Hasil Pencarian  ::  Simpan CSV :: Kembali

Abstrak :
This thesis deals with the ideal facts in a work of George Sand, a French female-writer from 19th century. Sand believes that writing novel needs the touch of idealization. Idealization here is restricted to social aspect, especially the social values, which prevail in societies depicted in La Mare au Diable. To explore the object systematically, the structural method is chosen to observe the poetic aspect of the novel. As preliminary stage of discussion, this first step shows a sintagmatic axis of the story which concentrates merely on two characters, namely Germain and Marie. It also reveals that the intrigue of the story is basically simple, consisting only of a chronological set of simple events. The characters represent several social groups. It comes out that among societies of three villages, that's to say, Belair, Onueaux, and Farouche, all observations end up in privileging Belairian characters more than those of the two others. Positive characters and features belong totally to Belair. Good old generation, good young generation, tolerant men and intelligent women are those of Belair. On the contrary, the people of the two other villages have the opposite qualities. To put it briefly, Belair has the good characters. It is then justified with values prevailing and binding the individuals within the society. Originality in tradition, harmonious relationship, freedom from religious obligations, respectful status of women and the dominance of agricultural profession, are distinctive features which characterize Belair. On the contrary, Ormeaux and Farouche people show pragmatism, individualism, materialism, and exploitation. These facts are completed with the description of space and time which clearly confirms the fore-mentioned statement about Belair's excellent position. The result of the analysis mentioned-above is then compared to real rustic life in 19th century social history of France documented by social historians. There are a lot of contrasts resulting from this comparison. History reveals that societies in French villages were individualistic in nature, despite the fact that they were religious people. Besides, there was no equality of respect and opportunity for women. Social life was characterized by resolute segregation stemming from strict social classes. Moreover, typical villagers regarded other people in a fully suspicious stance so that no possible interaction could be put into reality, particularly with the urban society. From this comparison we can conclude that Belairian society is an idealized one which can be found in a noel. It typically represents all literary works in romantic tradition which expresses people's longing for the natural beauty. Such artistic trend reflects the basic concept in art, known as back to nature, whose origin can be traced back to the French philosopher, lean Jacques Rousseau. Sand can be classified as the writer who tries to create an ideal world to materialize her dreams and aspirations. In brief, La Mare au Diable accommodates Sand's obsession of perfect people who live in simple but happy life.

Abstrak :
Skripsi ini berisi tentang kritik sosial Lidija Korneevna Čukovskaja (1907-1996) terhadap pemerintahan Stalin terutama pada masa Periode Pembersihan Stalin (1935-1938) yang termanifestasikan dalam novela Софья Петровна/Sof’ja Petrovna/Sofia Petrovna. Metode yang digunakan adalah deskriptif analitis dan penulis mengaitkannya dengan teori sosiologi sastra. Dari analisis yang telah dilakukan, penulis menyimpulkan bahwa kritik yang paling menonjol dari novela ini adalah kritik terhadap cara kerja sistem birokrasi pada Periode Pembersihan Stalin, yaitu kritik terhadap polisi rahasia dan lembaga peradilan. ......This mini thesis analyzes Lidija Korneevna Čukovskaja’s (1907-1996) social criticism of Stalinist Soviet especially during Stalin’s Great Purge (1935-1938), which manifested in the novella Софья Петровна/Sof’ja Petrovna/Sofia Petrovna. This research is using the method of descriptive analysis combined with the sociology of literature. From the analysis which author had been done, the most prominent critic from this novella is the critic about how bureaucratic system works during Stalin’s Great Purge, which are contain about the secret police and the judiciary.

Abstrak :
Adanya masa pemerintahan Jerman Timur merupakan masa yang kelam bagi para warganya. Mereka diatur kebebasannya dan dikekang oleh pemerintah. Dalam novel Schuld, Grit Poppe mengemukakan pandangan dan kritiknya terhadap pemerintahan Jerman Timur. Kritik Grit Poppe terhadap pemerintahan Jerman Timur dianalisis dengan pendekatan sosiologi sastra yang difokuskan pada teori Pierre Bourdieu mengenai arena kekuasaan yang kemudian menjadi alat untuk menganalisa konflik di dalam novel ini yang mencerminkan kondisi sosial pada masa itu. Orang-orang yang melakukan perlawanan dengan pemerintah diawasi dan kemudian ditangkap oleh Stasi dan pihak Stasi tidak memandang umur orang yang ditangkap. Dengan perjuangan para warga Jerman Timur yang merindukan kebebasan, akhirnya Jerman Timur dan Jerman Barat kembali bersatu (Wiedervereinigung) dan masa reunifikasi ini dianggap juga sebagai masa perubahan "Wendezeit". ......The government of East Germany has brought the dark time for its citizens. The government set up a restriction for its citizens liberty and restrained them too. In the novel Schuld, Grit Poppe put her views and criticisms towards the government of East Germany. Her Critics towards the government of East Germany were analyzed by sociology of literature approach that is focused on the theory of Pierre Bourdieu about field of power which used as tools to analyzing the conflicts in this novel that reflects the social conditions in that time. The people, who were against with the government will be monitored and then arrested by the Stasi and the Stasi irrespective of age. Through the struggle of the East German citizens who yearn for freedom, finally East Germany and West Germany reunited (Wiedervereinigung) and reunification is considered to be a time of change "Wendezeit".

Abstrak :
Isu mengenai mental disorder atau gangguan mental telah menjadi sebuah isu yang sering diperbincangkan pada masyarakat akibat dari maraknya kasus yang terjadi. Salah satu gangguan mental yang terjadi dalam masyarakat adalah alkoholisme.Alkoholisme merupakan sebuah gangguan perilaku pada individu yang ditandai dengan konsumsi alkohol yang berlebihan. Alkoholisme merupakan suatu tema utama yang terdapat pada lirik lagu Banyu Surga karya NDX A.K.A. Penelitian ini membahas bagaimana perilaku alkoholisme direpresentasikan dalam lirik lagu ini. Dengan menggunakan metode deskriptif analisis, teori representasi dari Stuart Hall, semiotika Charles Sander Peirce dan sosiologi sastra dari Sapardi Djoko Damono (2002), penelitian ini menggambarkan bagaimana alkoholisme direpresentasikan dalam lagu melalui cerita tokoh “aku” pada lirik Banyu Surga. Penelitian ini menghasilkan temuan bahwa lirik lagu Banyu Surga dianggap sebagai sebuah pengingat mengenai bahaya alkohol meskipun secara leksikal lirik lagu ini berisi ajakan kepada masyarakat untuk mengonsumsi alkohol. Melalui analisis semiotika Peirce, ditemukan dua simbol yang mewakili alkoholisme yaitu kata banyu pekok dan banyu surga. Lirik yang terdapat dalam lagu tersebut ternyata sejalan dengan realitas sosial yang ada mengenai alkoholisme. ......The issue of mental disorder has become an topic that often discussed in the community due to the number of cases that have occured. One of the disorder that occur in society is alcoholism. Alcoholism is a behavior disorder that characterized by excessive consumption of alcohol. Alcoholism is the main theme that found in the lyrics of the song Banyu Surga by NDX A.K.A.. This study discusses about how alcoholic behavior is represented in the lyrics of this song. Using the descriptive analytic method, the representation theory from Stuart Hall, Charles Sanders Peirce Semiotics and the sociology of literature from Sapardi Djoko Damono (2002), this study describes how alcholism is represented in song’s lyrics through the story of “aku”. The results of this study is the lyrics are considered as a reminder of the dangers of alcohol even though the lyrics of the song contain a suggestion to consume alcohol, lexically. Through Peirce’s semiotic analysis, two symbols (Banyu pekok and Banyu surga) were found. The lyrics also contain a social reality regarding alcoholism in society.

Abstrak :
Domestikasi adalah salah satu teknik penerjemahan yang memiliki fungsi untuk membuat pembaca mudah memahami teks target dengan menghilangkan kesulitan yang disebabkan oleh istilah budaya dalam teks sumber. The Land of Five Towers adalah novel versi bahasa Inggris dari Negeri 5 Menara Ahmad Fuadi yang menceritakan kisah tentang seorang remaja laki-laki yang belajar di pesantren atau pesantren. Studi ini meneliti teknik domestikasi yang diterapkan oleh penerjemah dalam menerjemahkan istilah budaya pesantren yang ditemukan di Tanah Lima Menara Ahmad Fuadi. Data dikumpulkan dan dianalisis menggunakan teori domestikasi Venuti 1995 dan konsekuensinya terhadap representasi identitas dalam istilah budaya pesantren yang diklasifikasikan menjadi dua teknik; Persamaan fungsional Nida 1995 dan kelalaian. Analisis data menunjukkan bahwa semua istilah pesantren dalam novel ditandai dengan italisasi. Hasilnya menunjukkan bahwa terjemahan dari ST ke TT mengurangi identitas budaya melalui teknik domestikasi yang diterapkan. ...... Domestication is the one of translation techniques which has a function to make the reader easily understand the target text by removing the difficulty caused by cultural terms in the source text. The Land of Five Towers is an English-version novel from Ahmad Fuadi rsquo;s Negeri 5 Menara which tells a story about a teenage boy who studied in Islamic boarding school or pesantren. This study examines the domestication technique which is applied by the translator in translating the pesantren cultural terms found in Ahmad Fuadi rsquo;s The Land of Five Towers. The data are collected and analyzed using Venuti rsquo;s theory of domestication 1995 and its consequence towards identity representation in pesantren cultural terms which are classified into two techniques; Nida rsquo;s functional equivalence 1995 and omission. The data analysis shows that all pesantren terms in novel are marked with italicization. The result shows that the translation from ST into TT reduces cultural identity through domestication techniques which are applied in the translation.

Abstrak :
Kritik sosial merupakan salah satu bentuk komunikasi yang biasanya berisi masukan, sanggahan, sindiran, tanggapan, atau penilaian terhadap sesuatu yang dinilai menyimpang atau melanggar nilai-nilai yang ada di kehidupan bermasyarakat. Kritik sosial ini disampaikan bukan hanya secara langsung, tetapi juga tidak langsung melalui karya sastra, salah satunya dalam bentuk lagu. Dalam tulisan ini, penulis menganalisis bentuk kritik sosial dalam dua buah lagu yang berjudul A Monster dan Mute yang keduanya berada dalam album bertajuk Daehanmingugeul Noraehanda. Tulisan ini bertujuan untuk mendeskripsikan bentuk dan cara kritik sosial ditampilkan dalam kedua lirik lagu tersebut. Penulis menemukan bahwa meskipun kedua lagu menyampaikan kritik sosial dengan tema yang sama, tetapi salah satu lagu ternyata dilarang pemutarannya di media penyiaran Korea. Penulis menggunakan metode kualitatif deskriptif melalui pendekatan sosiologi sastra. Dari hasil analisis ditemukan bahwa kedua lirik lagu mencerminkan kritik pencipta lagu terhadap media Korea yang telah terdistorsi dan dikontrol oleh pihak tertentu. Kritik sosial tidak disampaikan secara gamblang melainkan secara tersirat dengan ungkapan- ungkapan sinisme dan sarkasme dalam liriknya. ......Social criticism is a form of communication that usually contains input, refutation, satire, response, or assessment of something that is considered deviant or violates the values that exist in social life. This social criticism is conveyed not only directly, but also indirectly through literary works, one of which is in the form of songs. In this paper, the author analyzes the form of social criticism in two songs entitled A Monster and Mute, both of which are in the album titled Daehanmingugeul Noraehanda. This paper aims to describe the form and way of social criticism displayed in those two songs. It was found that even though the two songs conveyed social criticism with the same theme, one of the songs was banned from broadcasting in Korean broadcast media. The researcher uses a descriptive qualitative method through a sociology of literature approach. From the results of the analysis, it was found that the two song lyrics reflect the songwriter's criticism of the Korean media which has been distorted and controlled by certain parties. Social criticism is not conveyed explicitly but implicitly with expressions of cynicism and sarcasm in the lyrics.

Abstrak :
Penelitian ini membahas potret sosial generasi milenial dalam novel Secangkir Kopi dan Pencakar Langit karya Aqessa Aninda (2016) dengan menggunakan pendekatan sosiologi sastra. Pada saat ini novel populer di Indonesia cenderung diabaikan dalam penelitian sastra karena secara kualitas dianggap rendah dibandingkan dengan sastra serius. Akan tetapi, dalam bidang keilmuan, jenis karya sastra populer tentu tidak adil jika diperlakukan secara diskriminatif. Bagaimanapun, novel populer sebagai bagian dari khazanah kesusastraan Indonesia tetap penting sebagai objek kajian. Tentu saja pengkajiannya harus berdasarkan pendekatan yang sesuai dengan karakteristik karya bersangkutan. Dalam hal ini, pendekatan sosiologi sastra dengan menekankan pada upaya melihat karya itu dari aspek dinamika dan perubahan sosial dapat mengungkapkan sisi lain dari kehidupan sosial. Dengan demikian, “potret” sosial yang dimaksud dalam judul penelitian ini adalah hubungan antara teks sastra (novel) yang menggambarkan masyarakat generasi milenial dalam novel Secangkir Kopi dan Pencakar Langit dengan kenyataan yang terjadi dalam kehidupan masyarakat sekarang. Oleh karena itu, melalui novel itu, akan dikaji potret sosial dari generasi milenial yang muncul dalam novel tersebut untuk mengungkapkan karakteristik generasi milenial. Untuk mencapai tujuan tersebut, penelitian ini menggunakan metode deskriptif kualitatif dan menganalisis novel tersebut berdasarkan pendekatan sosiologi sastra. Hasil penelitian menunjukkan, terdapat lima karakteristik kehidupan generasi menial dalam kaitannya dengan pemakaian bahasa, perilaku gaya hidup, cara berpakaian, penggunaan media sosial, dan ketergantungan pada teknologi digital. Penelitian ini mencoba mengungkapkan kelima karakteristik itu sebagai representasi generasi milenial yang terdapat dalam novel Secangkir Kopi dan Pencakar Langit.

---

This study discusses the millennial generation's social portrait in Aqessa Aninda's novel Secangkir Kopi dan Pencakar Langit (2016) using a sociological literary approach. Currently, popular novels in Indonesia tend to be neglected in literary research because they are considered low quality compared to serious literature. However, in the scientific field, it is certainly not fair if literary works are treated discriminatively. After all, popular novels as part of Indonesian literary treasures, remain essential as objects of study. Of course, the assessment must be based on an approach that is in accordance with the characteristics of the work in question. In this case, the sociology of literature approach by emphasizing the effort to see the work from the aspects of social dynamics and changes can reveal the other side of social life. Thus, the social "portrait" referred to in this study's title is the relationship between literary texts (novels), that describe the millennial generation of society in the novel Secangkir Kopi dan Pencakar Langit, and the reality that occurs in today's society. Therefore, through this novel, social portraits of the millennial generation that appear in the novel will be studied to reveal the millennial generation's characteristics. To achieve this goal, this study used a qualitative descriptive method and analyzed the novel based on a sociological literary approach. The results showed that there are five characteristics of the millennial generation's life in relation to language use, lifestyle behavior, dress code, use of social media, and dependence on digital technology. This research tries to reveal the five characteristics as a representation of the millennial generation contained in the novel Secangkir Kopi and Pencakar Langit

Abstrak :
Identitas merupakan karakter yang dimiliki oleh individu dan dapat terbentuk melalui struktur kebudayaan suatu masyarakat. Kesusastraan Kanada sering kali mengangkat permasalahan identitas sebagai topik utama penulisannya. Québec sebagai wilayah frankofon Kanada menghadapi puncak isu identitasnya pada masa Révolution Tranquille. Jacques Godbout dalam novelnya yang berjudul Salut Galarneau! (1967) membawakan cerita mengenai François, lelaki asal Kanada yang tumbuh di lingkungan multikultur karena Ayah François merupakan orang Prancis dan Ibunya merupakan orang Amerika. Stuart Hall (2005) menyampaikan bahwa identitas budaya merupakan suatu identitas yang akan terus berubah tergantung dengan siapa individu tersebut berinteraksi, kapan dan di mana ia berada. Namun, pada praktiknya manusia akan bertemu manusia lain dan melakukan interaksi di tempat dan dalam situasi yang berbeda. Kemudian masyarakat yang hidup berdampingan ini akan berusaha untuk mempertahankan karakteristik dari budaya mereka masing-masing. Penelitian dilakukan dengan metode kualitatif dengan pendekatan tekstual pada film sebagai korpus penelitian. Penelitian juga didukung teori fokalisasi oleh Genette (1983) dan teori struktur naratif oleh Roland Barthes (1975). Hasil analisis menunjukkan François pada akhirnya menjauhkan diri dari budaya Prancis serta menunjukkan bahwa multikulturalisme berperan penting dalam pembentukan jati diri seseorang. ...... Identity is a character that is owned by individuals and can be formed through the cultural structure of a society. Canadian literature often raises the issue of identity as the main topic of its writing. Québec as a francophone region of Canada faced the peak of its identity issue during the Révolution Tranquille. Jacques Godbout in his novel Salute Galarneau! (1967) tells the story of François, a man from Canada who grows up in a multicultural environment because François' father is French and his mother is American. Stuart Hall (2005) said that cultural identity is an identity that will continue to change depending on who the individual interacts with, when, and where he is. However, in practice, humans will meet other humans and interact in different places and situations. Then these people who live side by side will try to maintain the characteristics of their own culture. The research was conducted using a qualitative method with a textual approach to film as a research corpus. This research is also supported by the theory of focalization by Genette (1983) and the theory of narrative structure by Roland Barthes (1975). The results of the analysis show that François ultimately distanced himself from French culture and shows that multiculturalism plays an important role in the formation of one's identity.