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"Film Under the Hawthorn Tree karya Zhang Yimou berlatar waktu Revolusi Kebudayaan dan mengisahkan tentang kehidupan Jingqiu, seorang pemuda terpelajar yang memiliki ayah berhaluan kanan dan ibu seorang kapitalis, sehingga harus berjuang keras agar tidak bernasib sama seperti orang tuanya. Prosesnya dalam membangun karier jauh lebih rumit dan berliku-liku dibanding tokoh-tokoh pemuda lain seusianya. Penelitian-penelitian terdahulu tentang film ini sebagian menitikberatkan pada aspek percintaan, hubungan keluarga, hubungan pertemanan, dan perasaan. Penelitian ini akan lebih berfokus pada latar belakang sejumlah tokoh dalam film Under the Hawthorn Tree, yang terbagi menjadi kategori merah dan kategori hitam, beserta dampak-dampak yang mereka terima pada masa Revolusi Kebudayaan. Hasil dari penelitian ini adalah dampak yang diterima antara tokoh-tokoh berlatar belakang kategori merah dengan tokoh-tokoh kategori hitam ternyata sangat berbeda. Perbedaan dampak antara kedua kategori ini pula yang menjadi alasan mengapa tokoh-tokoh berlatar belakang kedua kategori ini sulit untuk menjalani hidup berdampingan secara nyaman.

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Zhang Yimou's Under the Hawthorn Tree is set during the Cultural Revolution and tells the story of Jingqiu, an educated youth who had a rightist father and capitalist mother, and had to fight hard to avoid the same fate as her parents. The process of building her career is far more complicated and tortuous than other youths of her age. Previous studies on this movie focused on aspects of romance, family relationships, friendships, and feelings that exist between the characters. This research will focus more on the character’s background in the Under the Hawthorn Tree movie, who are divided into red categories and black categories, along with the impacts they received as people from the red categories or black categories during the Cultural Revolution. The result of this study is the impacts received between characters with a red category background and those with black categories are very different. The big difference in terms of impact between the two categories is also the reason why it is difficult for the characters from these two categories to coexist comfortably."

"A soaring literary achievement from internationally acclaimed writer Yu Hua, whose novels are now appearing in English for the first time, Chronicle of a Blood Merchant provides an unflinching portrait of China under Chairman Mao, as a factory worker must sell his blood to overcome every crisis. Xu Sanguan is a Chinese everyman-a cart-pusher in a silk mill struggling under the cruelty and hardships of Mao's leadership. His meager salary is not enough to sustain his family, so he pays regular visits to the local blood chief, followed by stops at the Victory Restaurant, where he pounds on the table and demands his ritual meal: "A plate of fried pork livers and two shots of yellow rice wine. And warm the wine up for me." But fried pork livers and yellow rice wine are not enough to restore Xu Sanguan. With the country in the throes of the Cultural Revolution, his visits to the blood chief become lethally frequent and his obligations to his family press against him mercilessly. At the height of famine, the Xu family lies motionless in bed, rising twice a day to consume increasingly watery rations of corn gruel. Xu Sanguan's wife is forced to stand on a stool in the center of town wearing a sandwich board that reads "prostitute". Yile, his wife's bastard son, forever haunts Xu Sanguan's sense of honor. And when Xu Sanguan sells his blood so he can take his family out to a proper meal, he does not invite Yile, who paces the town, famished and in tears, offering himself as a son to any man who will buy him a bowl of noodles. In a series of heartbreaking reversals, Xu Sanguan decides to risk his own life to save Yile and comes to understand that in a society ravaged by suspicion, hostility, and poverty, blood money not only pays debts, but forgives them as well. With rare emotional intensity, grippingly raw descriptions of place and time, and clear-eyed compassion, Yu Hua gives us a stunning tapestry of human life in the grave particulars of one man's days."

"Makalah ini membahas tiga puisi yang dibuat oleh penyair modern Tiongkok, Bei Dao (北岛). Ketiga puisi ini termasuk ke dalam kategori Puisi Bebas (新诗 Xin Shi／自由诗 Ziyou Shi) yang beraliran Puisi Kabut (朦胧诗Menglong Shi), ditulis Pasca Revolusi Kebudayaan pada tahun 1976-1978. ?Puisi Kabut‟ adalah puisi yang mendapat pengaruh Barat dan tidak mengikuti aturan puisi lama. Isi dari puisi ini tidak tampak jelas, namun memiliki makna yang dalam. Ketiga puisi ini akan dianalisis melalui teori struktural dengan fokus pada tema dan pesan yang terkandung dalam puisi.Makalah ini membahas tiga puisi yang dibuat oleh penyair modern Tiongkok, Bei Dao (北岛). Ketiga puisi ini termasuk ke dalam kategori Puisi Bebas (新诗 Xin Shi／自由诗 Ziyou Shi) yang beraliran Puisi Kabut (朦胧诗Menglong Shi), ditulis Pasca Revolusi Kebudayaan pada tahun 1976-1978. ?Puisi Kabut‟ adalah puisi yang mendapat pengaruh Barat dan tidak mengikuti aturan puisi lama. Isi dari puisi ini tidak tampak jelas, namun memiliki makna yang dalam. Ketiga puisi ini akan dianalisis melalui teori struktural dengan fokus pada tema dan pesan yang terkandung dalam puisi.

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This journal discusses the analysis of three poems by Bei Dao (北岛), a modern Chinese poet. His poems are known as a Free Verse poem (新诗 Xin Shi／自由诗 Ziyou Shi ) and classified as Misty Poem (朦胧诗 Menglong Shi). These selected poems were written at post-Cultural Revolution era in 1976-1978. The characteristics of Misty Poem are these poem has influenced by Western poetry, inconvensional. These poems are enigmatic, the message is not clearly shown in the dictions. Therefore, by using the theory of structural, author aims to analyze his poems with focus on the theme and the message that expressed in the poems."