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"Skripsi ini membahas kaitan mitologi dengan arsitektur pada kegiatan berhuni dan ritual di rumah, pada rumah tradisional di dusun mangir bantul yogyakarta. Penelitian kualitatif ini bertujuan untuk menggali pengaruh mitos terhadap kehidupan masyarakat, terutama bentuk dan fungsi ruang di dalam rumah, baik dalam kehidupan sehari-hari ataupun dalam kegiatan ritual. Partisipan dalam skripsi adalah warga dusun Mangir dengan sample 7 (tujuh) buah rumah.Hasil penelitian menunjukan bahwa terdapat hubungan antara mitos dan arsitektur, baik dalam kegiatan berhuni ataupun dalam kegiatan ritual. Penelitian ini merekomendasikan kepada penelitian selanjutnya untuk mengkaji upaya pelestarian Omah Mangir, sebagai suatu wujud pelestarian budaya.......This thesis discusses the architecture in relation to mythology and ritual activities in the house, in traditional houses in the village of Mangir, Bantul Yogyakarta. This qualitative research aims to explore the influence of myth on people's lives, especially of form and function rooms in the house, both in everyday life or in ritual activity. Participants in this thesis is Mangir villagers, Bantul, Yogyakarta, with a sample of seven houses.The results show that there are a relationship between myth and architecture, both in everyday life or ritual activities.The recommends for next research is to assess the conservation Omah Mangir, as an act of cultural preservation."

"Pramoedya Ananta Toer rewrote the tragic story of Ki Ageng Mangir into aply in 1976 while he was imprisoned in Buru Island and finally saw its publication, entitled Mangir, in 2000. This work owes its importance to pramudya's ability to use the framework of the story to expose the similarities between the Mataram era and the new order era,particularly their manipulations of power. In the traditional story, the tragig hero, Ki Ageng Mangir, is betrayed by his wife and killed by his father-in-law Panembahan Senopati, but Pramoedya reconstructured these myths in a series of "corrections" that move the story closer into history. These"corrections are deconstruction of traditional Javanese symbolisms . This paper explains and explores the historical paradigm that Pramoedya Ananta Toer employs in his rewriting of the story."