Hasil Pencarian  ::  Simpan CSV :: Kembali

"ABSTRAKTesis ini merupakan penelitian mengenai produksi budaya/budaya produksi chick lit Indonesia di penerbit GagasMedia. Penelitian ini bertujuan menunjukkan tentang bagaimana budaya produksi (nilai-nilai dan ideologi) dan perannya terartikulasikan dalam produksi chick lit Indonesia di GagasMedia dan membahas bagaimana artikulasi makna terjadi dalam proses produksi budaya chick lit Indonesia di GagasMedia, baik secara teknis maupun secara kultural. Sumber data adalah penerbit GagasMedia, penulis chick lit Indonesia dan chick lit Indonesia itu sendiri. Landasan pemikiran yang dipakai adalah konsep produksi budaya (production of culture) dan budaya produksi.(cultures of production). Kerangka eklektik-teori digunakan untuk menggunakan beberapa teori dalam penelitian ini. Landasan metodologi adalah pendekatan Cultural Studies untuk penelitian produksi budaya (cultural production research), yaitu pendekatan etnografi dan pendekatan teks dan analisis teks. Hasil penelitian menunjukkan bahwa hubungan antara budaya produksi dan produksi budaya chick lit Indonesia merupakan satu mata rantai yang saling mempengaruhi. Penelitian ini menunjukkan salah satu kemungkinan penelitian sastra Indonesia, khususnya sastra popular, dengan menggunakan pendekatan Cultural Studies.

---

ABSTRAKThis thesis draws on the production of culture/cultures of production of Indonesian chick lit. It highlights how the cultures of production and its roles are articulated in the production of culture of Indonesian chick lit in GagasMedia publisher. It also explores the articulation of the process of its production of culture, technically or culturally. The sources of the data are the publisher itself, Indonesian chick lit writer, and the chick lit itself. The methodology used is Cultural Studies approach for cultural production research. This thesis concludes that the cultures of production of Indonesian chick lit play important roles in its production of culture in GagasMedia. This thesis also shows the possibility of taking a research on the Indonesian literature?especially its popular literature?by using Cultural Studies approaches."

"This paper examines the unsettling stories of poverty from rural Indonesia in two films, Siti (2014) and Turah (2016). The concept of structural poverty enables a thorough analysis of these films’ depictions of poverty and the main characters’ reactions to the poverty they experience. This paper also employs the concept of gendered poverty to highlight how gender injustice perpetuates the poverty of women, as depicted in the films. Both structural and gendered poverty are propagated by the interpellation of ideological state apparatuses. This paper argues that the poverty of the rural people depicted in both films results from structural engineering by the elite, not from natural or inevitable conditions. This poverty is further intensified by the patriarchal culture of rural communities, which perpetuates gender inequality and results in deeper poverty for women. Every woman in these two films seems to have accepted, or at least resigned herself to, the patriarchal system and the gendered poverty it produces. The sole exception is Siti, who struggles against the double burden of being both housewife and breadwinner, resisting the naturalization of poverty and thereby revealing the role that ideological state apparatuses play in perpetuating oppression in society writ large as well as in individuals’ minds and souls."