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Abstrak :
[ABSTRAK
Tesis ini membahas mengenai gerakan perempuan radikal asal Ukraina bernama Femen yang melakukan protes dengan menggunakan strategi topless. Hal menarik dalam penelitian ini adalah bahwa ide dan strategi topless tersebut mampu membawa Femen memperluas jejaring gerakan secara transnasional, khususnya di negara-negara Eropa. Dalam proses internasionalisasi gerakan, penelitian ini menggunakan teori dari Keck & Sikkink tentang Advocacy Networks dan Finnemore & Sikkink tentang International Norms. Hambatan dan tantangan sering dialami selama proses internasionalisasi Femen untuk tetap mempertahankan ide dan strategi gerakan yang menganggap musuh utamanya adalah patriarki dengan tiga manifestasinya, yaitu; kediktatoran, agama dan industri seks. Hasil penelitian ini adalah bahwa kemunculan Femen mengindikasikan dua hal. Pertama, bahwa kesadaran perempuan terhadap opresi tubuh karena sistem patriarki telah sampai pada level radikal. Kedua, bahwa gerakan-gerakan yang bertujuan mengembalikan peran perempuan sebagai subjek otonom dan terlepas dari pengaruh dominasi telah menemukan titik pentingnya.

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ABSTRACT
This thesis discusses Ukraine radical women's movement named Femen which employs “topless” strategy in their protests. The interesting point in this study is that “topless” as the idea and strategy capable of conveying Femen to expand its influence to transnational networks, particularly in European countries. In the process of movement internationalization, this study uses theories by Keck & Sikkink about “Advocacy Networks” and Finnemore & Sikkink about “International Norms.” The obstacles and the challenges are often experienced during the process of internationalization of Femen to retain the idea and strategy that consider patriarchy as the main enemy, with three manifestations, namely: dictatorship, religion and sex industry. Result of the study shows that the emergence of Femen indicates two things. First, the awareness of women against oppression of the body because of the patriarchal system has arrived at the radical level. Second, the movements that aim to restore the role of women as autonomous subjects and aside from the influence of dominance have reached the important point., This thesis discusses Ukraine radical women's movement named Femen which employs “topless” strategy in their protests. The interesting point in this study is that “topless” as the idea and strategy capable of conveying Femen to expand its influence to transnational networks, particularly in European countries. In the process of movement internationalization, this study uses theories by Keck & Sikkink about “Advocacy Networks” and Finnemore & Sikkink about “International Norms.” The obstacles and the challenges are often experienced during the process of internationalization of Femen to retain the idea and strategy that consider patriarchy as the main enemy, with three manifestations, namely: dictatorship, religion and sex industry. Result of the study shows that the emergence of Femen indicates two things. First, the awareness of women against oppression of the body because of the patriarchal system has arrived at the radical level. Second, the movements that aim to restore the role of women as autonomous subjects and aside from the influence of dominance have reached the important point.]

Abstrak :
This thesis discusses the difference in writing the vocal letters in Hugo’s telling Hugo in child story entitled Gespensterjäger auf eisiger Spur, written by Cornelia Funke. This thesis explains about the vocals that undergo changes in sound writing, namely: vocal , and diphthong , and vocals that undergo changes in writing irregularly. The result of this study shows that differences in the writing of the vocals are done by Funke with three objectives to be achieved, there are describe the expression of a ghostly figure (Hugo), build on the spooky atmosphere of the story, and differentiate between human languages with the language of ghosts. In addition, there are two benefits to children when they read this book, namely the idea that ghosts are not always bad/scary, and give examples of virtue that can be emulated.

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Diese Abschlussarbeit beschreibt die unterschiedlichen schriftlichen Vokale bei der Aussprache von Hugo im Kinderbuch mit dem Titel „Gespensterjäger auf Eisiger Spur“ von Cornelia Funke. In dieser Arbeit sind Vokale erklärt, wie die Laute schriftliche Veränderungen durchgemacht haben. Es geht um die Vokale , , den Diphthong und die Vokale mit unregelmäßigen schriftlichen Veränderungen. Das Ergebnis dieser Studie zeigte, dass die Funktion der unterschiedlichen schriftlichen Vokale, welche von Cornelia Funke gemacht wurden, drei Ziele zu erreichen haben, nämlich die Expression von einem Gespenster (Hugo) zu beschreiben, die gespenstische Atmosphäre auf der Geschichte zu bauen, und zwischen menschlicher Sprache mit der Sprache der Geister zu unterscheiden. Darüber hinaus gibt es zwei Vorteile für Kinder, wenn sie dieses Buch lesen, nämlich die Vorstellung, dass Geister nicht immer schlecht/erschreckend sind und es gibt Beispiele von guten Qualitäten, die repliziert werden können.