Hasil Pencarian  ::  Simpan CSV :: Kembali

Abstrak :
Can't stop -- Diamond girl -- Cold love -- Sleepless night -- Love is -- Like a child.

Abstrak :
1. Wow -- 2. Touch My Body -- 3. Nappŭn son (Naughty Hands) -- 4. But I Love U -- 5. OK Go! -- 6. Sunshine.

Abstrak :
Pinggŭl pinggŭl (3:18) -- Without you (3:26) -- Mwŏrago (3:34) -- Bang bang bang (3:30) -- Dancing floor (3:19) -- Manman hani (remix) -- Ok! (remix) -- Nŭi ka choa (I like you) (remix) -- Talk to me (remix) -- Ŏriji ana (remix) -- Give it to me (remix) -- Pinggŭl pinggŭl (inst.) -- Mwŏrago (inst.).

Abstrak :
The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." (Will Straw, McGill University). "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." (Barry Shank, author of 'The Political Force of Musical Beauty' (2014)).0The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.

Abstrak :
Penelitian ini membahas mengenai keterkaitan perubahan kondisi perempuan dan kemunculan tren dalam industri musik populer Jepang. Berdasarkan data dari buku tahunan Recording Industry Association of Japan tahun 2018, terlihat bahwa ada perubahan tren dalam industri musik populer Jepang pasca tahun 2000. Dalam data tersebut tercantum bahwa grup idola yang beranggotakan beberapa laki-laki mendapatkan posisi sebagai artis terbaik selama beberapa tahun berturut-turut, seperti Exile dan Arashi. Karena Exile dan Arashi adalah boygroup, dapat dikatakan bahwa sebagian besar penggemar mereka berasal dari kaum perempuan. Jika para perempuan tersebut dapat mengonsumsi idola mereka, berarti mereka memiliki kemampuan finansial secara independen. Pertama, penelitian ini akan melihat bagaimana perubahan tingkat pendidikan perempuan berpengaruh terhadap pekerjaan mereka sehingga mereka memiliki kemampuan finansial. Selanjutnya, akan diberikan gambaran mengenai kondisi industri musik tren dalam industri musik populer Jepang dari tahun 1980-an hingga 1990-an. Terakhir, penelitian ini akan membahas bagaimana perubahan kondisi perempuan Jepang dapat memberikan pengaruh dalam terbentuknya tren musik populer Jepang. ......This study discusses the correlation of the increasing of women 39 s purchasing power and the emergence of new trends in Japan 39s popular music industry in the last 2 decades. Data from the yearbook of Recording Industry Association of Japan in 2018 shows that there is a change of trend in Japan 39 s popular music industry after the year 2000. The data stated that the group of idols consisting of several men the so call lsquo boy bands, such as Exile and Arashi, achieve the position as the best artist for several consecutive years. I argue that since Exile and Arashi are boygroups, their fans are mostly women. That these women are able to consume rsquo their idol, indicates that they are indeed financially well off. Why I assume that their opportunities for higher educations during the 1980s, combined with high employment rate, have enpowered them financially as well as socially. Furthermore, I will show an overview of the trends of the music industry in the Japanese popular music industry from the 1980s to the 1990s. Finally, the discussion part will show the correlation how the changing financial position of Japanese women can affect the dynamics of Japans popular music trends.