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Abstrak :
[ABSTRAK
Komedi situasi (sitcom) merupakan salah satu bentuk tayangan di televisi yang berusaha menampilkan potret realita sosial. Meskipun berakar dari fakta dan kondisi masyarakat, komedi situasi juga merekonstruksi paradigma audiens dengan representasi yang disuguhkan dalam bentuk audio sekaligus visual.

Tetangga Masa Gitu sebagai sebuah sitcom baru berusaha menampilkan sosok perempuan Indonesia yang baru dan berbeda dengan stereotipe konvensional. Tetapi di saat yang sama, terdapat bagian dari identitas lama yang masih dipertahankan. Hal ini menunjukkan adanya sebuah ideologi yang mendasari representasi tersebut dan berusaha dikukuhkan. Melalui tesis ini, penulis melihat sebuah redefinisi yang semu dari sosok perempuan yang digagas dalam episode-episode sitcom ini.

Teori Representasi digunakan untuk meninjau dialog-dialog dan cuplikan adegan dalam tayangan Tetangga Masa Gitu dan menunjukkan proses redefinisi identitas perempuan. Tesis ini mencoba memberikan pemahaman akan representasi dalam televisi yang meskipun berubah, akan selalu terhubung dengan akar identitas sebuah masyarakat.

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ABSTRACT
Situation comedy (Sitcom) is one kind of television show presenting snapshots of a society. Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences? paradigm through audio & visual representations showed in it.

As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesian women, which differs from the conventional stereotypes. However, there are parts of the old identity that emerge in the sitcom. It shows that there is this one form of ideology constructing the way this sitcom represents women. In this research, the aim is to see the false redefinition on women narrated in episodes of this sitcom.

Theory of representation is used to analyze dialogues and screenshots, and identify the process of redefining women?s identity. This thesis attempt to provide understanding upon representations in television which tends to change, yet is always connected to its root in social identity.;Situation comedy (Sitcom) is one kind of television show presenting snapshots of a society. Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences’ paradigm through audio & visual representations showed in it. As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesian women, which differs from the conventional stereotypes. However, there are parts of the old identity that emerge in the sitcom. It shows that there is this one form of ideology constructing the way this sitcom represents women. In this research, the aim is to see the false redefinition on women narrated in episodes of this sitcom. Theory of representation is used to analyze dialogues and screenshots, and identify the process of redefining women’s identity. This thesis attempt to provide understanding upon representations in television which tends to change, yet is always connected to its root in social identity., Situation comedy (Sitcom) is one kind of television show presenting snapshots of a society. Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences’ paradigm through audio & visual representations showed in it. As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesian women, which differs from the conventional stereotypes. However, there are parts of the old identity that emerge in the sitcom. It shows that there is this one form of ideology constructing the way this sitcom represents women. In this research, the aim is to see the false redefinition on women narrated in episodes of this sitcom. Theory of representation is used to analyze dialogues and screenshots, and identify the process of redefining women’s identity. This thesis attempt to provide understanding upon representations in television which tends to change, yet is always connected to its root in social identity.]

Abstrak :
ABSTRAK
Humor adalah sebuah aspek fundamental di dalam progress kultur yang juga merefleksikan isu-isu yang ada di dunia sekarang ini. Penggunaan dari hinaan dan humor satir juga telah dikenal sepanjang sejarah dan sekarang juga semakin sering digunakan di serial televisi dewasa. Ini bertujuan untuk merefleksikan dunia guna mendapatkan perhatian dan penerimaan dari penontonnya, sekaligus juga menciptakan perbincangan yang mendorong mereka untuk berpikir lebih kritis, baik untuk melanggar stereotipe atau norma sembari tetap bermain di bawah peraturan masyarakat dan mengatakannya sebagai humor belaka. Ini adalah sebuah isu yang menarik, secara humor dan satir dikenal tidak hanya untuk membuat tertawa, tetapi juga untuk menunjukkan perspektif dan pendirian tertentu; memperlihatkan kegunaan mereka sebagai alat untuk kritik sosial. Artikel ini akan memberikan analisis kritis menggunakan kutipan dari season pertama dan kedua dari sitkom Adult Swim berjudul Rick and Morty dalam bentuk transkrip dialog yang memiliki humor atau satir relevan untuk dianalisis mengenai isu-isu di masyarakat akan ketidakpercayaan terhadap pemerintah dan representasi gender. Jelas terlihat bagaimana humor dan satir dapat digunakan sebagai alat untuk menyampaikan makna sosial dan menciptakan pengetahuan kepada penontonnya tanpa terang-terangan menyinggung.

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ABSTRACT
Humour has always been a fundamental aspect in the progress of culture that surprisingly also reflects the current issues of the world. The use of offensive and satirical humour themselves have been known throughout history, and now they are even more commonly used in adult television series, aiming to reflect the world in order to gain the acceptance and interest of its viewers, as well as creating conversation and prompting them to think more critically, either for the purpose of breaking stereotypes or the norms, while also playing under the society rsquo s rule and passing it off as merely humour. This is an interesting issue, as evidently humour and satire not only elicit laughter, but also show certain perspectives and stances that reflect their ability to function as a tool for social criticism. This paper will give a critical analysis using the excerpts of the first and second season of the Adult Swim sitcom Rick and Morty in the form of dialogue transcript which contain the relevant humour or satire to be analysed concerning the issues of the society rsquo s distrust in the government and gender representation. It is apparent how humour and satire can act as a tool to relay social meaning and create knowledge within its audience without outright being offending.