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Abstrak :
ABSTRAK
Studi ini meneliti hubungan antara model fundamentalisme intratekstual (Hood, Hill, Williamson, 2005) dengan konsep-konsep disposisional dari c/csed-mindedness, yaitu intolerance of uncertainty (IO) dan need for cognitive closure (NFC). Selain itu,. juga diteliti bagaimana peran trait kepribadian dan lingkungan sosial sebagai moderator hubuugan tersebut. Sebanyak 195 mahasiswa yang berasal dari universitas agama dan universitas umum bexpartisipasi dalam penelitian ini dengan mengisi satu set kuesioner. Hasil penelitian menunjukkan bahwa fundamentalisme agama berasosiasi secara positif dengan religiusitas, tetapi tidak dengan UI dan NFC. Selain itu, interaksi yang signifikan antara religiusitas dan trail kepribadian menunjukkan bahwa asosiasi positif antara fundamentalisme dan religiusitas lebih tinggi pada partisipan yang juga tinggi pada trait agreeableness. Sedangkan, peran moderasi lingkungan soslal tidak ditemukan. Hasil ini menegaskan perrnyataan Hood dkk. (2005} bahwa para fundamentalis bukanlah orang-orang yang closed-minded seperti yang se!ama ini menjadi streotip mereka. Sclain itu, juga mengindikasikan bahwa fundamentalisme agama, seperti yang ditekankan oleh Marty (1988) dan Hood dkk. {2005), dapat dijelaskan dengan lebih baik jika berfokus pada nilai-nilai keagamaan yang dianut daripada disposisi personal. Penelitian-penelitian selanjutnya disarankan untuk memberi perhatian besar pada pengembangan dan pengujian empiris model fundamentalisme agama intratekstual terutama dalam isu atribut-atribut psikometris pada alat hukumya.

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ABSTRACT
The present study examinedd the relations between intratextual fundamentalism model (Hood, Hill, & Williamson, 2005) and dispositional concepts of closed-mindedness (i.e., intolerance of uncertainty [IU] and need for cognitive closed-e [NFC]), and also to investigate to what extend the relations were moderated by personality traits and social environmental factors. One hundred and ninety-five university students from religious and public universities completed measures of religiosity, lU Scale, NFC Scale. Big Five Inventory, and fundamentalism. Fundamentalism was positively associated with religiosity but was not associated with lU and NFC. A significant interaction between religiosity and agreeableness revealed that the positive association betoveen religiosity and fundamentalism was higher among participants who were also high in agreeableness. The results of present study confirm what Hood et al. (2005) suggested that fundamentalists are not closed-minded as they are usually stereotyped with. Furthermore. the results also suggest that religious fundamentalism, like Marty (1988) and Hood et aL (2005) noted, would be better explained by focusing on the religious values rather than personal disposition factors. Future research should take a great attention to the development and empirical examination of intratextual fundamentalism model, especially in the psychometrical issues of the measurement.

Abstrak :
Penelitian ini mengkaji tentang kontinuitas lengger lanang sebagai salah satu bagian dari seni tradisi tari Lengger Banyumas ke dalam sebuah bentuk seni pertunjukan kontemporer. Penelitian menggunakan metode etnografi meliputi pengamatan, wawancara mendalam, dan pengumpulan data sekunder. Temuan penelitian menunjukkan adanya upaya rekacipta yang dilakukan oleh para seniman lengger lanang. Upaya rekacipta tersebut dilakukan melalui proses riset, pertukaran gagasan antara dramaturg, seniman lengger lanang, para penari, dan pemusik di dalam proyek pertunjukan, serta melalui praktik residensi. Hasil dari upaya rekacipta tersebut adalah proyek tari Lengger Lanang Banyumas kontemporer yang tentu saja tetap menunjukkan unsur spiritualitas (spirit indhang dan proses peleburan nyawiji di dalam tubuh penari lengger), serta unsur pertunjukan di dalam seni tradisi Lengger Banyumas (gerak tari dan unsur musik). Selain unsur spiritualitas dan unsur pertunjukan, hasil dari rekacipta tersebut juga menunjukkan adanya gagasan isu konseptual yang berkaitan dengan lengger lanang (jender, dan marjinalitas). ......This research examines the continuity of lengger lanang as a part of the Lengger Banyumas dance tradition into a contemporary form of performance art. This research was conducted through ethnographic methods including observation, in-depth interviews, and secondary data collection. Through ethnographic methods, this research found that there was recreation tradition process made by lengger lanang artists. The recreated process was made through a research process, the exchange of ideas between dramaturgists, lengger lanang artists, dancers, and musicians in a performance, as well as through residency practices. The result of the recreated tradition process is the contemporary form of Lengger Lanang Banyumas dance which, of course, still shows the elements of spirituality (indhang spirit and nyawiji process), and shows the elements of performance (dance movements and musical elements) in the traditional form of Lengger Banyumas dance. In addition to the spirituality and performance elements, the results of the invention also reveal the conceptual issues which related to lengger lanang existence (gender, and marginality).

Abstrak :
This volume, the content of the first conference of the European Society for Mathematics and the Arts (ESMA), held in Paris in 2010, gives an overview on some significant and beautiful recent works where maths and art, including architecture and music, are interwoven. The book includes a wealth of mathematical illustrations from several basic mathematical fields including classical geometry, topology, differential geometry, dynamical systems. Here, artists and mathematicians alike elucidate the thought processes and the tools used to create their work.