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Abstrak :
Skripsi ini membahas tentang Candi Boyolangu yang terletak di Kabupaten Tulungagung, Jawa Timur. Candi sebagai peninggalan masa lalu dapat membantu menyusun sebuah sejarah kebudayaan suatu zaman. Candi Boyolangu karena ditemukan tidak dalam keadaaan utuh, maka penelitian ini membahas tentang upaya merekonstruksi candi berdasarkan perbandingan dengan candi-candi lain yang memiliki ciri-ciri arsitektur yang sama, selain itu juga dibahas hal-hal yang berkaitan erat dengan pendirian candi yaitu kronologi dan agama yang melatarbelakangi pendirian Candi Boyolangu. Hasil akhir penelitian menunjukan bahwa bentuk utuh Candi Boyolangu merupakan arsitektur yang termasuk dalam kelompok candi batur, jenis candi yang berkembang pada masa Majapahit.

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The focus of this study is Candi Boyolangu, located in the Tulungagung, East Java. As a historical monument Candi helps us to construct a cultural history of an era. Candi Boyolangu was found not in its formerly shape, this research is about to reconstruct the candi based on comparisons with other candi that have similar architecture characteristic, beside the architectural reconstruction this research is also talk about matters related to the establishment of a candi such as time chronology and religious background. The result of this research shows that candi Boyolangu is included in the candi batur group, the type of Candis that developed at Majapahit era.

Abstrak :
Preserved Smith (1880–1941), a professor in the history department of Cornell University, owed his unusual first name to Puritan ancestors who could be traced back to the seventeenth century. His great interest was in the Protestant reformation, and its wide-ranging political and cultural effects in Europe and America. An obituary remarks that his writings 'reveal a remarkable breadth of knowledge and interest and a consistent devotion to high standards of scholarly integrity'. This two-volume work of 1930–4, discussing 'modern culture' from 1543 to 1776, displays these qualities in abundance. Volume 2 deals with the Enlightenment from 1687 to 1776, and, like Volume 1, starts by considering the role of science as the driver of rapidly evolving cultural, social and political change. The work is a remarkable and readable overview of the emergence of modern society.

Abstrak :
ABSTRAK
Tesis ini membahas peranan Martha Graham terhadap tari moderen Amerika 1926-1955. Penulisan ini dilakukan dengan menggunakan metode umum dalam historiografi. Dalam penulisan menunjukkan bahwa Martha Graham memiliki peranan yang signifikan dalam perkembangan tari moderen Amerika. Hal ini terlihat dari Martha Graham menempatkan seni tari moderen ke dalam dunia akademis seni secara formal. Tari moderen yang mencirikan nilai-nilai Amerika diungkapkan juga melalui karya-karya tentang kebebasan, individualisme, demokrasi, dan humanisme. Pada tahun 1955 kemudian ia terpilih menjadi duta kesenian Amerika untuk negara-negara Asia, termasuk Indonesia. Hal ini yang menjadi cikal bakal masuknya pengaruh tari moderen di dunia.

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Abstract
The Focus of this study is the role of Martha Graham in American modern dance 1926-1955. This research is done by using common methods in historiography. In the writing shows that Martha Graham has significant role in the development of American modern dance. This can be seen from Martha Graham_s modern dance that she puts into formal academic life. Dance that characterizes American values are also expressed through her works based on value of freedom, individualism, democracy, and humanism. In 1955 she was elected to be an American arts ambassador for Asian countries, including Indonesia. This was an embryo of the modern dance influence the world.

Abstrak :
This study offers a new approach to the history of sites, archaeology, and heritage formation in Asia, at both the local and the trans-regional levels. Starting at Hindu-Buddhist, Chinese, Islamic, colonial, and prehistoric heritage sites in Indonesia, the focus is on people's encounters and the knowledge exchange taking place across colonial and post-colonial regimes. Objects are followed as they move from their site of origin to other locations, such as the Buddhist statues from Borobudur temple, that were gifted to King Chulalongkorn of Siam. The ways in which the meaning of these objects transformed as they moved away to other sites reveal their role in parallel processes of heritage formation outside Indonesia. Calling attention to the power of the material remains of the past, Marieke Bloembergen and Martijn Eickhoff explore questions of knowledge production, the relationship between heritage and violence, and the role of sites and objects in the creation of national histories.