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Abstrak :
Hotel digunakan pengunjung untuk lebih dari sekedar tempat tinggal sementara, tetapi untuk memenuhi kebutuhan psikis, merehatkan badan serta pikiran atau bahkan, melalui pengalaman yang terjadi di dalamnya, dapat menimbulkan inspirasi karya. Pada zaman ini, jumlah hotel terus meningkat dan kerap bersaing, namun beberapa hotel dengan berhasil terus mendatangkan tamu karena kesan yang dimiliki para tamu ketika mengalami ruang hotel. Desain ruang hotel kerap menjadi hal utama dalam menghadirkan pengalaman terbaik bagi para tamunya, terutama tipe luxury. Melalui interioritas, manusia merasakan segala kualitas yang ditangkap melalui indranya, memengaruhi manusia dalam memersepsikan ruang dan inner self manusia secara psikologis. Dalam skripsi ini, penulis ingin mengetahui bagaimana dan seperti apakah unsur interior yang ada di dalam hotel luxury dan sejauh apa hal tersebut memengaruhi persepsi manusia sehingga karakter dari hotel tersebut dapat dirasakan secara langsung oleh para pengunjungnya. Studi kasus dilakukan berdasarkan bagimana manusia memersepsikan ruang hotel luxury dengan efek intangible yang ditimbulkan dari elemen-elemen ruang yang ada dalam mendukung kemegahan hotel luxury. Melalui skala ruang, perehatian terhadap material, dan detail desain yang rumit dan bersifat dekoratif, penulis temukan dalam hotel luxury untuk mendukung karakter megah yang dikedepankannya. ......Hotel has now turned into a place where guests not only stay temporarily, but indulge their needs of body, mind and soul relaxation, in fact inspired some people through their experiences to make something prolific out of it. Uncountable hotel properties has also now existed throughout the world, competing one-another, but few names remain on the top of the list as a result of the guests satisfactory experience within hotel spaces. Through interiority, human sensed spatial qualities which affects how they perceive space, and its inner self psychologically-emotionally. This undergraduate thesis aimed to furthermore discover and determine how and what interior elements designed in luxury hotel and how far it affects its visitors of perceiving the spaces, until the grandeur and its luxurious persona embodied guests. How intangible qualities affected the guests profoundly by way of analyzing spatial elements within the hotel, how it presents the grand, and opulence of a luxurious hotel. It is from room scale, material consideration and detailed design craftmanship which sometimes arranged for decorative purporses, that has been discovered to present grandeur qualities which featured in luxury hotel to accomodate beyond guests’ necessities, but giving remarkable experience.

Abstrak :
Pesatnya perkembangan manusia dan ruang membawanya ke dalam ruang publik untuk berinteraksi diantara subjek dan objek di lingkungan yang mendorong manusia untuk menghadapi tantangan global dalam menjaga keberlangsungan Bumi. Pada kondisi lingkungan yang sudah terbangun saat ini, kekacauan muncul seiring perkembangan manusia yang menghasilkan sampah dari objek kegiatan keseharian dan penyempitan lahan kosong memberikan peluang untuk membangun ruang arsitektur interior dengan pengalaman yang lebih intim terhadap lingkungan. Penelusuran spasial imaginary landscape melalui studi tentang land dan scape pada seni vegetasi Bonsai mengkreasikan kembali personalisasi alam dalam mengolah hamparan permukaan Bumi. Gundukan limbah yang diinjeksi ke dalam gudang tua batu bata untuk menghidupkan kembali sebagai ground baru melalui narasi material ruang hidup bagi vegetasi Bonsai seluruh dunia untuk memproyeksikan pengalaman spasial manusia. Interelasi antara ground, vegetasi, dan manusia menanamkan pesan kesadaran interioritas yang selalu tumbuh dalam sikap manusia di ruang interior landscape. ......The rapid development of human and space involved into public space to interact between subjects and objects in environment that encourages human to face global challenges to maintain sustainability of the Earth. In this build environment condition, chaos appears along with human development that produce waste from object of daily activities and constriction of land use gives an opportunity to construct interior architecture space with more intimate experience towards environmental. Spatial exploration of imaginary landscape through the studies about land and scape on the art of Bonsai vegetation to recreate nature personalization compose surface of the Earth. Mound of waste injected into old brick stone warehouse to revive as new ground through narrative material of living space for worldwide Bonsai vegetation to project spatial experiences of human. Interrelation between ground, vegetation, and human cultivates awareness message of interiority that keep growing within human attitude in interior landscape space.

Abstrak :
Kehadiran alam sebagai elemen ruang luar di dalam interior pada lanskap interior memberikan pengalaman spasial yang baru bagi manusia. Lanskap interior dialami sebagai sebuah ruang 3 dimensi untuk ditempati dan dihuni, bukan hanya diamati sebagai 2 dimensi berupa pemandangan. Karena menyisipkan elemen luar ke dalam ruang, lanskap interior memberikan pemahaman baru tentang apa yang dianggap luar dan dalam. Salah satu proses dalam lanskap interior yang memberikan pemahaman baru tentang luar dan dalam adalah inversion. Inversion merupakan proses dimana interior dapat menjadi eksterior (eksteriorisasi interior). Pada proses inversion media yang digunakan yaitu transparansi. Selain sebagai media dalam inversion, transparansi merupakan salah satu elemen penting bagi tanaman (lanskap) untuk mendapatkan sinar matahari agar dapat bertahan hidup di dalam ruang. Transparansi diklasifikasikan ke dalam 2 jenis yaitu transparansi literal dengan material dan transparansi phenomenal dengan non-material. Kedua transparansi tersebut mememiliki karakteristik yang berbeda sehingga menghasilkan proses inhabitation yang berbeda pula. Namun pada transparansi literal, proses inhabitation yang dihasilkan sama dengan proses inhabitation secara umum pada arsitektur. Sedangkan pada transparansi phenomenal, proses menempati ruang yang ada di interior justru dapat terjadi di eksterior. Proses menempati ruang pada eksterior inilah yang membedakan proses inhabitation pada inversion dalam lanskap interior dengan proses inhabitation pada arsitektur. ......The presence of nature as an outside element into interior space by the interior landscape provides a new spasial experience for humans. Interior landscape is experienced as a 3-dimensional space to be occupied and inhabited, not only spectated as a 2-dimensional view. The interior landscape provides a new understanding of what is considered outside and inside because it brings outside elements into space. One of the process in interior landscape that provides a new understanding of the outside and inside is inversion. Inversion is the process by which interior space may seem to be an exterior one (exteriorization of the interior). In the inversion process, the media used is transparency. Aside from being a medium for inversion, transparency is one of the important elements for plants (landscape) to get sunlight for them to survive. Transparency is classified into 2 types, literal transparency with material and phenomenal transparency with non-material. Both transparencies have different characteristics that resulted different way of inhabitation processes. But on literal transparency, the inhabitation process produced the same process as the general inhabitation process in architecture. While on phenomenal transparency, the process of occupying space inside can actually occur on the outside. This process of occupying space on outside that distinguishes the inhabitation process of inversion in the interior landscape with the inhabitation process on architecture.

Abstrak :
Interiorscapes are gardens within a building, either covered or open to the airand many of todays best designers see these planted interiors as the most congenial type of environment for working and living. Thats why theyre becoming increasingly popular both in cities where space is at a premium and in countries with extreme climates. Featuring recent innovative work by many of todays most exciting landscape designersincluding Martha Schwartz, Tadao Ando, and Georg Penkerthis lush volume is packed with inspirational and practical ideas. An array of stunning images from around the world showcases breathtaking inner sanctuaries, living architecture, off-the-wall or hanging and mid-air gardens, and gardens under glass.