih ada etnis yang mengalami diskriminasi yaitu etnis Cina, hingga sekarang kitapun masih bisa melihat adanya sentimen yang diarahkan kepada mereka. Pemisahan etnis tertentu akan mengganggu ketahanan nasional. New Museum mengubah paradigma museum dari tempat pameran masa lalu menjadi tempat pendidikan dan media komunikasi untuk kepentingan masa kini dan masa depan. Etnis Cina harus direpresentasikan di museum sebagai cara untuk merangkul dan sebagai simbol pengakuan negara terhadap minoritas. Penelitian ini bertujuan untuk melihat sejauh mana museum nasional Indonesia mengakomodir etnis Cina dan kendala apa yang dihadapi serta cara untuk mengatasinya. Dan juga menunjukkan sejauh mana pemerintah menggunakan museum sebagai sarana pembentuk integrasi nasional. Penelitian menunjukkan etnis Cina belum direpresentasikan karena Museum Nasional Indonesia masih terjebak dalam konsep traditional museum yang berfokus koleksi dan masa lalu.

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Indonesia as a multicultural country is integrated in the motto of Bhinneka Tungga Ika or Unity in Diversity as a symbol of unity. But now adays, there are still ethnic groups that discriminated like Chinese Ethnic as we can still see the sentiment pointed to them. The Segregation of certain ethnic will disrupt national resilience. New Museum transforms the paradigm of the museum from the place of the past exhibition into a place of education and communication media for the benefit of both present and the future. Chinese Ethnic must be represented in museums as a way to embrace and symbolize state recognition of minorities. This research aims to see the extent to which the Museum Nasional Indonesia accommodates the Chinese and what obstacles are faced and ways to overcome them. And also shows the extent to which the government uses museum as a means of forming national integration. This research shows that Chinese minority has not been represented because Museum Nasional Indonesia are still trapped in traditional museum concepts."

"ABSTRAKEtnik Tionghoa yang datang ke Indonesia telah melewati sejarah panjang, kemudian menjadi kelompok penduduk yang menetap. Setiap imigran Tiongkok yang menetap di Indonesia tentu membawa tradisi dan identitas kecinaannya masing-masing. Salah satu tradisi dan identitas kecinaan yang masih mereka pertahankan yaitu mereka masih sangat mementingkan dan mempertahankan marga mereka. Setiap suku bangsa tentu memiliki perbedaan budaya, begitu juga dengan Tiongkok. Salah satu perbedaan budaya tersebut terlihat pada bagaimana mereka mengujarkan marga mereka. Sebagai suku imigran yang menetap di Indonesia, marga Tionghoa harus dilatinisasi ke dalam ejaan Bahasa Indonesia. Makalah ini membahas perbedaan dan latar belakang latinisasi marga Tionghoa pada suku Hokkian dan Hakka di Indonesia.

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ABSTRACTChinese ethnic who came to Indonesia had passed a long history and became a settled population group. Every Chinese immigrant who settled in Indonesia certainly brings their own Chinese traditions and identity. One of Chinese traditions and identity that they still maintain is they still accentuate and maintain their family name. every ethnic group certainly has cultural differences, so is China. One of these cultural differences is seen in how they pronounce their family name. as an immigrant who settled in Indonesia, Chinese family name must be latinized into Indonesian pronouncation. This paper discusses differences and background in latinization of Chinese family name to Hokkian and Hakka ethnic groups in Indonesia."

"Since the abrogration of presidential instruction number 14/1967 which banned chinese customs celebration and religion in public, there has been arevival in chinee festivals, language, art, media, culture and not in the least in the field of architecture and urban planning. With increasing interest in heritage and the support of the Indonesian goverment for heritage cities programees, sevral promising initiativies involving Chinese architecture have been launched in cities both large and small. A brief glance of the history of Chinese Indonesian architecture is given, as well as some recnet initiatives in selected cities olus a discussion of the importance of public space in accomanodating Chinese-festivals. Study of old maps and photograps prompts reflection on the characteristic and development of pecinan during the colonial era and of their later history. The analysis in this article and examples of recand developments in the citiess discussed can be used as an inpiration in the revitalization of pecinan, thereby contributing in a attracive andliveble urban environment."

"[ABSTRAK Jurnal ini akan memaparkan penyelenggaraan tradisi ritual Qing Ming yang dilaksanakan di Tangerang, Bantenyang jatuh pada tanggal 5 April tahun 2015. Qing Ming di Indonesia lebih dikenal dengan Ceng Beng (bahasaHokkian). Perayaan ini merupakan salah satu dari sekian banyak perayaan hari raya Tiongkok yang tetapdilestarikan perayaannya di Indonesia. Dari makna harafiahnya Qing berarti jernih dan Ming berarti terang. DiTiongkok biasanya Qing Ming jatuh pada musim semi, di mana merupakan saat yang paling tepat untukmengunjungi makam para leluhur (ziarah). Penelitian ini bertujuan untuk memaparkan apa yang dilaksanakanoleh masyarakat peranakan Tionghoa di Tangerang pada perayaan Qing Ming dan makna dari pelaksanaanperayaan Qing Ming itu sendiri.ABSTRACT This journal will explain about the traditional Qing Ming ceremony held in Tangerang, Banten, on April 5th

2015. In Indonesia, Qing Ming is better known as Ceng Beng (the name in Hokkian dialect). This festival is one

of many Chinese traditional festivals that are still celebrated in Indonesia these days. The word "Qing" itself

literally means clear while the word "Ming" means bright. In China, Qing Ming is usually held in the middle of

spring, which is the perfect time to visit family's graveyard. This research aims to explain what the Qing Ming

celebration entails in Tangerang?s Chinese-Indonesian community, and also the meaning of Qing Ming ceremony

in itself., This journal will explain about the traditional Qing Ming ceremony held in Tangerang, Banten, on April 5th

2015. In Indonesia, Qing Ming is better known as Ceng Beng (the name in Hokkian dialect). This festival is one

of many Chinese traditional festivals that are still celebrated in Indonesia these days. The word "Qing" itself

literally means clear while the word "Ming" means bright. In China, Qing Ming is usually held in the middle of

spring, which is the perfect time to visit family's graveyard. This research aims to explain what the Qing Ming

celebration entails in Tangerang’s Chinese-Indonesian community, and also the meaning of Qing Ming ceremony

in itself.]"