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"Emotion is at the centre of our personal and social lives. To love or to hate, to be frightened or grateful is not just a matter of how we feel on the inside: our emotional responses direct our thoughts and actions, unleash our imaginations, and structure our relationships with others. Yet the role of emotion in human life has long been disputed. Is emotion reason?s friend or its foe? From where do the emotions really arise? Why do we need them at all? In this accessible and carefully argued introduction, Carolyn Price focuses on some central questions about the nature and function of emotion. She explores the ways in which emotion contrasts with belief and considers how our emotional responses relate to our values, our likes and our needs. And she investigates some of the different ways in which emotional responses can be judged as fitting or misplaced, rational or irrational, authentic or inauthentic, sentimental or profound. Throughout, she develops a particular view of emotion as a complex and diverse phenomenon, which reflects both our common evolutionary past and our different cultural and personal histories. Engagingly written with lots of examples to illuminate our understanding, this book provides the ideal introduction to the topic for students and scholars and anyone interested in delving further into the intricate web of human emotion"

"In recent years have seen an enormous amount of philosophical research into the emotions and the imagination, but as yet little work has been done to connect the two. In this book, the author shows that all emotions require some form of imagination and goes on to fully explore the link between these two important concepts both within philosophy and in everyday life. We may take it for granted that complex emotions, such as hope and resentment, require a rich thinking and an engagement with the imagination, but the author shows how more basic and responsive emotions such as fear and anger also require us to take account of possibilities and opportunities beyond the immediate situation. The book highlights that many emotions, more than we tend to suppose, require us to imagine a situation from a particular point of view and that this in itself can be the source of further emotional feeling. It goes on to demonstrate the important role that emotions play in our moral lives, throwing light on emotions such as self-respect, disapproval, and remorse, and the price we pay for having them. He explores the intricate nature of moral emotions and the challenges we face when integrating our thinking on morality and the emotions. This book challenges many assumptions about the nature of emotion and imagination and will appeal to anyone seeking a deeper understanding of the role that these concepts play in our lives. -- From publisher's website."

"From Shakespeares Hamlet to Burtons Anatomy to Hilliards miniatures, melancholy has long been associated with the emotional life of Renaissance England. But what other forms of sadness existed alongside, or even beyond, melancholy, and what kinds of selfhood did they help create? Beyond Melancholy explores the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul. While most medical and philosophical writings emphasized the physiological and moral dangers of sadness, warning that in its most extreme form it could damage the body and even cause death, new Protestant teachings about the nature of salvation suggested that sadness could in fact be a positive, even transformative, experience, bringing believers closer to God. The result of such dramatically conflicting paradigms was a widespread ambiguity about the value of sadness and a need to clarify its significance through active and wilful interpretation-something this book calls emotive improvisation. Drawing on a wide range of Renaissance medical, philosophical, religious, and literary texts-including moral treatises on the passions, medical textbooks, mortality records, doctors case notes, sermons, theological tracts, devotional poetry, letters, life-writings, ballads, and stage-plays-Beyond Melancholy explores the emotional codes surrounding sadness and the way writers responded to and reinterpreted them. In doing so it demonstrates the value of working across forms of evidence too often divided along disciplinary lines, and the special importance of literary texts to the study of the emotional past."