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""Social and economic histories of the long eighteenth century have largely ignored women as a class of landowners and improvers. 1700 to 1830 was a period in which the landscape of large swathes of the English Midlands was reshaped--both materially and imaginatively--by parliamentary enclosure and a bundle of other new practices. Outside the Midlands too, local landscapes were remodelled in line with the improving ideals of the era. Yet while we know a great deal about the men who pushed forward schemes for enclosure and sponsored agricultural improvement, far less is known about the role played by female landowners and farmers and their contributions to landscape change.Drawing on examples from across Georgian England, Elite Women and the Agricultural Landscape, 1700-1830 offers a detailed study of elite women's relationships with landed property, specifically as they were mediated through the lens of their estate management and improvement. This highly original book provides an explicitly feminist historical geography of the eighteenth-century English rural landscape. It addresses important questions about propertied women's role in English rural communities and in Georgian society more generally, whilst contributing to wider cultural debates about women's place in the environmental, social and economic history of Britain. It will be of interest to those working in Historical and Cultural Geography, Social, Economic and Cultural History, Women's Studies, Gender Studies and Landscape Studies."--Provided by publisher."

"ABSTRAKAbad ke-17 di Batavia merupakan sebuah panggung tempat para wanita Eropa elite untuk menunjukan status sosialnya di masyarakat dengan menggunakan simbol-simbol kemewahan. Hal tersebut dimulai ketika para wanita Eropa bermigrasi ke tanah koloni dan menempatkan diri sebagai kaum terhormat di Batavia. Dengan memanfaatkan kekayaan sang suami yang memiliki kedudukan tinggi di VOC, mereka tampil ke depan publik dengan tidak hanya menggunakan simbol-simbol Eropa tetapi juga simbol status sosial timur. Hal tersebut tercermin dalam beberapa lukisan yang dibuat pada abad ke-17, yaitu lukisan potret karya Jacob Coeman dan Albert Cuijp, dalam analisis lukisan tersebut ditemukan beberapa simbol status sosial timur pada wanita elite Eropa yaitu kepemilikan budak,penggunaan payung dan kotak sirih.

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ABSTRACTIn the 17th century, Batavia was a place where the European elite women showed off their social status in the society by using the symbols of luxury. The case began when European women immigrated to the land of colony and placed theirself as the nobility in Batavia. By using the wealth of their spouse who had high position in VOC, they appeared to the public not only use the European status symbols but also with the symbols of status of Asian status. This is reflected in some of paintings made in the 17 century, such as the painting portrait by Jacob Coeman and Albert Cuijp. The analysis found some symbols of social status of European elite women are slave ownership, the use of parasol and betel box."