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"Media yang memiliki narasi percintaan sesama laki-laki boy rsquo;s love digemari khalayak luas tak terkecuali di Indonesia. Hal ini terbukti dari jumlah konsumsi yang tinggi terhadap media tersebut, terutama kaum perempuan. Pada awalnya konsumsi terhadap boy rsquo;s love ini dilakukan secara pasif oleh para perempuan Indonesia. Seiring perkembangan teknologi, para konsumen perempuan tersebut mempunyai fasilitas untuk lebih aktif dalam memproduksi media-media yang memiliki narasi boy rsquo;s love. Selain itu, di Indonesia belakangan ini semakin marak acara comic market dan content creator yang mewadahi perempuan untuk mereproduksi media yang memiliki narasi boys rsquo; love. Seperti diungkapkan Jenkins 1992 , para konsumen perempuan, yang disebut juga dengan fan, telah lebih dari dua dekade memproduksi kembali narasi boy rsquo;s love menjadi fan merchandise, fan art, fan fiction, dan lain-lain. Namun, reproduksi narasi yang dilakukan konsumen perempuan tersebut masih membawa nilai-nilai maskulin dan feminin, atau nilai-nilai heteronormatif. Berangkat dari hal tersebut, penulis akan mengkaji salah satu karya fan fiction, yang berjudul ldquo;Card Vanguard rdquo; dengan pengarang Hisuri Rii. Menggunakan pisau analisis semiotika Roland Barthes 1972 dengan konsep denotasi dan konotasi sebagai kunci analisis semiotika, penelitian ini akan mengkaji nilai-nilai patriarki dan heteronormatif yang dibawa oleh sang pengarang dalam pembuatan media berkonten boys rsquo; love.

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Media that has a narrative of love of fellow men boy 39 s love popular a wide audience is no exception in Indonesia. This is evident from the amount of high consumption of these media, especially women. At first the consumption of boy 39 s love was done passively by the women of Indonesia. Along with technological developments, these female consumers have the facility to be more active in producing media that has a narrative boy 39 s love. In addition, in Indonesia lately increasingly rampant comic market event and content creator that accommodate women to reproduce the media that has a narrative boys 39 love. As Jenkins 1992 points out, female consumers, also called fans, have more than two decades of re producing boy 39 s love narratives into fan merchandise, fan art, fan fiction, and so on. However, the production of narratives by women consumers still carries both masculine and feminine values or heteronormative values. Departing from that, the author will review one of the fan fiction works, entitled Card Vanguard with the author of Hisuri Rii. Using Roland Barthes 39 s 1972 semiotical analysis knife with the concept of denotation and connotation as the key to semiotic analysis, this study will examine the patriarchal and heteronormative values brought by the author in the manufacture of boys 39 love media"

"The increasing prominence of China on the world stage has sparked scholarly interest in studying the country’s representation in the media. Also driving the enthusiasm is the global expansion of Chinese state media, which some refer to as an attempt to export Chinese propaganda. Research on the topic in Southeast Asia remains lacking despite the region’s being in China’s backyard. This qualitative study aims to narrow the knowledge gap by looking at China’s representation in Malaysia. Using content analysis and in-depth interviews, it examines specifically the coverage of former Prime Minister Najib Razak’s 2016 visit to China by the Malay, Mandarin, and English bulletins on public and private television. The results show that China’s portrayal in the coverage is positive, notwithstanding the stories indicating concerns about the implications of China’s rise. The outcome points to the dominance of the state narrative, with instances of the press breaking the authorities’ restrictions to inform the audience. It appears that the reportage was not much impacted by Chinese media’s efforts to go global. Drawing on the Hierarchy of Influences model, the study demonstrates that the representation of China in Malaysian media coverage is a product shaped by intertwined social, cultural, and political factors as complex as Malaysian society."

"Artikel ini menyoroti perkembangan representasi queer dan trans di televisi. Komunitas LGBTQIA+ (lesbian, gay, bisexual, transgender, queer, intersex, ally) terus didiskriminasi hingga hari ini (Americanprogress.org, 2020). Terlepas dari fakta tersebut, kini alur cerita transgender menjadi lebih umum di lanskap media saat ini, dan menggeser bentuk representasi trans yang tersedia untuk khalayak (Berberick, 2018). Menggunakan teori representasi Stuart Hall (1997) untuk menganalisis serial TV hit HBO, "Euphoria"–yang mencakup representasi positif dari karakter trans-femme (Vice, 2019), studi ini mengamati dampak representasi di media arus utama pada audiensnya. Artikel ini berpendapat bahwa representasi queer di media memiliki efek langsung pada kelompok queer di kehidupan nyata.

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This article highlights the significance of queer and trans representation in television. The LGBTQIA+ community continues to be discriminated against today, and Generation Z is more exposed to media than

ever (Francis, 2022). However, transgender storylines have become more prevalent in today’s media landscape, raising fundamental considerations concerning the forms of trans representation available to audiences (Berberick, 2018). Using Stuart Hall’s (1997) representation theory to analyse HBO’s hit TV series, “Euphoria”, which includes a good representation of a trans-femme character (Vice, 2019), this article observes the impacts of such representation in mainstream media on its audiences. This article argues that queer representation in the media directly affects queer people in real life. "

"Skripsi ini membahas representasi agenda media, khususnya surat kabar nasional dalam mengangkat isu-isu lingkungan. Kompas dan koran Tempo dipilih karena merupakan surat kabar nasional dengan oplah yang tinggi sehingga agendanya akan mempengaruhi agenda publik secara signifikan. Penelitian ini merupakan penelitian kuantitatif dengan menggunakan metode analisis isi.Hasil penelitian memperlihatkan bahwa surat kabar di Indonesia belum memberikan perhatian kepada isu-isu lingkungan dan representasi lingkungan masih sangat terbatas pada isu-isu tertentu yang menarik khalayak dan berdampak besar.The focus of this study is the representation of the media agenda, especially national newspaper in reporting environmental issues. Kompas and Tempo newspaper was chosen because of its high circulation, thus the media agenda does effect the public agenda significantly. This is a quantitative study using content analysis method.

The data analysis showed that the environmental issues in Indonesia hasn't been the national newspaper's concern. The environment issue that was discussed is very limited to certain issue that attracts the readers and has a big impact to the society."

"Penelitian ini bertujuan untuk melihat bagaimana representasi media online Liputan6 terkait perempuan pelaku korupsi dalam rentang tahun 2020-2023. Penelitian ini menggunakan pendekatan kualitatif analisis wacana kritis. Hasil penelitian menunjukkan bahwa pemberitaan Liputan6 terkait perempuan pelaku korupsi bersifat misoginis dan merendahkan perempuan yang dapat dilihat dari penyorotan aspek sensasional hingga gaya hidup pelaku. Analisis ini menggunakan radical feminism theory dan representation theory untuk melihat penyebab pemilihan narasi yang bersifat misoginis. Penelitian ini juga menemukan bahwa artikel berita yang dipublikasikan belum terbebas dari stereotip gender dan bias gender. Selain itu, tujuan dari pemberitaan yang menyorot aspek pribadi dan bersifat misoginis terhadap perempuan pelaku dilakukan untuk mengejar page view serta terdapat nilai-nilai berita yang dipertimbangkan.

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This research aims to find out how Liputan6 online media represents women perpetrators of corruption in the 2020-2023 period. This research is a qualitative study using critical discourse analysis. The results showed that Liputan6's coverage of women perpetrators of corruption was misogynistic and demeaning to women, as evidenced by the sensational focus on the lifestyle aspects of the perpetrators. This analysis uses radical feminism theory and representation theory to understand the reasons behind the choice of misogynistic narratives. The research also found that the published news articles were not free from gender stereotypes and biases. In addition, the purpose of highlighting the personal and misogynistic aspects of female perpetrators is to pursue pageviews and consider certain news values."