Hasil Pencarian  ::  Simpan CSV :: Kembali

"Dalam tulisan ini, penulis akan menganalisa film-film dalam Bourne Trilogy menggunakan konsep Id, Ego, dan Superego dari teori Psikoanalisis Freud. Tujuannya adalah untuk memahami perkembangan dari karakter Jason Bourne seiring berjalannya trilogi tersebut dan mengisi celah penilitian akibat sedikitnya penelitian terhadap trilogi ini. Penemuan yang didapat menunjukkan bahwa dalam awal trilogi, Jason Bourne diperlihatkan sebagai seseorang yang sangat dipengaruhi oleh Id, sehingga mau melakukan apa saja demi memenuhi tujuannya. Namun melalui refleksi diri, penyesalan, dan interaksi dengan karakter lainnya, Ego dan Superegonya mulai berkembang. Perkembangan tersebut akhirnya mengubah Bourne menjadi karakter yang berhati-hati dalam bertindak. Perubahan ini menunjukkan berkembangnya karakter Jason Bourne seiring dengan berjalannya Bourne Trilogy.

---

In this paper, the author will analyze the Bourne Trilogy movies by using the concept of Id, Ego, and Superego from Freud?s Psychoanalysis. The goal is to understand the development of Jason Bourne Character over the course of the trilogy and to fill in the research gap since only a few research has been done on this trilogy. The findings show that at the beginning of the trilogy, Jason Bourne is shown to be a highly Id driven person, willing to do anything to complete his goals. However, through reflections and regrets, and interactions with other characters, his Ego and Superego started to grow. The growing Ego and Superego eventually turns Bourne into a more careful and calculating character. This changes show how Jason Bourne character develops over the course of the Bourne Trilogy."

"In a small New England town over half a century ago, a boy is playing with his new toy soldiers in the dirt in front of his house when a shadow falls over him. He looks up to see a striking man, the new minister, Jamie learns later, who with his beautiful wife, will transform the church and the town. The men and boys are a bit in love with Mrs. Jacobs; the women and girls, with the Reverend Jacobs--including Jamie's sisters and mother. Then tragedy strikes, and this charismatic preacher curses God, and is banished from the shocked town. Jamie has demons of his own. Wed to his guitar from age 13, he plays in bands across the country, running from his own family tragedies, losing one job after another when his addictions get the better of him. Decades later, sober and living a decent life, he and Reverend Charles Jacobs meet again in a pact beyond even the Devil's devising, and the many terrifying meanings of Revival are revealed. King imbues this spectacularly rich and dark novel with everything he knows about music, addiction, and religious fanaticism, and every nightmare we ever had about death. This is a masterpiece from King, in the great American tradition of Frank Norris, Nathaniel Hawthorne, and Edgar Allan Poe."