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"Manifesto mural dibuat oleh kaum Fasis sebagai pernyataan atas kesenian yang mereka bangun, yaitu seni fasis. Mural dipilih karena memiliki akar kuat dalam tradisi Romawi. Selain itu, mural dibuat di dalam ruang publik yang memungkinkan masyarakat untuk menerima pesan Fasisme lebih mudah. Dalam cara pandang estetika Marxis yang menggunakan seni sebagai alat perjuangan kelas, mural dalam Fasisme ini digunakan sebagai alat perjuangan kelompok Fasis. Mural dibuat sebagai alat perjuangan dan propaganda ideologi. Moralitas terhadap seni dijadikan sebagai bagian yang penting dalam membuat mural.

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AbstractManifesto of mural created by Fascist as a statement of the art of Fascist. Mural was choosen because it had a strong root in a Roman tradition. Beside, mural uses public sphere as its gallery, so that it makes possible for people to receive the message of Fascism easily. On the view of Marxist aesthetic which makes art as a mean of class struggle, mural is used by Fascism as a mean of Fascist struggle. Mural is created as a mean of struggle and propaganda of ideology. Morality on art is an important thing to create a mural."

"This book brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community.Two conclusions emerge. The first is that one’s relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our efforts as philosophers to adapt ourselves and our objects of interest to the inescapably historical and indeterminate conditions of experience."