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"Film digunakan sebagai media untuk mengirimkan pesan kepada audiens. Topik film biasanya adalah sebuah refleksi dari apa yang terjadi di dunia nyata. Pembuat film Elysium, Neil Blomkamp, membuat film yang bertujuan untuk menggambarkan bagaimana masyarakat berkehidupan di sekitar kita. Oleh karena itu, untuk menganalisis bagaimana film Elysium berkontribusi terhadap kritikan isu terkait dengan hegemoni, kekerasan, dan perbedaan kelas sosial, riset ini akan menganalisis elemen sinematik dan tema utama dari Elysium, terutama di sekitar sistem politik dan kesehatan dalam film. Terdapat juga tujuh karakter dari kelas sosial yang berbeda yang akan di inspeksi. Elemen-elemen tersebut akan dijelaskan oleh dua teori: pertama oleh mise-en-scene, dan kedua oleh analisis semiotik. Selain itu, riset ini mendiskusikan bagaimana film Elysium menjadi representasi dari terobosan penting dalam representasi kelas sosial menengah. Temuan yang terdapat di riset ini menganjurkan bahwa hegemoni di Elysium direpresentasikan oleh perbedaan kontras dalam kondisi kehidupan seperti kesehatan, imigrasi, karakteristik militer, bahasa, dan perbedaan kontras visual dari kedua tempat. Hegemoni mengakibatkan penyalahgunaan kekuasaan dan persekusi, membuat kekerasan tidak dapat dihindari yang membuat kehidupan masyarakat kelas sosial menengah, perempuan dan anak-anak sebagai alat untuk mencapai tujuan dari protagonis dan antagonis.

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Movies are being used as a medium to deliver a message to the audience. The topics, more often than not, are usually a reflection of what happens in real life. The maker of the movie Elysium, Neil Blomkamp, crafted a movie to mirror how society is shaped around us. Therefore, to examine how the movie Elysium serves as a criticism of the issues related to hegemony, violence, and class disparity in our society, this study analyzed cinematic elements and main themes of Elysium, mainly around the politics and healthcare system in the story. There are also seven characters of different social classes from the movie that were inspected. Such elements are addressed by two means: first by mise-en-scene, and second by semiotic analysis. In addition, this research discusses how the Elysium film represented an important breakthrough in middle-class representation. The findings presented in this study suggest that the hegemony in Elysium is represented by the contrasting difference in the living conditions such as healthcare, immigration, military characteristics, language, and the visual contrasts of the two places. The hegemony results in power abuse and mistreatment, which create inevitable violence that sees the lives of middle-class society, women and children as mere throwaway tools to attain the goals of both the protagonists and antagonists."

"ABSTRAKHistorians accept the death of oral sources, but expect newspaper archives in state institutions to be available for ever. Yet the majority of Indonesian newspaper titles in the National Library are today endangered. These crumbling papers are often the only copy in the world. This article first reviews the role these archives have played in pathbreaking historical work, both Indonesian and foreign. Provincial newspapers record the chatter of a new, literate middle class that emerged in the middle of the tumultuous twentieth century. Indonesian historiography is transformed by the many surprises scholars experience when reading their lives there. When those sources turn to dust, historical research dies. This will affect not just specialized historians, but social scientists in many fields. The article then maps quantitatively the extent to which these papers are endangered. It finally urges the social science community as a whole to campaign to save them through comprehensive digitization."

"Perkembangan industri luxury fashion menunjukan peningkatan ditandai dengan banyaknya gerai luxury fashion yang masuk dan berkembang di pasar Indonesia. Masyarakat Indonesia dikenal dengan gaya konsumerisme khususnya pada kelas menengah sebagai penggerak ekonomi. Hal tersebut menjadikan Indonesia target bagi merek-merek luxury fashion untuk mengembangkan pasar Indonesia. Untuk meningkatkan penjualan, pelaku bisnis luxury fashion harus mengetahui faktor-faktor pendorong pembelian sehingga dapat membuat strategi untuk meningkatkan penjualan. Untuk itu, penelitian ini dilakukan dengan tujuan untuk mengetahui faktor yang mendorong sikap terhadap barang luxury fashion pada kelas menengah yaitu: brand consciousness, materialism, social comparison, fashion innovativeness, fashon involvement, dan need for uniqueness. Hasilnya adalah brand consciousness, materialism, fashion involvement dan need for uniqueness terbukti signifikan sebagai faktor yang dapat mendorong sikap kelas menengah terhadap barang luxury fashion sedangkan social comparison dan fashion innovativeness tidak mempengaruhi terhadap sikap terhadap barang luxury fashion.

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The development of luxury fashion industry showed an increase in the number of luxury fashion brands that expand in Indonesian market. Indonesian people are famous of their consumerism behaviors especially in the middle class as an economic driver. It makes Indonesia as a target for luxury fashion brands to develop their brand in the Indonesian market. To increase sales, business people in luxury fashion should know the factors driving the purchase so they can make strategies to increase their sales. Therefore, this study was conducted in order to determine the factors that encourage attitude towards luxury fashion goods in the middle class. Factors to be tested are brand consciousness, materialism, social comparison, fashion innovativeness, fashon involvement, and need for uniqueness. The result is brand consciousness, materialism, fashion involvement and need for uniqueness proved as significant factors that can encourage attitudes towards luxury fashion goods in the middle class while social comparison and fashion innovativeness does not affect the attitude towards luxury fashion good. "

"ABSTRAKPerubahan ekonomi dan politik di Indonesia dibarengi arus globalisasi informasiyang semakin cepat mengakibatkan Orde Baru mengatur kembali kebijakanpenyiarannya. Kelahiran stasiun televisi swasta Pertama yaitu RCTI tidak terlepasdari peran kebijakan penyiaran Orde Baru dan kalangan kelas menengah.Berdirinya RCTI, telah mendobrak hegemoni TVRI yang selama 25 tahunmelakukan penyiaran di Indonesia. Deregulasi tentang penyiaran televisi terusbermuculan seiring dengan berkembangnya stasiun televisi swasta tersebut.Metode Penelitian yang digunakan adalah metode sejarah yang terdiri dari empattahapan yaitu heuristik, kritik, interpretasi dan historiografi. Hasil dari skripsi inimenampilkan keterkaitan antara kebijakan politik orde baru, kelas menengah danTVRI dalam kemunculan televisi swasta serta dampak yang dimunculkan olehstasiun televisi swasta tersebut

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ABSTRACTEconomic and political changes in Indonesia accompanied by faster globalizationof information resulted in rearrangement of the broadcasting policy in the NewOrder. The birth of first private television station, RCTI, cannot be separated fromthe role of broadcasting policies of the New Order and the middle class. Theestablishment of RCTI breaks the hegemony of TVRI that has been doingbroadcasting in Indonesia for 25 years. Deregulation about the televisionbroadcasting keeps emerging along with the development of the private televisionstation. The research method that used is the historical method consists of fourstages: heuristic, criticism, interpretation, and historiography. The results of thispaper show the relationship between the new order political policy, the middleclass and TVRI in the emergence of private television as well as the impact thatwas generated by the private television station."

"Maids have become an inseparable part of the daily lives of middle-class urban households in India. Despite the fact that increasing numbers of poor women are joining this profession, very little has been written about them, especially the part-time domestic workers, each of whom services a number of households at a time. They are not accorded their rightful status as workers either by the employers, their own families, the government or the traditional trade unions. Isolated in the privacy of employers homes, the problem of recognizing their work or organizing them is the same one as for women isolated in their own homes. Another important reason is that most such women are rendered voiceless by their social location: unlettered; staying in illegal settlements; migrants; working to survive; performing feminine work, both paid and unpaid, and both devalued. This book is, therefore, about making the unheard heard. It draws from personal narratives of part-time women domestic workers residing in two slum settlements of Kolkata, who speak about their work, lives, dreams, and despairs. By moving between the workplace and the homes of the workers, this book makes a departure from general accounts of labour and instead talks about labouring lives. The book also discusses public policy and politics which have historically neglected this section of workers as well as the recent efforts to give them visibility and voice."